Based on a study conducted with chronically ill children, Pediatric Dramatherapy shows how children who are unable to verbalize their feelings or inner conflicts can do so through dramatherapy. The major sources of stress for chronically ill children are examined as they relate to situations within selected stories.
An easy-to-use guide to creating simple dramas with young children. Written especially for parents, daycare providers, librarians, educators, and youth leaders who want to not only encourage their children's imaginations but also enhance their self-esteem and joy in learning.
Based on a study conducted with chronically ill children, Pediatric Dramatherapy shows how children who are unable to verbalize their feelings or inner conflicts can do so through dramatherapy. The major sources of stress for chronically ill children are examined as they relate to situations within selected stories.
An easy-to-use guide to creating simple dramas with young children. Written especially for parents, daycare providers, librarians, educators, and youth leaders who want to not only encourage their children's imaginations but also enhance their self-esteem and joy in learning.
Now that the political and economic plight of European Roma and the popularity of their music are objects of international attention, Romani Routes provides a timely and insightful view into Romani communities both in their home countries and in the diaspora. Over the past two decades, a steady stream of recordings, videos, feature films, festivals, and concerts has presented the music of Balkan Gypsies, or Roma, to Western audiences, who have greeted them with exceptional enthusiasm. Yet, as author Carol Silverman notes, Roma are revered as musicians and reviled as people. In this book, Silverman introduces readers to the people and cultures who produce this music, offering a sensitive and incisive analysis of how Romani musicians address the challenges of discrimination. Focusing on southeastern Europe then moving to the diaspora, her book examines the music within Romani communities, the lives and careers of outstanding musicians, and the marketing of music in the electronic media and "world music" concert circuit. Silverman touches on the way that the Roma exemplify many qualities--adaptability, cultural hybridity, transnationalism--that are taken to characterize late modern experience. And rather than just celebrating these qualities, she presents the musicians as complicated, pragmatic individuals who work creatively within the many constraints that inform their lives.
When her husband died suddenly on New Year's Eve, Carol was left to raise their six boys, ages 11 months to 16 years. That night she made a promise to God: if He provided for her and the boys the way He promised in His Word, she would go anywhere He sent her and tell others of His care. But if He didn't, she would burn her Bible on the front lawn and tell any onlooker that it was just a book of pretty words and pious phrases that wasn't true when you needed it to be. God not only provided but had a big surprise: He sent her across the globe to share her story. Carol was then given an unexpected career in television and radio as host and producer, and later, a new husband. Faith for the Journey tells firsthand the life-changing things that can happen when you trust God with all your heart.
« Alors, en début de soirée, ce 3 août 1962, vint la Mort, index sur la sonnette du 12305 Fifth Helena Drive. La Mort qui essuyait la sueur de son front avec sa casquette de base-ball. La Mort qui mastiquait vite, impatiente, un chewing-gum. Pas un bruit à l'intérieur. La Mort ne peut pas le laisser sur le pas de la porte, ce foutu paquet, il lui faut une signature. Elle n'entend que les vibrations ronronnantes de l'air conditionné. Ou bien... est-ce qu'elle entend une radio là ? La maison est de type espagnol, c'est une « hacienda » de plain-pied; murs en fausses briques, toiture en tuiles orange luisantes, fenètres aux stores tirés. On la croirait presque recouverte d'une poussière grise. Compacte et miniature comme une maison de poupée, rien de grandiose pour Brentwood. La Mort sonna à deux reprises, appuya fort la seconde. Cette fois, on ouvrit la porte. De la main de la Mort, j'acceptais ce cadeau. Je savais ce que c'était, je crois. Et de la part de qui c'était. En voyant le nom et l'adresse, j'ai ri et j'ai signé sans hésiter. »
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