This series is a vehicle for texts generated through the experiences of writers, scholars, and artists who have been residents at the Getty Research Institute or involved in its programs.
When the levees broke in August 2005 as a result of Hurricane Katrina, 80 percent of the city of New Orleans was flooded, with a loss of 134,000 homes and 986 lives. In particular, the devastation hit the vulnerable communities the hardest: the old, the poor and the African American. The disaster exposed the hideous inequality of the city. In response to the disaster numerous plans, designs and projects were proposed. This bold, challenging and informed book gathers together the variety of responses from politicians, writers, architects and planners and searches for the answers of one of the most important issues of our age: How can we plan for the future, creating a more robust and equal place?
The stunning interiors and glorious gardens of New Orleans’s unrivaled jewel and architectural masterpiece. Longue Vue House and Gardens, accredited by the American Alliance of Museums and listed as a national historic landmark, was designed and built between 1934 and 1942 by landscape architect Ellen Biddle Shipman and architects Charles and William Platt for Edgar Bloom and Edith Rosenwald Stern, New Orleans’s foremost mid-twentieth-century philanthropists and civil-rights activists. The mansion and its surrounding eight acres of garden spaces, with varied designs ranging from the formal to the wild, draw upon Southern architectural traditions and native Louisiana flora, even as they echo the contemporaneous garden-design movement that set the stage for the creation of some of the most breathtaking garden estates in the country. Lush photography, supporting architectural drawings, and an informative text bring the main house and gardens to life and establish the estate as an enduring symbol to its creators’ contributions to building a just society.
This series is a vehicle for texts generated through the experiences of writers, scholars, and artists who have been residents at the Getty Research Institute or involved in its programs.
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