Carol Weisbrod uses a variety of stories to raise important questions about how society, through law, defines relationships in the family. Beginning with a story most familiar from the opera Madame Butterfly, Weisbrod addresses issues such as marriage, divorce, parent-child relations and abuses, and non-marital intimate contact. Each chapter works with fiction or narratives inspired by biography or myth, ranging from the Book of Esther to the stories of Kafka. Weisbrod frames the book with running commentary on variations of the Madame Butterfly story, showing the ways in which fiction better expresses the complexities of intimate lives than does the language of the law. Butterfly, the Bride looks at law from the outside, using narrative to provide a fresh perspective on the issues of law and social structure---and individual responses to law. This book thoroughly explores relationships between inner and public lives by examining what is ordinarily classified as the sphere of private life---the world of family relationships. Carol Weisbrod is Ellen Ash Peters Professor of Law at the University of Connecticut. Her other books include The Boundaries of Utopia and Emblems of Pluralism.
W. G. Sebald's writing has been widely recognized for its intense, nuanced engagement with the Holocaust, the Allied bombing of Germany in WWII, and other episodes of violence throughout history. Through his inventive use of narrative form and juxtaposition of image and text, Sebald's work has offered readers new ways to think about remembering and representing trauma. In Sebald's Vision, Carol Jacobs examines the author's prose, novels, and poems, illuminating the ethical and aesthetic questions that shaped his remarkable oeuvre. Through the trope of "vision," Jacobs explores aspects of Sebald's writing and the way the author's indirect depiction of events highlights the ethical imperative of representing history while at the same time calling into question the possibility of such representation. Jacobs's lucid readings of Sebald's work also consider his famous juxtaposition of images and use of citations to explain his interest in the vagaries of perception. Isolating different ideas of vision in some of his most noted works, including Rings of Saturn, Austerlitz, and After Nature, as well as in Sebald's interviews, poetry, art criticism, and his lecture Air War and Literature, Jacobs introduces new perspectives for understanding the distinctiveness of Sebald's work and its profound moral implications.
These twenty-five interviews with Joyce Carol Oates from early in her career to the present are the first such collection to be published. In these conversations from sources as diverse as major news magazines and small scholarly journals, Oates candidly talks about her work, her concepts of literature, her methods of writing, and many other topics. Throughout this anthology, Oates discusses how her writing paints a modern panorama of American life. Oates described her vast canvas to an interviewer: ""I could not take the time to write about a group of people who did not represent, in their various struggles, fantasies, unusual experiences, hopes, etc., our society in miniature."" She also comments upon her responsibility as an artist ""to bear witness"" to certain aspects of society. In this light, she responds to criticisms that violence seems to dominate her work by noting that ""one simply cannot know strengths unless suffering, misfortune, and violence are explored quite frankly by the writer.""In addition to discussing her works---from her first book By the North Gate (1963) to her most popular novel You Must Remember This (1987)---this prolific writer also answers questions about her writing habits. These interviews, spanning nineteen years, reveal a vivid portrait of Joyce Carol Oates writing as the conscience of society, as the creator of memorable prose and poetry, and as the artist deeply committed to a unique vision.
A new series of bespoke, full-coverage resources developed for the 2015 A Level English qualifications. Endorsed for the AQA A/AS Level English Literature B specifications for first teaching from 2015, this print Student Book is suitable for all abilities, providing stretch opportunities for the more able and additional scaffolding for those who need it. Helping bridge the gap between GCSE and A Level, the unique three-part structure focuses on texts within a particular time period and supports students in interpreting texts and reflecting on how writers make meaning. An enhanced digital version and free Teacher's Resource are also available.
The uncertainties and newness that surround us today prompt radical questions about ourselves and our relationship with the external world. How do and can we belong to the places and spaces of today? Movement and Belonging: Lines, Places, and Spaces of Travel describes current realities and suggests ways in which you can define yourself in an ever-changing world. Using the travel writings of V. S. Naipaul, Michael Ondaatje, Patrick White, and D. H. Lawrence, Movement and Belonging demonstrates that «authentic» travel - embracing changing boundaries and cultures - enables you to create sites of belonging where you can find your sense of self.
This is a comprehensive and up-to-date critical examination of cultural diversity in Germanic-speaking societies. It goes beyond ethnic, religious, and gender stereotypes to show minority groups as active participants in German history rather than as passive victims. This collection of critical and theoretical essays seeks to interpret the current philosophical, aesthetic, and literary thinking about diversity in literature and language. The book is divided into four parts: literary analyses of works produced by members of minority populations, linguistic discussions and case studies of minority groups, structures and strategies of discourse and prejudice, and studies of remedies for problems of racism and discrimination. Some of the most significant writers and thinkers in the field have contributed, making this volume of critical concern to scholars and students of German, modern languages, and comparative studies.
I Live With You is a sophisticated collection of fierce, compassionate fiction marked by an absurdist sense of humor. A contemporary of Jorge Luis Borges, Italo Calvino, and Fay Weldon, Carol Emshwiller has been lauded for her originality and lyricism. These striking short stories skillfully explore themes of war, seduction, and censorship: An Eden emerges from the wreckage of burning books in “The Library,” “Boys” sets a weary general and his sons against a village of determined mothers, and “I Live With You (and You Don’t Know It)” brings a necessary chaos from an uninvited guest.
You can master the timeless craft of spinning with this clear, easy-to-follow manual. Everything you need to know from set-up to finished product in order to create distinctive yarns for use in knitting, weaving, crocheting, needlepoint, embroidery, and macrame. Author's preface. 33 illustrations, 10 black-and-white photographs. Bibliography. Sources of Supply.
Two unaccompanied children travel across the Mediterranean in an overcrowded boat that has been designed to only make it halfway across… A 63-year-old man is woken one morning by border officers ‘acting on a tip-off’ and, despite having paid taxes for 28 years, is suddenly cast into the detention system with no obvious means of escape… An orphan whose entire life has been spent in slavery – first on a Ghanaian farm, then as a victim of trafficking – writes to the Home Office for help, only to be rewarded with a jail sentence and indefinite detention… These are not fictions. Nor are they testimonies from some distant, brutal past, but the frighteningly common experiences of Europe’s new underclass – its refugees. While those with ‘citizenship’ enjoy basic human rights (like the right not to be detained without charge for more than 14 days), people seeking asylum can be suspended for years in Kafka-esque uncertainty. Here, poets and novelists retell the stories of individuals who have direct experience of Britain’s policy of indefinite immigration detention. Presenting their accounts anonymously, as modern day counterparts to the pilgrims’ stories in Chaucer’s Canterbury Tales, this book offers rare, intimate glimpses into otherwise untold suffering.
When Eileen Munro's mother became pregnant at 16, she was told to give her baby away to a 'good family', but the couple who paid the fee at the Salvation Army mother-and-baby home in Glasgow in 1963 turned out to be alcoholics who neglected and physically abused Eileen. Then, when their marriage broke down, they failed to protect her from sexual abuse at the hands of a family friend. After watching her adoptive mother drown on inhaled vomit, Eileen and her younger sister were taken into care, but her nightmare was to continue as she was subjected to further physical, sexual and emotional abuse. At the age of only seventeen, seven months into a secret pregnancy, she decided that the only way out was through a bottle of painkillers; when she survived and gave birth to a beautiful baby boy, he became her lifeline.
The Holocaust—one of the most horrific examples of man's inhumanity to man in recorded history—resulted in the genocide of millions of people, most of them Jews. This volume explores the daily lives of the Holocaust victims and their heroic efforts to maintain a normal existence under inhumane conditions. Readers will learn about the effects of pogroms, Jewish ghettoes, Nazi rule, and deportation on everyday tasks like going to school, practicing religion, or eating dinner. Chapters on life in the concentration camps describe the incomprehensible conditions that plagued the inmates and the ways in which they managed to survive. Soumerai, a survivor herself, offers a unique perspective on the events. Coverage also includes accounts of resistance and the role of rescuers. Four new chapters explore current human rights abuses, including Holocaust denials, modern genocide, and human trafficking, enabling readers to contrast present and past events. In addition to a timeline, a glossary, and engaging illustrations, the second edition also features an extensive bibliography and resource center that guides student researchers toward web sites, organizations, films, and books on the Holocaust and other human rights abuses. Primary source testimonies from survivors provide powerful insight into the devastating effects of Nazi rule on people's lives. Soumerai, a survivor herself, offers a unique perspective on the events and insight into the persecution of non-Jews: Gypsies, gays, clergy who protested or protected victims, Communists, Jehovah's Witnesses, the mentally ill and handicapped. Readers will explore the effects of pogroms, Jewish ghettoes, Nazi rule, and deportation on everyday tasks like going to school, practicing religion, or eating dinner. Chapters on life in the concentration camps describe the incomprehensible conditions within the camps, including the ways in which inmates managed to survive: avoiding the infirmary, rationing food, utilizing the market system to trade for goods and clothing. Four new chapters shed a modern light on the events of the Holocaust, exploring human rights abuses that continue even today, including Holocaust Denials; genocide in Cambodia, Rwanda, and Sudan; and child slavery and human trafficking. The new material allows readers to compare and contrast present and past human rights abuses, exploring what lessons we have learned, if any, from the Holocaust. An expanded bibliography and resource center guides readers toward related web sites, organizations, films and books related to the Holocaust, modern-day slavery and genocide, child soldiers, and related human rights topics. Illustrations, a timeline of events and a glossary of terms are also included, making this a comprehensive resource for student researchers.
Carol Becker, preeminent arts educator and contributor to leading art magazines, offers a beautifully poignant meditation on the role of place in artistic creativity. She focuses on place as a historical, physical entity and a conceptual site where ideas come into meaning. The book explores places from the coal-mining towns of western Pennsylvania, to the Birla House where Gandhi was shot, to the sinking city of Venice. A cross between theory, memoir, and history, her writing creates the experiential effect of being in specific places as well as imagining the evolution of ideas as they are manifested in museums and often become agents for social change.
This book offers a groundbreaking exploration of disability in Germany, from the Weimar Republic to the fall of the Berlin Wall. Disability in Twentieth-Century German Culture reveals the contradictions of a nation renowned for its social services programs yet notorious for its history of compulsory sterilization and eugenic dogma. Covering the entire scope of Germany's most tragic and tumultuous century, this comprehensive volume reveals how central the notion of disability is to modern German cultural history. Carol Poore examines a wide range of literary and visual depictions of disability, focusing particular attention on disability and Nazi culture. Other topics explored include the exile community's response to disability, socialism and disability in East Germany, current bioethical debates, and the rise and gains of the disability rights movement. Twentieth-Century Germany gives students, scholars, and all those interested in disability studies, Germans studies, visual culture, Nazi history, and bioethics the opportunity to explore controversial questions of individuality, normalcy, citizenship, and morality.
The Bellagio Group was founded at a time of global economic crisis. This collection brings together the private correspondence and published papers of the Group’s founders, creating a picture of the personalities, issues, debates and compromises leading to the adoption of flexible exchange rates and a modified Triffin plan.
“Thanks to Carol Zemel’s provocative study, we are invited to look at Jewish art in new ways . . . provides a deeper understanding of the ordeal of diaspora.” —Studies in American Jewish Literature Jewish art and visual culture—art made by Jews about Jews—in modern diasporic settings is the subject of Looking Jewish. Carol Zemel focuses on particular artists and cultural figures in interwar Eastern Europe and postwar America who blended Jewishness and mainstream modernism to create a diasporic art, one that transcends dominant national traditions. She begins with a painting by Ken Aptekar entitled Albert: Used to Be Abraham, a double portrait of a man, which serves to illustrate Zemel’s conception of the doubleness of Jewish diasporic art. She considers two interwar photographers, Alter Kacyzne and Moshe Vorobeichic; images by the Polish writer Bruno Schulz; the pre- and postwar photographs of Roman Vishniac; the figure of the Jewish mother in postwar popular culture (Molly Goldberg); and works by R. B. Kitaj, Ben Katchor, and Vera Frenkel that explore Jewish identity in a postmodern environment.
The Dissident Politics in Václav Havel’s Vaněk Plays: Who Is Ferdinand Vaněk Anyway focuses on Ferdinand Vaněk, a semi-autobiographical character created by Václav Havel and featured in a series of nine plays written by Havel himself and three other dissident writers – Pavel Kohout, Pavel Landovský, and Jiří Dienstbier. By exploring the ‘Vaněk experience,’ Carol Strong details a multi-episodic, absurdist journey that provides an ‘insider’s view’ of the challenges facing those daring enough to question the status quo, a view that remains relevant today. Strong’s contention is that the lines found in these plays served as a ‘secret language’ of dissent in Cold War Czechoslovakia, which called the citizenry to contemplate the need for societal reform. As the plays were written at a time when the work of Havel and other dissidents were banned, the plays were never performed publicly, but through clandestine living room performances and the sharing of samizdat scripts the plays found an audience. Select phrases were indeed whispered throughout underground networks and helped forge a sense of oppositional solidarity among potential activists. Strong’s argument is that the ‘Vaněk experience’ metaphorically highlights how official power mechanisms are among the least insidious forms of societal power, as the state must follow predictable patterns of legal jurisprudence. By contrast, non-governmental forms of power – as exercised by one’s fellow citizens through informal social channels – can challenge oppositional actors more because of the personal tone they adopt. Using this approach, Strong presents a timelessly relevant critique of modern society with its consumerist / conformist tendencies.
Presents a biographical dictionary profiling important women authors, including birth and death dates, accomplishments and bibliography of each author's work.
What are the consequences of how Jews are depicted in movies and television series? Drawing on a host of movies and television series from the 1970s to present day, Jews in Contemporary Visual Entertainment explores how the media sexualize and racialize American Jews. Race and sexuality frequently intersect in the depiction of Jewish characters in such shows as The Marvelous Mrs. Maisel, UnREAL, The Expanse, and Breaking Bad, and in films such as Hester Street, Once Upon a Time in America, Casino, Radio Days, Inglourious Basterds, and Barton Fink. When they do, American sexual norms are invariably challenged or outright broken by these anti-Semitic representations of Jewishness. Insightful and provocative, Jews in Contemporary Visual Entertainment disturbingly reveals the far-reaching influence of popular visual media in shaping how American Jews are perceived today.
Few philosophers have been as popular, prolific, and controversial as Friedrich Nietzsche, who has left his imprint not only on philosophy but on all the arts. Whether it is his concept of the übermensch or his nihilistic view of the world, Nietzsche's writings have aroused enormous interest, as well as anathema, in scholars for centuries. This third edition of Historical Dictionary of Nietzscheanism covers the history of this philosophy through a chronology, an introductory essay, appendixes, and an extensive bibliography. The dictionary section has over 400 hundred cross-referenced entries on his major writings, his contemporaries, and his successors. This book is an excellent access point for students, researchers, and anyone wanting to know more about Friedrich Nietzsche.
Gender and Rights presents twenty five essays by leading international scholars and advocates the relationship between rights and gender inequality. The essays are organized into six categories: rights, sources of harm and well-being, work, family, violence and political process and participation. Particular attention is paid throughout to the relationship between cultural practices and legal rights. The volume also highlights the conceptual and the political development of rights claims and rights regimes for women and sexual minorities. The essays therefore focus not only on the theoretical justifications for rights but also on the contextual complexities of their enactment, implementation, enforcement and consequences.
THE NEW YORK TIMES BESTSELLER From the Civil War to our combustible present, White Rage reframes the continuing conversation about race in America, chronicling the history of the powerful forces opposed to black progress. Since the abolishment of slavery in 1865, every time African Americans have made advances towards full democratic participation, white reaction has fuelled a rollback of any gains. Carefully linking historical flashpoints – from the post-Civil War Black Codes and Jim Crow to expressions of white rage after the election of America's first black president – Carol Anderson renders visible the long lineage of white rage and the different names under which it hides. Compelling and dramatic in the history it relates, White Rage adds a vital new dimension to the conversation about race in America. 'Beautifully written and exhaustively researched' CHIMAMANDA NGOZI ADICHIE 'An extraordinarily timely and urgent call to confront the legacy of structural racism' NEW YORK TIMES BOOK REVIEW 'Brilliant' ROBIN DIANGELO, AUTHOR OF WHITE FRAGILITY
In Flannery O'Connor's Dark Comedies, Carol Shloss moves from biographical, thematic, and theological approaches and instead focuses her criticism on the successes and failures of O'Connor as a rhetorician. This valuable study of O'Connor's style uses reader-response theory to dissect the author's use of hyperbole, distortion, allusion, analogy, the dramatization of extreme religious experience, the manipulation of judgment through narrative voice, and direct address to the reader. Schloss aims to return Flannery O'Connor to her readers on fathomable terms, to offer a rhetorical, rather than theological, perspective from which to understand the country preachers, square-jawed farm wives, wise rubes, foolish intellectuals, huckster Bible salesmen, killers, and other "good country people" who populate O'Connor's fiction.
The acclaimed author of Home Schooling returns with a timeless tale of friendship, romance, betrayal, and survival that spans two world wars. In 1927, as Natalia Faber travels from Berlin to Prague with her mother, their train is delayed in Saxon Switzerland. In the brief time the train is idle, Natalia learns the truth about her father—who she believed died during her infancy—and meets a remarkable woman named Dr. Magdalena Schaeffer, whose family will become a significant part of her future. Shaken by these events, Natalia arrives at a spa on the shore of Lake Hevíz in Hungary. Here, she meets Count Miklós Andorján, a journalist and adventurer. The following year, they will marry. Years later, Germany has invaded Russia. When Miklós fails to return from the eastern front, Natalia goes to Prague to wait for him. With a pack of tarot cards, she sets up shop as a fortune teller, and she meets Anna Schaeffer, the daughter of the woman she met decades earlier on that stalled train. The Nazis accuse Natalia of spying, and she is sent to a concentration camp. Though they are separated, her friendship with Anna grows as they fight to survive and to be reunited with their families. “An original and compelling story, told with vivid detail and a richness in setting that I absorbed in one sitting.”—Ellen Keith, bestselling author of The Dutch Wife Praise for Homeschooling “Carol Windley’s writing has a unique power, a perfect combination of delicacy, intensity, and fearless imagination.”—Alice Munro “Startlingly lovely.”—Seattle Times
Media and Communications during COVID-19 looks at the role the media had in informing the public about COVID-19. Journalists tried to keep up with ever-evolving information, and the public at times struggled to know whether the media could be trusted. Features include a glossary, references, websites, source notes, and an index. Aligned to Common Core Standards and correlated to state standards. Essential Library is an imprint of Abdo Publishing, a division of ABDO.
This outstanding collection brings together essays that reflect on the nature of narrative, literary criticism, and history from a variety of theoretical and disciplinary perspectives, ranging from deconstruction, psychoanalysis, and trauma theory, to narratology, technology, economics, and aesthetics. Acts of Narrative includes responses from renowned scholars across a wide range of disciplines: philosopher Jacques Derrida; the literary critic J. Hillis Miller; W. J. T. Mitchell, well-known for his reflections on the visual world; and Cathy Caruth, one of the founders of the field of trauma theory. These essays are brilliant in their readings of other texts, but are also striking in the manner in which each becomes itself a narrative performance. Moreover, what starts out as an exercise in theorizing and reading moves, more often than not, into a meditation on social and political issues crucial for our own sense of ourselves.
The History of German film is diverse and multi-faceted. This volume can only suggest the richness of a film tradition that includes five distinct German governments [Wilhelmine Germany, the Weimar Republic, the Third Reich, the Federal Republic of Germany (West Germany), and the German Democratic Republic (East Germany), s well as a reunited Germany], two national industries (Germany and Austria), and a myriad of styles and production methods. Paradoxically, the political disruptions that have produced these distinct film eras, as well as and the natural inclination of artists to rebel and create new styles, allow for construction of a narrative of German film. Disjuncture generates distinct points of separation, and yet also highlights continuities between the ruptures. This second edition of Historical Dictionary of German Cinema contains a chronology, an introduction, appendixes and an extensive bibliography. The dictionary section has over 200 cross-referenced entries on directors, actors, films, cinematographers, composers, producers, and major historical events that greatly affected the direction and development of German cinema. This book is an excellent resource for students, researchers, and anyone wanting to know more about German cinema.
The first biography of america’s best-known short story writer of the late twentieth century. The London Times called Raymond Carver "the American Chekhov." The beloved, mischievous, but more modest short-story writer and poet thought of himself as "a lucky man" whose renunciation of alcohol allowed him to live "ten years longer than I or anyone expected." In that last decade, Carver became the leading figure in a resurgence of the short story. Readers embraced his precise, sad, often funny and poignant tales of ordinary people and their troubles: poverty, drunkenness, embittered marriages, difficulties brought on by neglect rather than intent. Since Carver died in 1988 at age fifty, his legacy has been mythologized by admirers and tainted by controversy over a zealous editor’s shaping of his first two story collections. Carol Sklenicka penetrates the myths and controversies. Her decade-long search of archives across the United States and her extensive interviews with Carver’s relatives, friends, and colleagues have enabled her to write the definitive story of the iconic literary figure. Laced with the voices of people who knew Carver intimately, her biography offers a fresh appreciation of his work and an unbiased, vivid portrait of the writer.
Colonialism and the Modernist Moment in the Early Novels of Jean Rhys explores the postcolonial significance of Rhys’s modernist period work, which depicts an urban scene more varied than that found in other canonical representations of the period. Arguing against the view that Rhys comes into her own as a colonial thinker only in the post-WWII period of her career, this study examines the austere insights gained by Rhys’s active cultivation of her fringe status vis-à-vis British social life and artistic circles, where her sharp study of the aporias of marginal lives and the violence of imperial ideology is distilled into an artistic statement positing the outcome of the imperial venture as a state of homelessness across the board, for colonized and ‘metropolitans’ alike. Bringing to view heretofore overlooked émigré populations, or their children, alongside locals, Rhys’s urbanites struggle to construct secure lives not simply as a consequence of commodification, alienation, or voluntary expatriation, but also as a consequence of marginalization and migration. This view of Rhys’s early work asserts its vital importance to postcolonial studies, an importance that has been overlooked owing to an over hasty critical consensus that only one of her early novels contains significant colonial content. Yet, as this study demonstrates, proper consideration of colonial elements long considered only incidental illuminates a colonial continuum in Rhys’s work from her earliest publications.
This intelligent study offers a new and appreciative understanding of Charlotte Bronte as a narrative artist. With care and precision, Bock counters the prevailing view of Bronte's fiction as unconsciously confessional, clearly showing her persistent concern with the reader's collaborative role in the storytelling experience. Bock begins with an examination of the creative milieu at Haworth, where Bronte initially gained an understanding of her craft, and continues with a look at Bronte's relationship with her first audience, Branwell, Emily, and Anne, as well as the influence of her early readings in Scott, Byron, and Blackwood's Magazine. Bronte's juvenile tales are used to describe the model of storytelling that she conceptualized during these formative years - a model which reflects her belief that author and reader meet on the border of actuality and imagination in order to pursue the truths that narrative fiction can contain. Individual chapters discuss the motif of reading and storytelling in The Professor, Jane Eyre, Shirley, and Villette and consider the narrative methods which characterize Bronte's relationship with her readers in each of these novels. Bock traces Bronte's development as a storyteller from an early struggle to reconceptualize her audience as she tried to enter the literary marketplace with The Professor to, in her final novel, Villette, a complex acknowledgment of the ways truth may be encompassed - contained, named, and observed - in fictional narrative and a hopeful account of the creative event in which readers and writers participate. Charlotte Bronte and the Storyteller's Audience also includes a history of the critical reception of Bronte's novels, pointing out some of the interpretive constraints by which the practice of reading her fiction as unconscious confession has limited our understanding of her narrative skill and literary concerns.
“A story about the threat of bioterrorism as seen through the eyes of the generation that will grow up with it as a reality . . . page-turning intensity.”—Kirkus Reviews (starred review) Bioterrorism has come to a small town in New Jersey. Two residents die of brain aneurysms within twenty-four hours and several teens become ill with a mysterious flu, leading the government to suspect that a terrorist cell has unleashed a deadly biochemical agent. With each glass of water they drink, the people of Trinity Falls are poisoning themselves. A world away in Pakistan, a sixteen-year-old computer genius working as a spy for the U.S. sees an influx of chatter from extremists about a substance they call Red Vinegar that will lead to many deaths. Can he warn the victims before it’s too late? “The teens are the focus here, all excellent character studies drawn adeptly with few words. The swift pace grabs the reader right from the start . . . Plum-Ucci takes the incredible and makes it all too believable.”—Kirkus Reviews (starred review) “A compelling tale of bioterror . . . a tautly paced thriller that will force readers to think about the complexities of living in a post-9/11 world.”—School Library Journal “A page-turner . . . Plum-Ucci has also fleshed out a basic panic-inducing scenario into a thriller more thoughtful than most.”—Booklist
Professors, students, and anyone who loves to read will want this fascinating and attractive volume. Beginning with great works from Antiquity to the Middle Ages, this literary timeline gallops from Mesopotamian pictograms and Julius Caesar’s Commentaries on the Gallic to Renaissance and Baroque masterworks by Machiavelli and Moli�re, and on to modernism. Along the way, it presents the birth of the novel, Gothic chills, Thomas Paine’s rabble-rousing, as well as landmark French and Russian authors, Emerson’s essays, and the first detective story by Poe. Victoriana, the Aesthetic Movement, Utopian Literature, and Naturalism make their appearance, all the way up to today’s Tom Stoppard and Tony Kushner. There’s a detailed introduction, plus color-coding to show whether a work is poetry, fiction, non-fiction, or drama.
A reprint of the 1985 edition. On the impact of quantum theory and general relativity upon creative writers in the first half of this century. Annotation copyrighted by Book News, Inc., Portland, OR
At age twenty-one, while she was working with the legendary Nadia Boulanger in France, concert pianist Carol Rosenberger was stricken with paralytic polio—a condition that knocked out the very muscles she needed in order to play. But Rosenberger refused to give up. Over the next ten years, against all medical advice, she struggled to rebuild her technique and regain her life as a musician—and went on to not only play again, but to receive critical acclaim for her performances and recordings. Beautifully written and deeply inspiring, To Play Again is Rosenberger’s chronicle of making possible the seemingly impossible: overcoming career-ending hardships to perform again.
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