Carlos Magdalena is a man on a mission: to save the world’s most endangered plants. In The Plant Messiah, Magdalena takes readers from the forests of Peru to deep within the Australian outback in search of the rare and the vulnerable. Back in the lab—at the Royal Botanic Gardens, Kew, home of the largest botanical collection in the world—we watch as he develops groundbreaking, left-field techniques for rescuing species from extinction, encouraging them to propagate and thrive once again. Passionate and absorbing, The Plant Messiah is a tribute to the diversity of life on our planet, and to the importance of preserving it.
El congreso Discrete Mathematics Days (DMD20/22) tendrá lugar del 4 al 6 de julio de 2022, en la Facultad de Ciencias de la Universidad de Cantabria (Santander, España). Este congreso internacional se centra en avances dentro del campo de la Matemática discreta, incluyendo, de manera no exhaustiva: · Algoritmos y Complejidad · Combinatoria · Teoría de Códigos · Criptografía · Geometría Discreta y Computacional · Optimización Discreta · Teoría de Grafos · Problemas de localización discreta y temas relacionados Las ediciones anteriores de este evento se celebraros en Sevilla (2018) y Barcelona (2016), estos congresos heredan la tradición de las Jornadas de Matemática Discreta y Algorítmica (JMDA), el encuentro bienal en España en Matemática Discreta (desde 1998). Durante la celebración del congreso tendrán lugar cuatro conferencias plenarias, cuarenta y dos presentaciones orales y una sesión de once pósteres. Abstract The Discrete Mathematics Days (DMD20/22) will be held on July 4-6, 2022, at Facultad de Ciencias of the Universidad de Cantabria (Santander, Spain). The main focus of this international conference is on current topics in Discrete Mathematics, including (but not limited to): Algorithms and Complexity Combinatorics Coding Theory Cryptography Discrete and Computational Geometry Discrete Optimization Graph Theory Location and Related Problems The previous editions were held in Sevilla in 2018 and in Barcelona in 2016, inheriting the tradition of the Jornadas de Matemática Discreta y Algorítmica (JMDA), the Spanish biennial meeting (since 1998) on Discrete Mathematics. The program consists on four plenary talks, 42 contributed talks and a poster session with 11 contributions.
THE AGE OF LOCUST is a cultural essay about locust invasions in Colombia during the twentieth century. The biblical plague was a scourge to agriculture. It caused a great economic impact. The task of combating it was a civic and government work. Several programs were launched by the State to definitively eradicate it. Locust invasions were strong during the first quarter century. By 1936 the last significant invasion occurred. Government programs were able to identify the origin of plague and progress towards eradication of it. In 1995, it turned to have news about the presence of the insect in the south of the country.
An award-winning historian's examination of impossible events at the dawn of modernity and of their enduring significance Accounts of seemingly impossible phenomena abounded in the early modern era--tales of levitation, bilocation, and witchcraft--even as skepticism, atheism, and empirical science were starting to supplant religious belief in the paranormal. In this book, Carlos Eire explores how a culture increasingly devoted to scientific thinking grappled with events deemed impossible by its leading intellectuals. Eire observes how levitating saints and flying witches were as essential a component of early modern life as the religious turmoil of the age, and as much a part of history as Newton's scientific discoveries. Relying on an array of firsthand accounts, and focusing on exceptionally impossible cases involving levitation, bilocation, witchcraft, and demonic possession, Eire challenges established assumptions about the redrawing of boundaries between the natural and supernatural that marked the transition to modernity. Using as his case studies stories about St. Teresa of Avila, St. Joseph of Cupertino, the Venerable María de Ágreda, and three disgraced nuns, Eire challenges readers to imagine a world animated by a different understanding of reality and of the supernatural's relationship with the natural world. The questions he explores--such as why and how "impossibility" is determined by cultural contexts, and whether there is more to reality than meets the eye or can be observed by science--have resonance and lessons for our time.
It is the story of a youth music band, who in the late seventies and early eighties, begin to see the growth and subsequent success of their band. In this one stands out one of his new members called Mónica, who has had to suffer the consequences of a kidnapping when she was fourteen years old and who, according to the opinion of experts and musical critics, can become a great star. There is no lack of romance, jealousy, competition, problems and moments in which the most prominent members of the group must come to make crucial decisions, which will end up affecting the future of the band.
Where, Carlos Fuentes asks, is a modern-day vampire to roost? Why not Mexico City, populated by ten million blood sausages (that is, people), and a police force who won’t mind a few disappearances? “Vlad” is Vlad the Impaler, of course, whose mythic cruelty was an inspiration for Bram Stoker’s Dracula. In this sly sequel, Vlad really is undead: dispossessed after centuries of mayhem by Eastern European wars and rampant blood shortages. More than a postmodern riff on “the vampire craze,” Vlad is also an anatomy of the Mexican bourgeoisie, as well as our culture’s ways of dealing with death. For—as in Dracula—Vlad has need of both a lawyer and a real-estate agent in order to establish his new kingdom, and Yves Navarro and his wife Asunción fit the bill nicely. Having recently lost a son, might they not welcome the chance to see their remaining child live forever? More importantly, are the pleasures of middle-class life enough to keep one from joining the legions of the damned?
An award-winning historian’s examination of impossible events at the dawn of modernity and of their enduring significance Accounts of seemingly impossible phenomena abounded in the early modern era—tales of levitation, bilocation, and witchcraft—even as skepticism, atheism, and empirical science were starting to supplant religious belief in the paranormal. In this book, Carlos Eire explores how a culture increasingly devoted to scientific thinking grappled with events deemed impossible by its leading intellectuals. Eire observes how levitating saints and flying witches were as essential a component of early modern life as the religious turmoil of the age, and as much a part of history as Newton’s scientific discoveries. Relying on an array of firsthand accounts, and focusing on exceptionally impossible cases involving levitation, bilocation, witchcraft, and demonic possession, Eire challenges established assumptions about the redrawing of boundaries between the natural and supernatural that marked the transition to modernity. Using as his case studies stories about St. Teresa of Avila, St. Joseph of Cupertino, the Venerable María de Ágreda, and three disgraced nuns, Eire challenges readers to imagine a world animated by a different understanding of reality and of the supernatural’s relationship with the natural world. The questions he explores—such as why and how “impossibility” is determined by cultural contexts, and whether there is more to reality than meets the eye or can be observed by science—have resonance and lessons for our time.
Nell’anno del 1448 Vlad Tepes sale al trono della Valacchia. Il suo regno resiste immutato allo scorrere del tempo. Nel corso dei secoli dà alle fiamme castelli e villaggi, prende in ostaggio popoli interi e fa impalare donne e bambini. Interra uomini, li fa decapitare, li arrostisce come maiali o li sgozza come agnelli. Quando una delle sue amanti si dichiara gravida per trattenerlo a sé, Vlad le squarcia il ventre. Il suo regno è eterno. Il suo regno è oggi. Nella babelica Città del Messico la vita di Yves Navarro scorre placida: è un uomo felice, con un buon lavoro e una splendida famiglia. Un giorno, di colpo, il destino lo trascina su lidi mai immaginati: di fronte all’uomo che regna non solo sul tempo, ma sull’eternità tutta. Opera poliedrica, Vlad gioca con i tòpoi del romanzo gotico e intesse una fitta rete di richiami ai classici del genere, da Bram Stoker a Sheridan Le Fanu, e a film come Nosferatu di Murnau e Dracula di Tod Browning. Affresco di Città del Messico e delle sue contraddizioni, scavo nella vita sentimentale di una coppia borghese, meditazione sulla perdita, il romanzo stupisce per le invenzioni stilistiche di Fuentes, capace di eccessi granguignoleschi come di slanci lirici, e arricchisce il mito del vampiro con un Dracula personalissimo, simbolo della paura della morte e dell’aspirazione dell’uomo all’eternità.
This major work presents a biosystematic analysis of wild potatoes of Peru. It represents more than three decades of the work by the author in the International Potato Center. In addition to a description of the taxa, the book includes drawings of the various species, floral dissections, habitat photos and distribution maps. The distinguished artist and plant pathologist, Dr. Franz Frey, made the watercolor paintings.
Where, Carlos Fuentes asks, is a modern-day vampire to roost? Why not Mexico City, populated by ten million blood sausages (that is, people), and a police force who won’t mind a few disappearances? “Vlad” is Vlad the Impaler, of course, whose mythic cruelty was an inspiration for Bram Stoker’s Dracula. In this sly sequel, Vlad really is undead: dispossessed after centuries of mayhem by Eastern European wars and rampant blood shortages. More than a postmodern riff on “the vampire craze,” Vlad is also an anatomy of the Mexican bourgeoisie, as well as our culture’s ways of dealing with death. For—as in Dracula—Vlad has need of both a lawyer and a real-estate agent in order to establish his new kingdom, and Yves Navarro and his wife Asunción fit the bill nicely. Having recently lost a son, might they not welcome the chance to see their remaining child live forever? More importantly, are the pleasures of middle-class life enough to keep one from joining the legions of the damned?
Between the years 2020 to 2034 more than nine million Jews, inspired and led by a remarkable man, migrate from the insecurity and uncertainty of Israel in the Middle East to a secure and peaceful New Israel in the Baja California peninsula of Mexico. In this story, Dr. Yohan Cohen details the life of Ari Netanyahu and his messianic mission to deliver the Jewish people away from the hostility of the Arab world. Confronting the terrible drug cartel wars that torment Mexico with incredible violence and high death tolls, Ari Netanyahu and his associates from Mossad, the Israeli secret service, lead an anti-drug cartel campaign that eventually eliminates the cartel threat in Mexico and Central America. Dire predictions and warnings by climate scientists about global warming become reality as chilling views are seen of what a hotter world will be in twenty-two years. Mark Twain said, “Whiskey is for drinking; water is for fighting over,” and water soon becomes more precious than gold. In the Middle East, water becomes more sought after than oil. Major future geopolitical events occur in the Middle East and the Far East, and Dr. Cohen’s story ends in 2037 with a catastrophic event in the State of Palestine shortly after all Jews have resettled in their new homeland of Nuevo Israel in Mexico.
A tribute to Mexico’s most important holiday, this extraordinary and definitive volume documents the immense creativity displayed by this popular annual celebration. While there have been other books about the Day of the Dead, most are long out of print and aridly academic. This book features both exceptional “traditional” Indigenous material—such as vibrant folk art and crafts, flamboyant costumes and masks, special food and drink—but also a much more funky, modern approach that blends lively music and dance, colorful parades, cutting-edge contemporary street art, and a festive atmosphere that engages all of the senses with handmade altars, flowers, painted skulls, toys, paintings, murals, and other art objects. Featuring hundreds of specially commissioned photographs and voluminous in-depth research, the book is lavishly illustrated and designed with an aesthetic that draws on both traditional material as well as Mexico’s contemporary street art style. Blending visual elements inspired by the country’s pre-Hispanic heritage, European influences, and modern art trends, the book explores the evolution of the Day of the Dead and the special role it plays. This book is the definitive, authentic resource for all things Day of the Dead.
The U.S.-Mexico border region is home to anthropologist Carlos Vélez-Ibáñez. Into these pages he pours nearly half a century of searching and finding answers to the Mexican experience in the southwestern United States. He describes and analyzes the process, as generation upon generation of Mexicans moved north and attempted to create an identity or sense of cultural space and place. In today’s border fences he also sees barriers to how Mexicans understand themselves and how they are fundamentally understood. From prehistory to the present, Vélez-Ibáñez traces the intense bumping among Native Americans, Spaniards, and Mexicans, as Mesoamerican populations and ideas moved northward. He demonstrates how cultural glue is constantly replenished by strengthening family ties that reach across both sides of the border. The author describes ways in which Mexicans have resisted and accommodated the dominant culture by creating communities and by forming labor unions, voluntary associations, and cultural movements. He analyzes the distribution of sadness, or overrepresentation of Mexicans in poverty, crime, illness, and war, and shows how that sadness is balanced by creative expressions of literature and art, especially mural art, in the ongoing search for space and place. Here is a book for the nineties and beyond, a book that relates to NAFTA, to complex questions of immigration, and to the expanding population of Mexicans in the U.S.-Mexico border region and other parts of the country. An important new volume for social science, humanities, and Latin American scholars, Border Visions will also attract general readers for its robust narrative and autobiographical edge. For all readers, the book points to new ways of seeing borders, whether they are visible walls of brick and stone or less visible, infinitely more powerful barriers of the mind.
Spanish and English have fought a centuries-long battle for linguistic dominance in the Southwest North American Region. Covering the time period of 1540 to the present, Hegemonies of Language and Their Discontents provides a deep and broad understanding of the contradictory methods of establishing language supremacy in this U.S.-Mexico transborder region and the manner in which those affected have responded and acted, often in dissatisfaction and at times with inventive adaptations. Well-regarded author Carlos G. Vélez-Ibáñez details the linguistic and cultural processes used by penetrating imperial and national states. He argues that these impositions have been not linear but hydra-headed, complex and contradictory, sometimes accommodated and sometimes forcefully imposed. Such impositions have created discontent resulting in physical and linguistic revolts, translanguage versions, and multilayered capacities of use and misuse of imposed languages—even the invention of community-created trilingual dictionaries. Vélez-Ibáñez gives particular attention to both sides of the border, explaining the consequences of the fragile splitting of the area through geopolitical border formation. He illustrates the many ways those discontents have manifested in linguistic, cultural, educational, political, and legal forms. From revolt to revitalization, from silent objection to expressive defiance, people in the Southwest North American Region have developed arcs of discontent from the Spanish colonial period to the present. These narratives are supported by multiple sources, including original Spanish colonial documents and new and original ethnographic studies of performance rituals like the matachines of New Mexico. This unique work discusses the most recent neurobiological studies of bilingualism and their implications for cognitive development and language as it spans multiple disciplines. Finally, it provides the most important models for dual language development and their integration to the "Funds of Knowledge" concept as creative contemporary discontents with monolingual approaches.
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