In the annals of adventure and exploration, there are few names to rival that of the USS Enterprise. Edited by Carol Creenburg with stories by Diane Carey, Peter David, Michael Jan Friedman, Robert J. Greenburger, John Vornholt and more, THE ENTERPRISE LOGS celebrates the proud history of the many ships which have borne the name of Enterprise and the valiant captains who have steered them through danger to glory. From the original real-life USS Enterprise - a fighting sloop which fought in the American Revolution - to the state-of-the-art starship commanded by Jean-Luc Picard, this stirring anthology captures some of the most thrilling moments in the careers of the ten captains - Kirk, Pike, Decker and Garrett amongst them - who have been privileged to command a legend.
From the author's preface: As a part of my job as editor of the weekly Canmore Leader, I am required each week to write precisely 3,024 characters on my trusy Mac to fill an op-ed space that was probably, in its consept, intended to be home to a thoughtful, reasoned discource on development, tourism, the environment, religion, politics or philosophy in general. Unfortunately, the job came without an instruction manual, and believing feverently that there is far too much weighty discourse going on in the world today, I opted for a somewhat more frivolous approach. You will find no startling insight herein, no sagacious wisdom, no penetrating perspectives. Instead you would be wise to put this book in the bathroom as soon as you buy it. It's that kind of book. And no, this is not what I aspired to be when I grew up.
Furnishing horoscopes for July 2009 to December 2010, an updated new collection of astrological guides by one of America's leading astrologers presents a host of predictions for the upcoming year, along with daily, eighteen-month outlooks for each zodiac sign and forecasts on romance, health, career opportunities, and more. Original.
An intimate and heartwarming collection of memories that puts one of Canada's most beloved and iconic artists into a whole new light. In 1916, Emily Carr wasn't famous. She was poor, and she taught art classes to children. One of her students was seven-year-old Carol Pearson. Pearson spent hours every day with Carr: they painted together at the water's edge, and she helped care for the dogs, birds, monkey and other animals that Carr kept as pets. They grew very close, and at the age of 14, Carol moved in with Carr. Emily nicknamed Carol "Baboo," and Carol called her "Mom." The two were "mother-and-daughter" for twenty-five years, up until Carr passed away. This touching tribute to Carr illustrates a gentleness and sensitivity not seen in other biographies. Originally published in 1954, this very unique biography reveals Carr's personality more fully than any other.
In a captivating memoir, an Egyptian American visionary and scientist provides an intimate view of her personal transformation as she follows her calling—to humanize our technology and how we connect with one another. LONGLISTED FOR THE PORCHLIGHT BUSINESS BOOK AWARD • “A vivid coming-of-age story and a call to each of us to be more mindful and compassionate when we interact online.”—Arianna Huffington NAMED ONE OF THE BEST BOOKS OF THE YEAR BY PARADE Rana el Kaliouby is a rarity in both the tech world and her native Middle East: a Muslim woman in charge in a field that is still overwhelmingly white and male. Growing up in Egypt and Kuwait, el Kaliouby was raised by a strict father who valued tradition—yet also had high expectations for his daughters—and a mother who was one of the first female computer programmers in the Middle East. Even before el Kaliouby broke ground as a scientist, she broke the rules of what it meant to be an obedient daughter and, later, an obedient wife to pursue her own daring dream. After earning her PhD at Cambridge, el Kaliouby, now the divorced mother of two, moved to America to pursue her mission to humanize technology before it dehumanizes us. The majority of our communication is conveyed through nonverbal cues: facial expressions, tone of voice, body language. But that communication is lost when we interact with others through our smartphones and devices. The result is an emotion-blind digital universe that impairs the very intelligence and capabilities—including empathy—that distinguish human beings from our machines. To combat our fundamental loss of emotional intelligence online, she cofounded Affectiva, the pioneer in the new field of Emotion AI, allowing our technology to understand humans the way we understand one another. Girl Decoded chronicles el Kaliouby’s journey from being a “nice Egyptian girl” to becoming a woman, carving her own path as she revolutionizes technology. But decoding herself—learning to express and act on her own emotions—would prove to be the biggest challenge of all.
The almost Aesop-like parables in Star Trek laid down a philosophy of moral rectitude. However, the show did more by giving a positive vision of a future thought of as science fiction and unattainable in the 60s, such as existing as non-corporal beings and being able to manifest whatever we wanted with mind power alone. Now, more than 40 years later, we realize we can achieve these things, and it has been easier to accept current concepts evolving during these years because Star Trek paved the way. Also during the 60s A Course in Miracles was being scribed, and it espoused the same principles essential to Star Trek: we create our own reality; love is stronger than force of will; and all our reality is an illusion based on our perception.
ALL-NEW STELLAR PREDICTIONS Eighteen months of daily horoscopes from July 2006 to December 2007 THE STARS MAY BE FAR AWAY BUT THE FUTURE IS WELL WITHIN REACH! New forecasts guide fans into the new year...Includes: - Full volumes for each of the 12 signs - Daily outlooks for 18 full months - The significance of rising signs - Expert forecasts for well-being and money matters - Online astrology and how to use it - Passion potential with every other sign of the zodiac - And much, much more
Medieval Arras was a thriving town on the frontier between the kingdom of France and the county of Flanders, and home to Europe's earliest surviving vernacular plays: The Play of St. Nicholas, The Courtly Lad of Arras, The Boy and the Blind Man, The Play of the Bower, and The Play about Robin and about Marion. In A Common Stage, Carol Symes undertakes a cultural archeology of these artifacts, analyzing the processes by which a handful of entertainments were conceived, transmitted, received, and recorded during the thirteenth century. She then places the resulting scripts alongside other documented performances with which plays shared a common space and vocabulary: the crying of news, publication of law, preaching of sermons, telling of stories, celebration of liturgies, and arrangement of civic spectacles. She thereby shows how groups and individuals gained access to various means of publicity, participated in public life, and shaped public opinion. And she reveals that the theater of the Middle Ages was not merely a mirror of society but a social and political sphere, a vital site for the exchange of information and ideas, and a vibrant medium for debate, deliberation, and dispute. The result is a book that closes the gap between the scattered textual remnants of medieval drama and the culture of performance from which that drama emerged. A Common Stage thus challenges the prevalent understanding of theater history while offering the first comprehensive history of a community often credited with the invention of French as a powerful literary language.
The fifteenth century was a critical juncture for the College of Cardinals. They were accused of prolonging the exile in Avignon and causing the schism. At the councils at the beginning of the period their very existence was questioned. They rebuilt their relationship with the popes by playing a fundamental part in reclaiming Rome when the papacy returned to its city in 1420. Because their careers were usually much longer than that of an individual pope, the cardinals combined to form a much more effective force for restoring Rome. In this book, shifting focus from the popes to the cardinals sheds new light on a relatively unknown period for Renaissance art history and the history of Rome. Dr. Carol M. Richardson has been awarded the Philip Leverhulme Prize (2008) in the field of History of Arts.
6 great stories—3 brand new releases and 3 bonus stories! This month, Harlequin Intrigue brings you not only three new edge-of-your-seat romances for one great price, but three additional fan-favorite stories in one convenient bundle! This Harlequin Intrigue bundle includes Trap, Secure coupled with reader favorite Navy SEAL Security by Carol Ericson, The Reunion paired with reader favorite The Secret of Cypriere Bayou by NEW YORK TIMES bestselling author Jana DeLeon and Mountain Heiress along with reader favorite Mountain Midwife by USA TODAY bestselling author Cassie Miles. Catch a thrill with 6 new edge-of-your-seat romances every month from Harlequin Intrigue!
The Old-French Chanson d'Antioche has long intrigued historians and literary scholars. Unusually among epic poems, it follows closely a well documented historical event – the First Crusade – and appears to include substantial and genuine historical content. At one time it was believed to be based on an account by an eye-witness, 'Richard the Pilgrim'. Carol Sweetenham and Susan Edgington have combined forces to investigate such claims, and their findings are set out in a comprehensive introduction which, firstly, examines the textual history of the poem from its possible oral beginnings through several re-workings to its present form, achieved early in the thirteenth century. A second chapter assesses the Chanson's value as a source for the crusade, and a third considers its status as a literary text. A complete prose translation follows, the first in English and based on the definitive edition. The Chanson is revealed as a lively narrative, with tales of chivalry, villainy, and even episodes of humour. There are extensive footnotes to the translation, and an appendix provides supplementary material from a different manuscript tradition. There is also a cast list of heroes and villains with biographical information for the 'real' ones and literary analogues for the fictional characters. The Chanson d'Antioche can now be read for enjoyment, and for a whole new perspective on crusading in the twelfth and thirteenth centuries.
In the annals of adventure and exploration, there are few names to rival that of the USS Enterprise. Edited by Carol Creenburg with stories by Diane Carey, Peter David, Michael Jan Friedman, Robert J. Greenburger, John Vornholt and more, THE ENTERPRISE LOGS celebrates the proud history of the many ships which have borne the name of Enterprise and the valiant captains who have steered them through danger to glory. From the original real-life USS Enterprise - a fighting sloop which fought in the American Revolution - to the state-of-the-art starship commanded by Jean-Luc Picard, this stirring anthology captures some of the most thrilling moments in the careers of the ten captains - Kirk, Pike, Decker and Garrett amongst them - who have been privileged to command a legend.
The remodeling of the theater at ancient Corinth in the 2nd century A.D. included lavish decorations, the chief of which were three dramatic friezes. In publishing them this book presents the most ambitious sculptural program known among theaters on the Greek mainland, and indeed one of the more elaborate decorative schemes among published theaters of the Roman empire. The friezes (the Gigantomachy, the Amazonomachy, and the Labors of Herakles) are presented each in turn with a discussion of its position in Greek art and a stylistic analysis, followed by a catalogue of the pieces arranged as far as possible in the proposed sequence of relief slabs. There follows a discussion of known theater friezes throughout the classical world and of the Corinth scaenae frons as restored by the author."--Publisher's website.
One of the world's leading authorities on ancient bronze sculpture, Carol C. Mattusch urges us to discard the terms "Greek original" and "Roman copy" and to adopt instead terms that distinguish unique works from those produced in series and those produced as variations on a theme. She discusses the dating of bronzes based on criteria of technique and style, and considers technical innovations in the art of portraiture. Most controversially, she offers evidence that Greek artists cast bronzes in series based on a single model. Mattusch points out that examples of series castings can be found among the statuettes and vessel attachments from the Geometric and Orientalizing periods. From the Classical period onward, statues also appear to have been cast in series. Certain styles and types of images that achieved widespread popularity during the Hellenistic and Roman periods were produced in large quantities and in several different places. This book will raise important new questions in the field of Classical bronze sculpture. How long might a single model remain in use and how far might casts from it be transported for production? What is the significance of an artist's signature on a work in a series and what influence was wielded by the potential buyer? And, given these issues, what should the criteria be for distinguishing Greek works from Roman ones? Classical Bronzes is generously illustrated, including an eight-page color insert.
18 months of daily horoscopes from July 2005 to December 2006 Nationally syndicated astrologer Sydney Omarr guides fans into the new year with his amazingly accurate predictions.
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