This work is intended to the study of the Yogacara Buddhist philosop[hy together with its commentaries and notes for better comprehensibility of the contents of three edited and translated texts, namely, Alambanapariksavrtti of Dignaga; the vimsatika Vijnaptimatratasiddhih of Vasubandhu and Trisvabhavakarika of Vasubandhu.
The Lotus Sutra is one of the Buddhist texts which can give a real Idea of the force, originality, influence, and value of the Buddhist Positivene;5s. This essay on Buddhist Positiveness was originally written (in 1994) by Fernando Tola as an answer to the Catholic Pope's criticism of Buddhism, according to which Buddhism is a 'negative' religion; and this essay was presented afterwards, in an abridged version, as a paper, in The International Conference of The International Association of Buddhist Studies held in Lausanne, Switzerland (in 1999). The topics which are dealt with in this book are on the conflict of change in Buddhism; the conflict of change in the Lotus Sutra; apologetics and harmony in the Lotus Sutra and Bhavya; sunyata in the Lotus Sutra; some reflections that the translation of the saddharmapundarikasutra ) from its original text into Spanish) provoked in the authors regarding some linguistic, semantic and communication problems; the meaning of the infinite numbers in the Lotus Sutra; beginninglessness of the Veda and the Dharma, names of the Bhiksus and Bodhisattvas in the Lotus Sutra; Buddhist spirituality: positiveness in the Lotus Sutra; Buddhism and family; attitudes in regard to food in Ancient India, and some important reviews concerning the Lotus Sutra.
The Yogasutra is one of the most important works of Indian culture. The present book is an attempt of interpretation of the Yogasutras based on some special criteria adopted by the authros: (1) To use the traditional commentaries as auxiliaries, not as guides, with prudence and freedom, (2) To interpret those Sutras, in which Patanjali analyzes real phenomena, as what they actually are: descriptions of facts of experience. To such an end the authors have tried to have a clear idea of the phenomena to which Patanjali refers, and in this task they have found extremely useful the descriptions of their mystical experiences by Yogis of India and Christian mystics. The book includes the Sanskrit text of the Sutras and an English translation by the authors.
The Silpa Prakasais an important addition to the existing literature on Indian Silpa Texts. the text goes into a great detail of the architecture, the iconography and the symbolism of all the parts of the temple. Its unique contribution lies in the description of Yantras or symbolic diagrams underlying the architecture as well as sculpture. This edition will be extremely valuable for understanding not only temple construction but the entire symbolism underlying the unique temples of Orissa.
Temporalities of Modernism gathers fourteen scholars whose contributions readdress the very tenets of modernism by approaching its multifaceted relationship with time in a series of fresh and original essays. The contemporary energies behind the collection are rooted in the turbulence of the modernist age: relativity, irreversibility, duration, fragmentation, contingency, and the looming threat of the apocalyptic future. The collection includes geographical areas often neglected by the habitual reduction of modernist studies to English-speaking literary high modernism, or to the concentration of famous figures in the traditional capital of modernism—Paris. Thus it offers detailed presentations of Italian pre-WWI modernism, Czech Dadaism, or of Polish, Romanian, and Hungarian writers and artists. The borders also open in terms of genres and mediums, as the contributions are not limited to fiction, but examine the multi-faceted productions of modernist artists: poetry, theatre, painting, music, cinema, photography, etc. In addition, the limits are temporally stretched out as some contributions focus on more recent writers (such as Sylvia Plath) and their reactivation of modernist discoveries.
The Silpa Prakasais an important addition to the existing literature on Indian Silpa Texts. the text goes into a great detail of the architecture, the iconography and the symbolism of all the parts of the temple. Its unique contribution lies in the description of Yantras or symbolic diagrams underlying the architecture as well as sculpture. This edition will be extremely valuable for understanding not only temple construction but the entire symbolism underlying the unique temples of Orissa.
The Yogasutra is one of the most important works of Indian culture. The present book is an attempt of interpretation of the Yogasutras based on some special criteria adopted by the authros: (1) To use the traditional commentaries as auxiliaries, not as guides, with prudence and freedom, (2) To interpret those Sutras, in which Patanjali analyzes real phenomena, as what they actually are: descriptions of facts of experience. To such an end the authors have tried to have a clear idea of the phenomena to which Patanjali refers, and in this task they have found extremely useful the descriptions of their mystical experiences by Yogis of India and Christian mystics. The book includes the Sanskrit text of the Sutras and an English translation by the authors.
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