Introduced in the United States as a new material for statuary in the mid-nineteenth century, zinc has properties that allowed replication at low cost. It was used to produce modestly priced serial sculpture displayed throughout the nation on fountains, public monuments, and war memorials. Imitative finishes created the illusion of more costly bronze, stone, or polychrome wood. This first comprehensive overview of American zinc sculpture is interdisciplinary, engaging aspects of art history, popular culture, local history, technology, and art conservation. Included is a generously illustrated catalogue presenting more than eight hundred statues organized by type: trade figures and Indians, gods and goddesses, fountain figures, animals, famous men, military figures, firemen, cemetery memorials, and religous subjects. The compilation of data on these statues will be valuable to scholars, filling the current void in research libraries. The author's experience as a conservator will also make the an essential resource for historic preservationists seeking to repair statues now damaged by years of outdoor exposure. This book has 555 illustrations, 354 of which are in color. Carol Grissom is Senior Objects Conservator at the Smithsonian's Museum Conservation Institute.
In 1860, leading citizens of Greensboro emotionally beseeched all residents to remain citizens of the United States during the turbulent days preceding the War between the States. Peace efforts failed after Pres. Abraham Lincoln wired Gov. John Willis Ellis of North Carolina to send troops to contain the rebellion in Charleston, South Carolina. After Lincoln's request for troops, the State of North Carolina officially severed relations with the United States on May 20, 1861. The citizens of Greensboro immediately went to work providing for their sons, brothers, and husbands serving in the army of the Confederate States of America. In 1865, Federal and Confederate troops converged on Greensboro. Images of America: Greensboro's Confederate Soldiers tells the story of the men wearing the gray uniform of the Confederate States of America. Additionally, the little-known stories of mothers, wives, and children left at home to fend for themselves while praying for, providing for, and maintaining the home front are told for the first time.
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