This book offers a provocative interpretation of cultural discourse in Spanish America. Alonso argues that Spanish American cultural production constituted itself through commitment to what he calls the "narrative of futurity," that is, the uncompromising adoption of modernity. This commitment fueled a rhetorical crisis that followed the embracing of discourses regarded as "modern" in historical and economic circumstance that are themselves the negation of modernity. Through fresh readings of texts by Sarmiento, Mansilla, Quiroga, Vargos Llosa, Garcia Marquez, and others, Alonso tracks this textual dynamic in works from the nineteenth century to the present.
In Myself with Others, Fuentes has assembled essays reflecting three of the great elements of his work: autobiography, love of literature, and politics. They include his reflections on his beginning as a writer, his celebrated Harvard University commencement address, and his trenchant examinations of Cervantes, Gabriel Garcia Marquez, and Borges.
Slurs and Expressivity: Semantics and Beyond, edited by Eleonora Orlando and Andres Saab,focuses on the analysis of the expressive aspects of slur-words, namely, those words prima facie related to the conveyance of contemptuous or derogatory feelings for the members of a certain group of people identified in terms of their ethnicity, sexual orientation, religion, political ideology, and other personal qualities. In as far as they are used to express emotional attitudes, slurs are, thus, a kind of expressive words. This collection provides different hypotheses regarding the way in which the expressive import of slurs and other related expressive words is semantically encoded in the grammar and how their meaning impacts other aspects related to their use in different practices of linguistic communication. These linguistic practices are usually, but not always, related to segregation and discrimination of particular human groups. Therefore, any contribution to the theory of slur meaning is, directly or indirectly, also a contribution to a better understanding of those practices and to finding the best way to eradicate them.
Cuenta la leyenda que un sirviente del emperador llevaba un valioso mosaico de cerámica y tropezó rompiéndolo en pedazos. Intentó, desesperado, recomponerlo en su forma cuadrada original, pero resultó imposible. Sin embargo, observó que podía formar muchas otras y fascinantes figuras con los fragmentos. Así sucede a menudo a quienes poseen el don de la narración, y así ocurre con las historias que conforman este libro. Una obesa mórbida, antigua diva del teatro, encierra a dos universitarios en un sótano de Getxo. Un psicópata asesino elige Reikiavik como templo de sus crímenes. Un ladrón rehabilitado intenta recuperar el botín que enterró años atrás en una zona indeterminada de la periferia de Londres. Un mafioso recién llegado a un pueblo calabrés consigue ganarse el respeto de los ciudadanos a quienes extorsiona. Un detective se debate entre el deber policial y sus obsesiones sexuales. Con estos mimbres y otros que no conviene desvelar Juan Carlos Márquez urde en Tangram un thriller de historias cruzadas que se leen con la respiración contenida; siete historias que son una y que, sin embargo, no dejan de ser siete; un puzle de ingenio y creatividad como el del juego chino homónimo, tal vez emparentado con aquella antigua leyenda. JUAN CARLOS MÁRQUEZ nació en Bilbao en 1967. Es licenciado en Ciencias de la Información y máster de Periodismo por el diario El Correo y ha ejercido el oficio en diversos medios, pero desde hace algunos años se dedica en exclusiva a impartir talleres y cursos en la Escuela de Escritores de Madrid. Ha escrito los libros de relatos Norteamérica profunda (Diputación de Badajoz, 2008), Oficios (premio Tiflos, Castalia, 2008) y Llenad la Tierra (Menoscuarto, 2010). Ha sido dos veces finalista del premio Setenil al mejor libro de relatos (2008 y 2009) así como de la primera edición del Premio Internacional de Narrativa Breve Ribera de Duero, el más importante de su categoría en lengua española. En los últimos años sus obras han sido reconocidas con varios premios, entre ellos el José Nogales de la Diputación de Huelva (2010), el Rafael González Castell (2005) y el premio Juan Rulfo al escritor novel (2003). Asimismo sus cuentos han sido seleccionados en las dos antologías de referencia de la narrativa breve española contemporánea: Siglo XXI (Menoscuarto. 2010) y Pequeñas Resistencias 5 (Páginas de Espuma. 2010). Tangram es su primera novela.
De la misma manera que en el nuevo mileniolos géneros sexuales languidecen, por fortuna,lo mismo ocurre con los literarios. Esta antología incluye cuento, poesía, crónica, ensayo personal y novela. Muchos de los textos están felizmente contaminados de uno y otro estilo.Toda literatura es una experiencia. Salvo un par que publicó en los 90, este trabajo reúne autores que en casi dos décadas hicieron una obraen tierra norteamericana: algunos describen la relación con el país extranjero en el que viven;a la vez, los escenarios se extienden por el resto del mundo. Es decir: los escritores que ya están afincados no siguen necesariamente hablando de inmigración, indocumentados, etc. Ya lo hicieron y ahora tienen nuevas obsesiones.
El congreso Discrete Mathematics Days (DMD20/22) tendrá lugar del 4 al 6 de julio de 2022, en la Facultad de Ciencias de la Universidad de Cantabria (Santander, España). Este congreso internacional se centra en avances dentro del campo de la Matemática discreta, incluyendo, de manera no exhaustiva: · Algoritmos y Complejidad · Combinatoria · Teoría de Códigos · Criptografía · Geometría Discreta y Computacional · Optimización Discreta · Teoría de Grafos · Problemas de localización discreta y temas relacionados Las ediciones anteriores de este evento se celebraros en Sevilla (2018) y Barcelona (2016), estos congresos heredan la tradición de las Jornadas de Matemática Discreta y Algorítmica (JMDA), el encuentro bienal en España en Matemática Discreta (desde 1998). Durante la celebración del congreso tendrán lugar cuatro conferencias plenarias, cuarenta y dos presentaciones orales y una sesión de once pósteres. Abstract The Discrete Mathematics Days (DMD20/22) will be held on July 4-6, 2022, at Facultad de Ciencias of the Universidad de Cantabria (Santander, Spain). The main focus of this international conference is on current topics in Discrete Mathematics, including (but not limited to): Algorithms and Complexity Combinatorics Coding Theory Cryptography Discrete and Computational Geometry Discrete Optimization Graph Theory Location and Related Problems The previous editions were held in Sevilla in 2018 and in Barcelona in 2016, inheriting the tradition of the Jornadas de Matemática Discreta y Algorítmica (JMDA), the Spanish biennial meeting (since 1998) on Discrete Mathematics. The program consists on four plenary talks, 42 contributed talks and a poster session with 11 contributions.
One of the late Carlos Fuentes's final projects, this compendium of his criticism traces the evolution of the Latin American novel from the discovery of America to the present day. Combining historical perspective with personal and often opinionated interpretation, Fuentes gives us a tour from Machado de Assis to Borges and beyond. A landmark analysis, as well as a scintillating and often wry commentary on a great author's peers and influences, this book is as much a contribution to Latin American literature as it is a chronicle of that literature's greatest achievements.
Adalia Marquez was a police reporter living in Manila under the Japanese Occupation during World War 2 when her husband was arrested by the Japanese Military Police for aiding the resistance. Following his escape, suspicion falls upon Adalia and she is detained in his place, along with her two children, and imprisoned in Fort Santiago. Facing torture and starvation, Adalia contacts the Filipino underground and agrees to help them from inside the prison in return for much-needed food and medicine. With a talent for manipulating her captors, Adalia is able to evade detection long enough to provide for herself and her children, as well as other detainees in urgent need of sustenance, until the deliverance of V-J Day.
If there will be a search for the best lap dogging in Philippine politics, Mayor Pengson can be the best contender. No wonder his son Louie can hardly swallow it. When placed side by side, Louie's and his father's outlook in life best fits a juxtaposition of ironies. The son inherited the activist-gene of his father; the latter shed it off in exchange for the new found glories of a traditional politician. It seems that Louie and his American girlfriend, Pam Snorton, will pay for the sins of the old man later. This is the time after Ferdinand Marcos had martial law as his wisest option in then chaotic Philippines – his tool also in his try to perpetuate his power. This is when he said it was the way of attaining his political line “this nation can be great again”.The Nixon White House seem to be much 'aware' of it; making its fight with the communists a lot easier, while its interests were focused on 2 billion dollar investments and of course, the two US Military Bases in Clark, Pampanga and Subic, Zambales in the Philippine island of Luzon. The era when The Beatles, Rolling Stones, Dave Clark Five, and other singing groups that complemented the “British Invasion” had great influence to the Filipino youth alongside the Leninism-inspired themes, which had to be but cut short when Marcos closed down the media networks and deprived his people of access to entertain themselves. Get ready to suppress your emotion as you will gasp for your breath reading “The Sins of the Fathers” when its future was very far from the Internet and the accompanying social media forms of today.
A passionate argument for the geopolitical autonomy of Latin America, Carlos Fuentes's 1984 CBC Massey lectures trace the region's unique historical and cultural tensions and call upon foreign powers to cease interference in a sphere of influence they rarely fully understand. Fuentes sees the turbulence in Latin America ending not with political solutions, but economic ones. Foreshadowing the end of the Cold War, the signing and expansion of NAFTA, and the Mexican peso crisis of 1994, Fuentes urges further co-development in a progressively interdependent world and the creation of a new global economic and financial system. The new world economic order is not an exercise in philanthropy, he contends, but in enlightened self-interest for everyone concerned. Forthright and intelligently reasoned, Carlos Fuentes's Latin America is a timeless book about the challenges facing emergent democracies and the opportunities for growth that exist within the countries themselves.
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