This rich compilation of Joyce Carol Oates's letters across four decades displays her warmth and generosity, her droll and sometimes wicked sense of humor, her phenomenal energy, and most of all, her mastery of the lost art of letter writing. "It's hard to think of another writer with as fecund and protean an imagination as the eighty-five-year-old Joyce Carol Oates, who is surely on any short list of America's greatest living writers." —New York Times Magazine In this generous selection of Joyce Carol Oates’s letters to her biographer and friend Greg Johnson, readers will discover a never-before-seen dimension of her phenomenal talent. In 1975, when Johnson was a graduate student, he first wrote to Oates, already a world-famous author, and drew an appreciative, empathetic response. Soon the two began a fairly intense, largely epistolary friendship that would last until the present day. As time passed, letters became faxes, and faxes became emails, but the energy and vividness of Oates’s writing never abated. Her letters were often sprinkled with the names of well-known public figures, from John Updike and Toni Morrison to Steve Martin and Jacqueline Kennedy Onassis. There are also descriptions of far-flung travels she undertook with her first husband, the scholar and editor Raymond Smith, and with her second, the distinguished Princeton neuroscientist Charlie Gross. But much of Oates’s prose centered on the pleasures of her home life, including her pet cats and the wildlife outside her study window. Whereas her academic essays and book reviews are eloquent in a formal manner, in these letters she is wholly relaxed, even when she is serious in her concerns. Like Johnson, she was always engaged in work, whether a long novel or a brief essay, and the letters give a fascinating glimpse into Oates’s writing practice.
As the school year comes to a close, Melissa Rose Hartley wishes school were over and her summer at Southern Shores were underway. Frustrated with the boys at school, Melissa Rose vows to never get involved with any boy, everuntil she meets Flynn. Melissas adventures take her to faraway places, involve her in the neighborhood mystery, lead her to a hidden treasure, and send her stepping into a blissful friendship. Join Melissa Rose as she finds fun and adventure at her beloved summer home in Southern Shores. Author Carol Joyce shares the adventures she had growing up at the old shore home and the importance of developing friendships with boys in this inspiring story for young adults.
These twenty-five interviews with Joyce Carol Oates from early in her career to the present are the first such collection to be published. In these conversations from sources as diverse as major news magazines and small scholarly journals, Oates candidly talks about her work, her concepts of literature, her methods of writing, and many other topics. Throughout this anthology, Oates discusses how her writing paints a modern panorama of American life. Oates described her vast canvas to an interviewer: ""I could not take the time to write about a group of people who did not represent, in their various struggles, fantasies, unusual experiences, hopes, etc., our society in miniature."" She also comments upon her responsibility as an artist ""to bear witness"" to certain aspects of society. In this light, she responds to criticisms that violence seems to dominate her work by noting that ""one simply cannot know strengths unless suffering, misfortune, and violence are explored quite frankly by the writer.""In addition to discussing her works---from her first book By the North Gate (1963) to her most popular novel You Must Remember This (1987)---this prolific writer also answers questions about her writing habits. These interviews, spanning nineteen years, reveal a vivid portrait of Joyce Carol Oates writing as the conscience of society, as the creator of memorable prose and poetry, and as the artist deeply committed to a unique vision.
The Journal of Joyce Carol Oates, edited by Greg Johnson, offers a rare glimpse into the private thoughts of this extraordinary writer, focusing on excerpts written during one of the most productive decades of Oates's long career. Far more than just a daily account of a writer's writing life, these intimate, unrevised pages candidly explore her friendship with other writers, including John Updike, Donald Barthelme, Susan Sontag, Gail Godwin, and Philip Roth. It presents a fascinating portrait of the artist as a young woman, fully engaged with her world and her culture, on her way to becoming one of the most respected, honored, discussed, and controversial figures in American letters.
I Am No One You Know contains nineteen startling stories that bear witness to the remarkably varied lives of Americans of our time. In "Fire," a troubled young wife discovers a rare, radiant happiness in an adulterous relationship. In "Curly Red," a girl makes a decision to reveal a family secret, and changes her life irrevocably. In "The Girl with the Blackened Eye," selected for The Best American Mystery Stories 2001, a girl pushed to an even greater extreme of courage and desperation manages to survive her abduction by a serial killer. And in "Three Girls," two adventuresome NYU undergraduates seal their secret love by following, and protecting, Marilyn Monroe in disguise at Strand Used Books on a snowy evening in 1956. These vividly rendered portraits of women, men, and children testify to Oates's compassion for the mysterious and luminous resources of the human spirit.
In dramatic, tightly focused narratives charges with tension, menace, and the shock of the unexpected, Where Is Here? examines a world in which ordinary life is electrified by the potential for sudden change. Domestic violence, fear and abandonment and betrayal, and the obsession with loss shadow the characters that inhabit these startling, intriguing stories. With the precision and intensity that are the hallmarks of her remarkable talent, Joyce Carol Oates explores the unexpected turns of events that leave people vulnerable and struggling to puzzle out the consequences of their abrupt reversals of fortune. As in the title story, in which a married couple find their controlled life irrevocably altered by a stranger's visit, the fiction in this new collection is punctuated again and again by mysterious, perhaps unanswerable, questions: "Out of what does our life arise? Out of what does our consciousness arise? Why are we here? Where is here?" Like the questions they pose, these tales -- at once elusive and direct -- unfold with the enigmatic twists of riddles and, often, the blunt shock of tragedy. Where is Here? is the work of a master practitioner of the short story.
Fresh from the triumph of the bestselling We Were the Mulvaneys, Joyce Carol Oates continues her exploration of family love and the possibilities of human redemption. At five, Ingrid Boone loves her father with all the innocence and blind trust of childhood—until he abandons her and her beautiful young mother in the wake of a violent crime. Desperate to recapture his lost love and hungry for any kind of mercy at a man’s hand, Ingrid allows boys and men to abuse her as she searches for affection in the alcohol, drugs, and sex they offer. When she is targeted as prey by a charismatic leader of a violent cult, Ingrid falls to her blackest moment of despair—yet it is here that she finds unexpected salvation and the will to reclaim her life and heart from the men who have taken it.
Joyce Carol Oates’s Wonderland Quartet comprises four remarkable novels that explore social class in America and the inner lives of young Americans. In Expensive People, Oates takes a provocative and suspenseful look at the roiling secrets of America’s affluent suburbs. Set in the late 1960s, this first-person confession is narrated by Richard Everett, a precocious and obese boy who sees himself as a minor character in the alarming drama unfolding around him. Fascinated by yet alienated from his attractive, self-absorbed parents and the privileged world they inhabit, Richard incisively analyzes his own mismanaged childhood, his pretentious private schooling, his “successful-executive” father, and his elusive mother. In an act of defiance and desperation, eleven-year-old Richard strikes out in a way that presages the violence of ever-younger Americans in the turbulent decades to come. A National Book Award finalist, Expensive People is a stunning combination of social satire and gothic horror. “You cannot put this novel away after you have opened it,” said The Detroit News. “This is that kind of book–hypnotic, fascinating, and electrifying.” Expensive People is the second novel in the Wonderland Quartet. The books that complete this acclaimed series, A Garden of Earthly Delights, them, and Wonderland, are also available from the Modern Library.
Obsession with loss, fear of betrayal, and sudden violence plague the characters who inhabit these twenty-two stories in Will You Always Love Me? Joyce Carol Oates uses her talent like a scalpel to cut swiftly and precisely through the surface of everyday life to lay bare the powerful, perilous emotional currents swirling below. In the title story, a woman's rage over the savage murder of her sister years ago crowds out all reason and hope of happiness. A respectable suburban matron becomes her son's accomplice in sexually humiliating a glamorous new neighbor in the prize-winning "The Goose-Girl." In all of the stories-characters, male and female, young and old, rich and poor, sophisticated and naive-come to vivid life in a world of dangerous truths and fateful consequences. Joyce Carol Oates's uncanny eye for physical detail, her flawless ear for American speech, and her X-ray vision of the human heart and psyche make the stories she tells indelibly and inescapably real.
New York Times bestselling author Joyce Carol Oates’ imaginative look at the last days of five giants of American literature, now available in a deluxe paperback edition in Ecco’s The Art of the Story Series. Edgar Allan Poe, Emily Dickinson, Samuel Clemens (“Mark Twain”), Henry James, Ernest Hemingway—Joyce Carol Oates evokes each of these American literary icons in this work of prose fiction, poignantly and audaciously reinventing the climactic events of their lives. In subtly nuanced language suggestive of each of these writers, Oates explores the mysterious regions of the unknowable self that is “genius.” Darkly hilarious, brilliant, and brazen, Wild Nights! is an original and haunting work of the imagination.
Unlike anything Joyce Carol Oates has written before, A Widow’s Story is the universally acclaimed author’s poignant, intimate memoir about the unexpected death of Raymond Smith, her husband of forty-six years, and its wrenching, surprising aftermath. A recent recipient of National Book Critics Circle Ivan Sandrof Lifetime Achievement Award, Oates, whose novels (Blonde, The Gravedigger’s Daughter, Little Bird of Heaven, etc.) rank among the very finest in contemporary American fiction, offers an achingly personal story of love and loss. A Widow’s Story is a literary memoir on a par with The Year of Magical Thinking by Joan Didion and Calvin Trillin’s About Alice.
“If the phrase ‘woman of letters’ existed, [Joyce Carol Oates] would be, foremost in this country, entitled to it.”—John Updike, The New Yorker As powerful and relevant today as it was on its initial publication, them chronicles the tumultuous lives of a family living on the edge of ruin in the Detroit slums, from the 1930s to the 1967 race riots. Praised by The Nation for her “potent, life-gripping imagination,” Joyce Carol Oates traces the aspirations and struggles of Loretta Wendall, a dreamy young mother who is filled with regret by the age of sixteen, and the subsequent destinies of her children, Maureen and Jules, who must fight to survive in a world of violence and danger. Winner of the National Book Award, them is an enthralling novel about love, class, race, and the inhumanity of urban life. It is, raves The New York Times, “a superbly accomplished vision.” Them is the third novel in the Wonderland Quartet. The books that complete this acclaimed series, A Garden of Earthly Delights, Expensive People, and Wonderland, are also available from the Modern Library. [Oates is] a superb storyteller. For sheer readability, them is unsurpassed.”—The Atlanta Journal-Constitution
Finally returned to print in a beautiful new trade paperback edition, comes Joyce Carol Oates’ lost classic: a satirical, often surreal, and beautifully plotted Gothic Romance that follows the exploits of the audacious Zinn sisters, whose 19th century pursuit of adventurous lives turns a lens on contemporary American culture. Set in a nineteenth century similar to our own, A Bloodsmoor Romance follows the beautiful Zinn sisters, five young women who refuse—for the most part—”the obligations of Christian marriage.” Full of Oates’s mordant wit and breathlessly told in the Victorian style by an unnamed narrator shocked by the Zinn sisters’ sexuality, impulsivity, and rude rejection of the mores of their time, A Bloodsmoor Romance is a delicious filigree of literary conventions, “a novel of manners” in the tradition of Austen, Dickens, and Alcott which Oates turns on its head. Oates’s dark romp interweaves murder and mayhem, ghosts, and abductions, substance abuse and gender identity, women’s suffrage, the American spiritualist movement, and sexual aberration, as the Zinn sisters come into contact with some of the 19th century’s greatest characters, from Mark Twain to Oscar Wilde. A biting assessment of the American landscape and a virtuosic transformation of a literary genre, A Bloodsmoor Romance is a compelling, hilarious, and magical anti-romance—Little Women by way of Stephen King.
A lonely widow is romanced by a “brilliantly portrayed” pathological killer in this novel by the National Book Award–winning author of them (The New York Times). Dorothea Deverell is a New England art historian working for a Boston museum, resigned to entering middle age alone—until she’s swept off her feet by the flattery of a charming younger man who calls her his soul mate. Colin Asch is swept away too. He admires Dorothea’s gentle nature, innate goodness, decency, and acceptance of others without judgment. She’s nothing at all like the people Colin has met before—and murdered. A self-appointed “Angel of Death,” Colin is determined to keep Dorothea happy—by eliminating anyone who gets in the way of his plan. They’ll be clever kills, untraceable and fast as a knife-slash to the throat. Each one will bring him closer to the woman he loves. And by the time Dorothea discovers what horrors passion has wrought, she’ll be in so deep, so dark, that giving in might be her only chance of survival. This novel, called “a hair-raiser” by Elmore Leonard, comes from the #1 New York Times–bestselling author of We Were the Mulvaneys, a four-time Pulitzer Prize finalist and recipient of the O. Henry Award, the National Book Award, and the Bram Stoker Award. In Soul/Mate, “it is clear from the start that we are in Joyce Carol Oates territory, for the book is stamped with her hallmarks—her complex, detailed prose; her fascination with violence; her obsessive concern with rendering not so much action as the way action haunts the hidden consciousness of her characters” (The New York Times).
I Am No One You Know contains nineteen startling stories that bear witness to the remarkably varied lives of Americans of our time. In "Fire," a troubled young wife discovers a rare, radiant happiness in an adulterous relationship. In "Curly Red," a girl makes a decision to reveal a family secret, and changes her life irrevocably. In "The Girl with the Blackened Eye," selected for The Best American Mystery Stories 2001, a girl pushed to an even greater extreme of courage and desperation manages to survive her abduction by a serial killer. And in "Three Girls," two adventuresome NYU undergraduates seal their secret love by following, and protecting, Marilyn Monroe in disguise at Strand Used Books on a snowy evening in 1956. These vividly rendered portraits of women, men, and children testify to Oates's compassion for the mysterious and luminous resources of the human spirit.
The stunning, classic portrait of a powerful man's downward spiral to moral ruin Jerome "Corky" Corcorn. A money-juggling wheeler dealer, rising politico, popular man's man, and successful womanizer. It is a Memorial Day weekend, and we are about to live with him, breathe with him, and sweat with him in a nonstop marathon of mounting desperation as he tries to keep his financial empire from unraveling, his love life from shredding, and his rebellious daughter from destroying both herself and him. Seldom in fiction has a man been brought so vividly to life in all his strength and weakness, hunger and ambition, carnality and corruption. Rarely has the complex web of American society been revealed so rivetingly. And never has one of today's supreme writers, Joyce Carol Oates, written a bolder and better novel than this mesmerizing masterpiece.
A deeply intimate psychological portrait of a young woman's tragic childhood, her reinvention as a successful young artist in the literary circles of 1950s New York City, and her struggle to understand and overcome the trauma of her past. Growing up in the confines of Innisfail, a bleak town in upstate New York, bright and curious Marya endures abandonment, betrayal, and loneliness. A college scholarship offers escape, taking her to New York City, where she makes a name for herself in academic and literary circles. But success cannot overcome the damage of her childhood, pain that haunts Marya’s personal, professional, and romantic relationships, and has left her unmoored. Psychologically nuanced, rich in insight and emotional complexity, told with the unsettling power of Joyce Carol Oates’s gothic novels, Marya: A Life is an intense look into the psyche of a young woman and an illuminating exploration of how the past reverberates throughout our lives.
A new collection of thirteen mesmerizing stories by American master Joyce Carol Oates, including the 2017 Pushcart Prize–winning “Undocumented Alien” The diverse stories of Beautiful Days, Joyce Carol Oates explore the most secret, intimate, and unacknowledged interior lives of characters not unlike ourselves, who assert their independence in acts of bold and often irrevocable defiance. “Fleuve Bleu” exemplifies the rich sensuousness of Oates’s prose as lovers married to other persons vow to establish, in their intimacy, a ruthlessly honest, truth-telling authenticity missing elsewhere in their complicated lives, with unexpected results. In “Big Burnt,” set on lushly rendered Lake George, in the Adirondacks, a cunningly manipulative university professor exploits a too-trusting woman in a way she could never have anticipated. In a more experimental but no less intimate mode, “Les beaux jours” examines the ambiguities of an intensely erotic, exploitative relationship between a “master” artist and his adoring young female model. And the tragic “Undocumented Alien” depicts a young African student enrolled in an American university who is suddenly stripped of his student visa and forced to undergo a terrifying test of courage. In these stories, as elsewhere in her fiction, Joyce Carol Oates exhibits her fascination with the social, psychological, and moral boundaries that govern our behavior—until the hour when they do not.
Joyce Carol Oates is not only one of our most important novelists and literary critics, she is also an unparalleled master of the short story. Sourland—sixteen previously uncollected stories that explore the power of violence, loss, and grief to shape the psyche as well as the soul—shows us an author working at the height of her powers. With lapidary precision and an unflinching eye, Oates maps the surprising contours of “ordinary” life, from a desperate man who dons a jack-o'-lantern head as a prelude to a most curious sort of courtship to a beguiling young woman librarian whose amputee state attracts a married man and father; from a girl hopelessly in love with her renegade, incarcerated cousin to the concluding title story of an unexpectedly redemptive love rooted in radical aloneness and isolation. Each story in Sourland resonates beautifully with Oates's trademark fascination for the unpredictable amid the prosaic—the commingling of sexual love and violence, the tumult of family life—and shines with her predilection for dark humor and her gift for voice.
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