A Town & Country Must-Read Book of Spring 2024 “Fashion, photography, and pop culture aficionados will be captivated” (Publishers Weekly, starred review) by this riveting dual biography of the McLaughlins—identical twin sisters who became groundbreaking magazine photographers in New York during the glamorous golden age of the 1930s and ’40s. In Double Click, author Carol Kino “has interwoven a biography of the McLaughlins with an authoritative, detailed history of fashion, the art world and photography in midcentury New York” (The Wall Street Journal). The McLaughlin twins were trailblazing female photographers, celebrated in their time as stars in their respective fields, but have largely been forgotten since. Here, in Double Click, Carol Kino brings these two brilliant women and their remarkable accomplishments to vivid life. Frances was the only female photographer on staff in Condé Nast’s photo studio, hired just after Irving Penn, and became known for streetwise, cinema verité-style work, which appeared in the pages of Glamour and Vogue. Her sister Kathryn’s surrealistic portraits filled the era’s new “career girl” magazines, including Charm and Mademoiselle. Both twins married Harper’s Bazaar photographers and socialized with a glittering crowd that included the supermodel Lisa Fonssagrives and the photographer Richard Avedon. Kino uses their careers to illuminate the lives of young women during this time, an early 20th-century moment marked by proto-feminist thinking, excitement about photography’s burgeoning creative potential, and the ferment of wartime New York. Toward the end of the 1940s, and moving into the early 1950s, conventionality took over, women were pushed back into the home, and the window of opportunity began to close. Kino renders this fleeting moment of possibility in gleaming multi-color, so that the reader cherishes its abundance, mourns its passing, and gains new appreciation for the talent that was fostered at its peak. Pulling back the curtain on an electric, creative time in New York’s history, and rich with original research, Double Click is cultural reportage and biography at its finest.
German film is diverse and multi-faceted; its history includes five distinct German governments (Wilhelmine Germany, the Weimar Republic, the Third Reich, the Federal Republic of Germany, and the German Democratic Republic), two national industries (Germany and Austria), and a myriad of styles and production methods. Paradoxically, the political disruptions that have produced these distinct film eras, as well as the natural inclination of artists to rebel and create new styles, allow for the construction of a narrative of German film. While the disjuncture generates distinct points of separation, it also highlights continuities between the ruptures. Outlining the richness of German film, The A to Z of German Cinema covers mainstream, alternative, and experimental film from 1895 to the present through a chronology, introductory essay, appendix of the 100 most significant German films, a bibliography, and hundreds of cross-referenced dictionary entries on directors, actors, films, cinematographers, composers, producers, and major historical events that greatly affected the direction and development of German cinema. The book's broad canvas will lead students and scholars of cinema to appreciate the complex nature of German film.
The History of German film is diverse and multi-faceted. This volume can only suggest the richness of a film tradition that includes five distinct German governments [Wilhelmine Germany, the Weimar Republic, the Third Reich, the Federal Republic of Germany (West Germany), and the German Democratic Republic (East Germany), s well as a reunited Germany], two national industries (Germany and Austria), and a myriad of styles and production methods. Paradoxically, the political disruptions that have produced these distinct film eras, as well as and the natural inclination of artists to rebel and create new styles, allow for construction of a narrative of German film. Disjuncture generates distinct points of separation, and yet also highlights continuities between the ruptures. This second edition of Historical Dictionary of German Cinema contains a chronology, an introduction, appendixes and an extensive bibliography. The dictionary section has over 200 cross-referenced entries on directors, actors, films, cinematographers, composers, producers, and major historical events that greatly affected the direction and development of German cinema. This book is an excellent resource for students, researchers, and anyone wanting to know more about German cinema.
The Historical Dictionary of Holocaust Cinema examines the history of how the Holocaust is presented in film, including documentaries, feature films, and television productions. It contains a chronology of events needed to give the films and their reception a historical contex...
The History of German film is diverse and multi-faceted. This volume can only suggest the richness of a film tradition that includes five distinct German governments [Wilhelmine Germany, the Weimar Republic, the Third Reich, the Federal Republic of Germany (West Germany), and the German Democratic Republic (East Germany), s well as a reunited Germany], two national industries (Germany and Austria), and a myriad of styles and production methods. Paradoxically, the political disruptions that have produced these distinct film eras, as well as and the natural inclination of artists to rebel and create new styles, allow for construction of a narrative of German film. Disjuncture generates distinct points of separation, and yet also highlights continuities between the ruptures. This second edition of Historical Dictionary of German Cinema contains a chronology, an introduction, appendixes and an extensive bibliography. The dictionary section has over 200 cross-referenced entries on directors, actors, films, cinematographers, composers, producers, and major historical events that greatly affected the direction and development of German cinema. This book is an excellent resource for students, researchers, and anyone wanting to know more about German cinema.
A New York Times Bestselling Author. Winner of the 1962 Nobel Prize for Literature. In this short book illuminated by a deep understanding and love of humanity, John Steinbeck retells an old Mexican folk tale. For the diver Kino, finding a magnificent pearl means the promise of a better life for his impoverished family. His dream blinds him to the greed and suspicions the pearl arouses in him and his neighbors, and even his loving wife cannot stem the events leading to tragedy.
Kagayanen is a resilient Austronesian>Greater Central Philippine>Manobo language spoken by about 30,000 individuals, mostly in Palawan province in the Philippines. This grammar is the result of nearly 40 years of research by Carol Pebley and a team of Kagayanen speakers and non-Kagayanen co-workers. The primary data source is a corpus of texts collected over a 20 year period. These texts, three of which appear in an appendix to this book, provide vivid insights into Kagayanen ways of being. The grammar is written with a general linguistics audience in mind, from a "communication first" perspective. It should prove useful to specialists in Austronesian languages, linguistic typologists, and others interested in doing research in the central Philippines. It is also hoped that this grammar will be an encouragement to Kagayanen speakers, proving that their language is wonderfully complex and deserves an equal place alongside other regional and international languages.
A riveting dual biography of the McLaughlins—identical twin sisters who became groundbreaking photographers in New York during the glamorous magazine golden age of the 1930s and 40s—for fans of Ninth Street Women and The Barbizon. The McLaughlin twins were trailblazing female photographers, celebrated in their time as stars in their respective fields, but have largely been forgotten since. Here, in Double Click, author Carol Kino provides us with a fascinating window into the golden era of magazine photography and the first young women’s publications, bringing these two brilliant women and their remarkable accomplishments to vivid life. Frances was the only female photographer on staff in Condé Nast's photo studio, hired just after Irving Penn, and became known for streetwise, cinema verité-style work, which appeared in the pages of Glamour and Vogue. Her sister Kathryn’s surrealistic portraits filled the era’s new “career girl” magazines, including Charm and Mademoiselle. Both twins married Harper’s Bazaar photographers and socialized with a glittering crowd that included the supermodel Lisa Fonssagrives and the photographer Richard Avedon. Kino uses their careers to illuminate the lives of young women during this time, an early twentieth-century moment marked by proto-feminist thinking, excitement about photography’s burgeoning creative potential, and the ferment of wartime New York. Toward the end of the 1940s, and moving into the early 1950s, conventionality took over, women were pushed back into the home, and the window of opportunity began to close. Kino renders this fleeting moment of possibility in gleaming multi-color, so that the reader cherishes its abundance, mourns its passing, and gains new appreciation for the talent that was fostered at its peak. Pulling back the curtain on an electric, creative time in New York’s history, and rich with original research, Double Click is cultural reportage and biography at its finest.
Superior and Queen Valley share a rich history. Superior began with the establishment of Generals Stoneman and Crook's military installation to ward off Apache raids in the 1870s. Soon thereafter, while digging for a new road, a soldier named Sullivan discovered Arizona's richest silver deposit, later known as the Silver King Mine. Then with the help of Col. Boyce Thompson, who developed the Magma Copper Company, Superior also became Arizona's biggest copper operation. In 1915, Queen Valley began with Hart Mullins, the area's first official homesteader. Hart worked as a Superior Route stagecoach hand and helped develop a route from Phoenix through Superior and Queen Valley. Today both Superior and Queen Valley remain two towns where the rich history and close-knit community culture of the Old West are alive and well.
The New York Times–bestselling author discusses her crime-solving hacker heroine, “surely one of the genre’s oddest and most interesting creations” (Chicago Tribune). When the NYPD detective and sociopath known simply as Mallory made her series debut, John Sandford called her “one of the most interesting new characters to come along in years.” A homeless wild child who was taken in by a New York City cop and grew up to follow in his footsteps, she possesses a skill set—including a talent for computer hacking—that allows her to track down her prey like no one else. In this insightful essay, author Carol O’Connell shares fascinating insights about her origins, her psychology, and her strikingly different sense of right and wrong. “Mallory is not your usual plucky and generally wholesome mystery solver. Jane Marple would probably cross the street to avoid making eye contact with her.” —The Washington Post Book World “Mallory is a marvelous creation.” —Jonathan Kellerman, New York Times–bestselling author of the Alex Hunter novels
This is the first book-length study of Boris Eikhenbaum (1886-1959), a leading Russian Formalist and a pathbreaking Tolstoy scholar. The author carefully traces Eikhenbaum's intellectual trajectory from his pre-Formalist "philosophical" criticism, through Formalism to his later biographical criticism of Tolstoy and Lermontov. Eikhenbaum's contribution to Formalism has not heretofore received clear definition, and the author shows that his ideas and influence were even greater than previously supposed. His shift away from Formalism, with its emphasis on purely literary analysis, toward a criticism that emphasized the writer as a cultural figure is seen as a response to both political exigency and personal need. Although by the late 1910's Formalism had become poetics non grata in the Soviet Union, the author demonstrates that Eikhenbaum also had compelling intellectual reasons to move away from Formalism, which had reached a dead end. The author asserts that Eikhenbaum prolonged his scholarly life by concentrating on nineteenth-century Russian authors whose moral opposition to mainstream Russian intellectual thought served as a model for his own ethical stance in Stalin's Russia. This is particularly true of his monumental three-volume work on Tolstoy, which in its own way has been as influential as his Formalist writings. Throughout, the author relates Eikhenbaum's critical thinking to such current literary issues as intention, perception, meaning, reader reception, deconstruction, and the New Historicism.
Focus: Music of South Africa provides an in-depth look at the full spectrum of South African music, a musical culture that epitomizes the enormous ethnic, religious, linguistic, class, and gender diversity of the nation itself. Drawing on extensive field and archival research, as well as her own personal experiences, noted ethnomusicologist and South African native Carol A. Muller looks at how South Africans have used music to express a sense of place in South Africa, on the African continent, and around the world. Part One, Creating Connections, provides introductory materials for the study of South African Music. Part Two, Musical Migrations, moves to a more focused overview of significant musical styles in twentieth-century South Africa -- particularly those known through world circuits. Part Three, Focusing In, takes the reader into the heart of two musical cultures with case studies on South African jazz and the music of the Zulu-language followers of Isaiah Shembe. The accompanying CD offers vivid examples of traditional, popular, and classical South African musical styles.
What are the consequences of how Jews are depicted in movies and television series? Drawing on a host of movies and television series from the 1970s to present day, Jews in Contemporary Visual Entertainment explores how the media sexualize and racialize American Jews. Race and sexuality frequently intersect in the depiction of Jewish characters in such shows as The Marvelous Mrs. Maisel, UnREAL, The Expanse, and Breaking Bad, and in films such as Hester Street, Once Upon a Time in America, Casino, Radio Days, Inglourious Basterds, and Barton Fink. When they do, American sexual norms are invariably challenged or outright broken by these anti-Semitic representations of Jewishness. Insightful and provocative, Jews in Contemporary Visual Entertainment disturbingly reveals the far-reaching influence of popular visual media in shaping how American Jews are perceived today.
“Both based in South East Queensland, Coral Alma Slater began writing her memoirs with her granddaughter, Ashleigh Venz, in 2013, with the intent of preserving her remarkable life story for their family and future generations.”--Back cover.
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