Using the character as a central element, this volume provides insights into the Theatre of the Absurd, highlighting its specific key characteristics. Adopting both semiotic-structuralist and mathematical approaches, its analysis of the absurdist character introduces new models of investigation, including a possible algebraic model operating on the scenic, dramatic and paradigmatic level of a play, not only exploring the relations, configurations, confrontations, functions and situations but also providing necessary information for a possible geometric model. The book also takes into consideration the relations established among the most important units of a dramatic work, character, cue, décor and régie, re-configuring the basic pattern. It will be useful for any reader interested in analyzing, staging or writing a play starting from a single character.
Using the character as a central element, this volume provides insights into the Theatre of the Absurd, highlighting its specific key characteristics. Adopting both semiotic-structuralist and mathematical approaches, its analysis of the absurdist character introduces new models of investigation, including a possible algebraic model operating on the scenic, dramatic and paradigmatic level of a play, not only exploring the relations, configurations, confrontations, functions and situations but also providing necessary information for a possible geometric model. The book also takes into consideration the relations established among the most important units of a dramatic work, character, cue, décor and régie, re-configuring the basic pattern. It will be useful for any reader interested in analyzing, staging or writing a play starting from a single character.
Journey to the Aisle shares a life experience growing up in the barrio in south Texas where Spanish and Mexican cultural influences and traditions, being the norm, presented obstacles and conflicts while experiencing immersion into educational environments. Practicing Catholicism was the core of daily existence in the lives of families. Growing up in a family with ten siblings, the author shares stories about learning how to survive daily in a male-dominant Spanish-speaking home environment where gender roles were defined through unwritten rules. Attending an Irish Catholic School in the barrio and ultimately a public school system led to a journey of reflective questioning of cultural expectations. She relates personal struggles and conflicts encountered as she journeys through the process of deciding to make a commitment to marrying.
The Geechee Lady", subtitled, "Grandma and the Secret Castas ", is an adaptation from the poem, "Miss Willamina", written by the same author. The true story, written in rhythmic pattern, tells of how a wizened older woman, born in 1885 on one of the Sea Islands off the coast of South Carolina, relates to a much younger female in the 1950s/1960s' setting of Harlem, New York. Divisive tactics, taught in previous generations to the black slaves by their white "masters", somehow seep their way into the lives of these two people, causing an awkward relationship between the old woman and the young girl. It is an awkwardness which stems from the most sensitive human-dynamic of that post-slavery era;...a dynamic manifested in myriad ways in regard to skin-tones, hair-types, facial features, and other physical traits...bringing about the creation of a very subtle, yet highly sensitive "caste-system" among people of color. This caste-system though well-known among all inhabitants of the colonies in the Americas, ...as well as among its European progenitors,...is rarely discussed openly, even nowadays in 2010/2011, as it is still kept "hush-hush" as a topic to be discussed "secretively" behind closed doors. Therefore, an exciting,"must-see" section of this book, is Part 4-"Grandma and the Secret Castas", which shows copies of 16th and 17th century paintings which still hang today on the walls of the world's greatest museums. These great revolutionary works of art, in a genre called "La pintura de Casta", or "Casta Paintings", depict the lives of the people who represented the original population and who were contributors to the formation of this dominant, and highly-structured Latin-American "caste-system". This social system, called "Mestizaje", created by the royal monarchy of Spain and Portugal,...(out of their desire to bring some semblance of order to the new colonies in the Americas),,,, originally existed as an accepted form of concubinage in the Portuguese and Spanish colonies of the Americas,... then it caught on,...though not quite as successfully, in the British-owned, 13-original USA colonies, ...and then concurrently in all the English-speaking, Caribbean territorities including Jamaica, Trinidad-Tobago, the Bahamas, Antigua, Barbados, British Honduras, and Bermuda;... in French-speaking Louisiana (USA), and the French-speaking islands of Martinique,Guadalupe, and Haiti;... in the Spanish-speaking islands of Puerto Rico, Cuba, Dominican Republic, ...in Spanish Honduras, and on Roatan Island and Spanish-owned Belize (before it was annexed to the British Empire in the 1800s as British Honduras), ...in the German-speaking / Old-Dutch-speaking islands of Aruba, Bonaire, and Curacao. ...in the Portuguese-owned colonies of the Azores, Cape Verde, and Brazil, and also on all the smaller islands, such as Nevis, St. Croix, the French, St Martin and the Dutch, Maarten, Grenada, St. John, St. Thomas, St. Kitts, St. Lucia, St. Vincent, Monserrat, Tortola, and Dominica, etc.
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