In 1957--long before colleges awarded degrees in creative nonfiction and back when newspaper writing's reputation was tainted by the fish it wrapped--Princeton began honoring talented literary journalists. Since then, fifty-nine of the finest, most dedicated, and most decorated nonfiction writers have held the Ferris and McGraw professorships. This monumental volume harbors their favorite and often most influential works. Each contribution is rewarding reading, and collectively the selections validate journalism's ascent into the esteem of the academy and the reading public. Necessarily eclectic and delightfully idiosyncratic, the fifty-nine pieces are long and short, political and personal, comic and deadly serious. Students will be provoked by William Greider's pointed critique of the democracy industry, eerily entertained by Leslie Cockburn's fraternization with the Cali cartel, inspired by David K. Shipler's thoughts on race, unsettled by Haynes Johnson's account of Bay of Pigs survivors, and moved by Lucinda Frank's essay on a mother fighting to save a child born with birth defects. Many of the essays are finely crafted portraits: Charlotte Grimes's biography of her grandmother, Blair Clark's obituary for Robert Lowell, and Jane Kramer's affecting story of a woman hero of the French Resistance. Other contributions to savor include Harrison Salisbury on the siege of Leningrad, Landon Jones on the 1950s, Christopher Wren on Soviet mountaineering, James Gleick on technology, Gloria Emerson on Vietnam, Gina Kolata on Fermat's last theorem, and Roger Mudd on the media. Whether approached chronologically, thematically, randomly, or, as the editors order them, more intuitively, each suggests a perfect evening reading. Designed for students as well as general readers, The Princeton Anthology of Writing splendidly attests to the elegance, eloquence, and endurance of fine nonfiction.
Colin McPhee was a performer, writer, and pioneer among Western composers in turning to Asia for inspiration. A close friend of Aaron Copland, Carlos Chavez, Henry Cowell, and Virgil Thomson, he played a vital role in new music activities in New York in the 1920s, but his most important accomplishments came from his devotion to the music of Bali. Carol Oja's Colin McPhee: Composer in Two Worlds traces his life, his influences on fellow musicians, and the profound experience of a composer striving to comprehend an entirely new musical language. After hearing rare recordings of the Balinese gamelan--a percussion orchestra with delicately layered textures and clangorous sounds--McPhee traveled to Bali and worked closely with such Western anthropologists as Margaret Mead and Gregory Bateson. The island may also have appealed to him because of its relatively open attitude toward homosexuality. Gay by inclination, he nevertheless married anthropologist Jane Belo and built a native-style house on the island where they lived for most of the 1930s. During this time, McPhee became a devoted and meticulous chronicler of Balinese musical culture, and his Music of Bali remains a classic in ethnomusicology. Beginning in the mid-1930s, his own compositions became an imaginative hybrid of Balinese and Western music, anticipating the later work of such figures as John Cage, Lou Harrison, and Steve Reich. Finally back in print, Carol Oja's account of McPhee's unconventional life and work evokes key issues in composition and ethnomusicology, sure to be of interest to scholars, musicians or anyone interested in 20th century American or Balinese music.
Colin McPhee was a performer, writer, and pioneer among Western composers in turning to Asia for inspiration. A close friend of Aaron Copland, Carlos Chavez, Henry Cowell, and Virgil Thomson, he played a vital role in new music activities in New York in the 1920s, but his most important accomplishments came from his devotion to the music of Bali. Carol Oja's Colin McPhee: Composer in Two Worlds traces his life, his influences on fellow musicians, and the profound experience of a composer striving to comprehend an entirely new musical language. After hearing rare recordings of the Balinese gamelan--a percussion orchestra with delicately layered textures and clangorous sounds--McPhee traveled to Bali and worked closely with such Western anthropologists as Margaret Mead and Gregory Bateson. The island may also have appealed to him because of its relatively open attitude toward homosexuality. Gay by inclination, he nevertheless married anthropologist Jane Belo and built a native-style house on the island where they lived for most of the 1930s. During this time, McPhee became a devoted and meticulous chronicler of Balinese musical culture, and his Music of Bali remains a classic in ethnomusicology. Beginning in the mid-1930s, his own compositions became an imaginative hybrid of Balinese and Western music, anticipating the later work of such figures as John Cage, Lou Harrison, and Steve Reich. Finally back in print, Carol Oja's account of McPhee's unconventional life and work evokes key issues in composition and ethnomusicology, sure to be of interest to scholars, musicians or anyone interested in 20th century American or Balinese music.
Jen Murray needs a clear mind to deal with the tragedy that brought her into hiding. Unfortunately, a noisy new neighbor upsets the peaceful calm of her quiet lakeside cottage and sends her emotions into a tailspin. Mitch Waverly is a cop with a mission: take down the notorious motorcycle gang he’d infiltrated and put them away for good. Except he didn’t anticipate the nosy woman next door, nor the effect she had to knock him off balance with nothing more than a smile.
First published in 1987. This volume collects together writings of Teresa Billington-Greig, suffragette, activist and political theorist. One of the first organizers for the Women's Social and Political Union, she was a founder-member of the Women's freedom League. She was also the first suffragette to be sent to Holloway Gaol. This volume provides new insights into this exceptional women's lifelong efforts in the woman's movement
Recklessly impulsive, red-haired Kate McTavish, crashes into the regimented life of a man trying to escape the bitter memory of another redhead. Despite Kate's ensuing afflictions and their clash of personalities, Kate and Dayton Deveraux learn the truth of the adage: "There are none so blind as those that will not see.
Reclusive fisherman, Greg Sanders, treasures his privacy, but the half naked woman on the beach is magnetic. Had he known the danger of meeting her, he would have stayed out at sea.
A wonderful seasonal anthology for Dear Canada readers, both old and new! A real treat for fans of this series, and all lovers of historical fiction! Eleven stories that each revisit a favourite character from books in the Dear Canada series are included in this special collection. These are completely original tales that stand alone as heartwarming Christmas stories, but also serve as a lovely "next chapter" to their original books. Each story is written by one of Canada's top award-winning writers for children, including Jean Little, Sarah Ellis, Maxine Trottier, Carol Matas and more. This collection is a lovely companion to A Season of Miracles, and will be treasured year after year at holiday time!
An amnesia victim is desperate to regain her memory. Should she trust the man with a skull and crossbones tattooed on his shaved head, or should she rely on her instincts to save herself from those trying to kill her?
A rejected son aims to win his dying father's approval by recovering an heirloom necklace gambled away by the father years ago under suspicious circumstance. Bent on revenge against the man he's convinced acquired the necklace through cheating, Calum MacAllister never thought his chief obstacle would be the cheater's gorgeous and gutsy daughter.
A marine biologist, whose biological clock is on the downward slope, responds to a personal column ad from a rancher for a partner to give him an heir. While the biologist's mind is set on artificial insemination, once he meets her, persuasion for natural conception is the rancher's intention.
While ocean waves are the most visible example of oceanic mixing processes, this macroscale mixing process represents but one end of the spectrum of mixing processes operating in the ocean. At the scale of a typical phytoplanktoic diatom or larval fish inhabiting these seas, the most important mixing processes occur on the molecular scale - at the scale of turbulence. Physical-biological interactions at this scale are of paramount importance to the productivity of the seas (fisheries) and the heat balance that controls large scale ocean climate phenomena such as El Niño and tornadoes. This book grew out of the need for a comprehensive treatment of the diverse elements of geophysical fluid flow at the microscale. Kantha and Clayson have arranged a logial exposition of the various mixing processes operating within and between the oceans and its boundaries with the atmosphere and ocean floor. The authors' intent is to develop a volume that would provide a comprehensive treatment of the fundamental elements of ocean mixing so that students, academics, and professional fluid dynamicists and oceanographers can access this essential information from one source. This volume will serve as both a valuable reference tool for mathematically inclined limnologists, oceanographers and fluid modelers. * Simple models of oceanic and atmospheric boundary layers are discussed* Comprehensive and up-to-date review* Useful for graduate level course* Essential for modeling the oceans and the atmosphere* Color Plates
A Criminal Court Administrator, Lori Wheeler's discovery that justice doesn't work in her favor turns her against those who act in its name. She unknowingly becomes a means to an end in RCMP Sergeant Rand McCormick's dogged pursuit of drug smugglers along the Nova Scotia coast. With his use of Lori as a pawn, Rand's staunch personal and professional goals crumble. How can he justify his means and convince her that those enforcing the justice system work for her protection--and her happiness lies with him.
This book recreates an exciting and productive period in which creative artists felt they were witnessing the birth of a new age. Aaron Copland, Henry Cowell, George Gershwin, Roy Harris, and Virgil Thomson all began their careers then, as did many of their less widely recognized compatriots. While the literature and painting of the 1920's have been amply chronicled, music has not received such treatment. Carol Oja's book sets the growth of American musical composition against parallel developments in American culture, provides a guide for the understanding of the music, and explores how the notion of the concert tradition, as inherited from Western Europe, was challenged and revitalized through contact with American popular song, jazz, and non-Western musics.
1st place winner of Reader Views Readers Choice Award 2014 in General Fiction/Novel. See the review at Reader Views! "The year is 1954, and Laura Justice's ambitious husband, Winton, makes a decision that shocks family and friends. He moves his Memphis family North, vowing to strike it rich on Madison Avenue and savor the pleasures of suburban life. This does not happen. The southern family is a poor fit in their New Jersey neighborhood, and loyal wife Laura feels ostracized. What's more, Winton's advertising agency soon fails, and he becomes depressed and combative. 1950s women are supposed to obey, but Laura Justice refuses to stay mute. She dares to complain when Winton launches a new business selling wire recorders (the very latest technology!) from their basement. Incensed at his uncooperative wife, Winton persists, bringing chaos to their family, including his strange parents, a creepy employee and a sexy neighbor, not to mention financial disaster. A tireless fixer, Laura tries to stem Winton's antics and stop the cash drain, to no avail. Meanwhile, the couple's children are caught in their parent's cross fire, drifting around the neighborhood and depending on neighbors for fun and attention. When 9-year old daughter Jane rises above the crisis to help police solve the crime, Laura is inspired to take action too. Defying 1950 taboos, she struggles to make a life-changing decision: Should she rein in husband Winton and his maddening life style…or at long last cut bait?
The small community of New Liberty in rural Maine is horrified when a young girl is brutally raped and murdered. Dodd's Convenience Store serves as the social center of the town, and Clary Dodd is one of its most prominent citizens. Clary is an inveterate puzzle solver. She has helped the police with one or two minor cases in the past and feels herself uniquely qualified to catch the murderer. Against the advice of her husband and with the help of her friend Laura Dearborn, the indomitable Clary digs into the backgrounds of people she's known for years and turns up disturbing information about many of them. A second violent death clouds the picture and escalates tension in the town. Ignoring threats to their safety, Clary and Laura persist in their investigations only to find themselves in mortal danger as they close in on the murderer.
Winner of the 2015 Robert M. Stevenson Award from the American Musicological Society In Representing the Good Neighbor: Music, Difference, and the Pan American Dream, Carol A. Hess investigates the reception of Latin American art music in the US during the twentieth century. Hers is the first study to probe Latin American art music in relation to Pan Americanism, or the idea that the American nations are bound by common aspirations. Under the Good Neighbor policy, crafted by the administration of President Franklin D. Roosevelt to cement hemispheric solidarity amid fears of European fascism, Latin American art music flourished and US critics applauded it as "universal." During the Cold War, however, this repertory assumed a very different status. While the United States supported Latin American military dictators to assuage fears that communism would overwhelm the hemisphere, musical works were increasingly objectified through essentializing adjectives such as "exotic," distinctive," or "national"--through the filter of difference. Hess explores this phenomenon by tracking the reception in the United States of the so-called Big Three: Carlos Chávez (Mexico), Heitor Villa-Lobos (Brazil), and Alberto Ginastera (Argentina). She also evaluates several important US composers and critics-Copland, Thomson, Rosenfeld, and others-in relation to Pan Americanism, and offers a new interpretation of a work about Latin America by US composer Fredric Rzewski, 36 Variations on "The People United Will Never Be Defeated!" Whether discussing works performed in modern music concerts of the 1920s, at the 1939 World's Fair, the inauguration of the New York State Theater in 1966, or for the US Bicentennial, Hess illuminates ways in which North-South relations continue to inform our understanding of Latin American art music today. As the first book to examine in detail the critical reception of Latin American music in the United States, Representing the Good Neighbor promises to be a landmark in the field of American music studies, and will be essential reading for students and scholars of music in the US and Latin America during the twentieth-century. It will also appeal to historians studying US-Latin America relations, as well as general readers interested in the history of American music.
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