An evocative and unforgettable memoir from award-winning journalist Carlos Frías about his journey to Cuba where he retraces his family's history and encounters the realities of Cuba under Fidel Castro's rule. Carlos Frías, an award-winning journalist and the American-born son of Cuban exiles, grew up hearing about his parents' homeland only in parables. Their Cuba, the one they left behind four decades ago, was ethereal. It existed, for him, only in their anecdotes, and in the family that remained in Cuba—merely ghosts on the other end of a telephone. Until Fidel Castro fell ill. Sent to Cuba by his newspaper as the country began closing to foreign journalists in August 2006, Frías begins the secret journey of a lifetime—twelve days in the land of his parents. That experience led to this evocative, spectacular, and unforgettable memoir. Take Me With You is written through the unique eyes of a first-generation Cuban-American seeing the forbidden country of his ancestry for the first time. Frías provides a fresh view of Cuba, devoid of overt political commentary, focusing instead on the gritty, tangible lives of the people living in Castro's Cuba. Frías takes in the island nation of today and attempts to reconstruct what the past was like for his parents, retracing their footsteps, searching for his roots, and discovering his history. The story creates lasting and unexpected ripples within his family on both sides of the Florida Straits—and on the author himself.
In Latin Style I show you how to use space, texture, and color to explore the brilliant nuances of Latin American décor and enjoy some of the most exciting attributes of a truly chic lifestyle. ?Juan Carlos Arcila-Duque Make every day a vivid celebration with Latin Style. Latin Style captures the spirit of the Latin aesthetic, the power of its details and traditions, and its unwavering, timeless chic in a rich montage of photos, concepts, and practical ideas for those who want to bring a Latin flair to their own homes and lives. Become inspired by the four distinct moods of Latin Style: Cabana evokes the cool of the ocean with endless white beaches, turquoise water, and tropical fruits. Hacienda is the old-world brick and stone elegance of ranches and country estates set in a rugged landscape. Paradiso embodies the lush abundance of the rainforest, overflowing with life of every kind. Pueblo reflects the sun-drenched colors of outdoor markets, folk art, colonial architecture, and quiet courtyards.
In Latin Style I show you how to use space, texture, and color to explore the brilliant nuances of Latin American décor and enjoy some of the most exciting attributes of a truly chic lifestyle. ?Juan Carlos Arcila-Duque Make every day a vivid celebration with Latin Style. Latin Style captures the spirit of the Latin aesthetic, the power of its details and traditions, and its unwavering, timeless chic in a rich montage of photos, concepts, and practical ideas for those who want to bring a Latin flair to their own homes and lives. Become inspired by the four distinct moods of Latin Style: Cabana evokes the cool of the ocean with endless white beaches, turquoise water, and tropical fruits. Hacienda is the old-world brick and stone elegance of ranches and country estates set in a rugged landscape. Paradiso embodies the lush abundance of the rainforest, overflowing with life of every kind. Pueblo reflects the sun-drenched colors of outdoor markets, folk art, colonial architecture, and quiet courtyards.
Sacred Eroticism addresses a neglected chapter in Latin American literature, namely, the influence of Georges Bataille and Pierre Klossowski's atheist mysticism in the Latin American erotic novel of the twentieth century. Combining a Lacanian analytical framework with an (Inter)textualist approach. Juan Carlos Ubilluz reveals how Julio Cortazar, Salvador Elizondo, Mario Vargas Llosa, and Juan Garcia Ponce adopted Sataille and Klossowski's aesthetic and philosophical models as a point of departure to rearticulate the modern subject's buried dimension of the sacred through various Innovations on the erotic novel's form. Ubilluz examines the dialectical irruption of these literary experiments into their particular aesthetic, theoretical, and political contexts; showing, for instance, that Cortazar's
An evocative and unforgettable memoir from award-winning journalist Carlos Frías about his journey to Cuba where he retraces his family's history and encounters the realities of Cuba under Fidel Castro's rule. Carlos Frías, an award-winning journalist and the American-born son of Cuban exiles, grew up hearing about his parents' homeland only in parables. Their Cuba, the one they left behind four decades ago, was ethereal. It existed, for him, only in their anecdotes, and in the family that remained in Cuba—merely ghosts on the other end of a telephone. Until Fidel Castro fell ill. Sent to Cuba by his newspaper as the country began closing to foreign journalists in August 2006, Frías begins the secret journey of a lifetime—twelve days in the land of his parents. That experience led to this evocative, spectacular, and unforgettable memoir. Take Me With You is written through the unique eyes of a first-generation Cuban-American seeing the forbidden country of his ancestry for the first time. Frías provides a fresh view of Cuba, devoid of overt political commentary, focusing instead on the gritty, tangible lives of the people living in Castro's Cuba. Frías takes in the island nation of today and attempts to reconstruct what the past was like for his parents, retracing their footsteps, searching for his roots, and discovering his history. The story creates lasting and unexpected ripples within his family on both sides of the Florida Straits—and on the author himself.
Carlos Fuentes, Mexico's leading novelist, author of The Old Gringo, Terra Nostra and The Death of Artemio Cruz, has produced what is probably the first Third World spy thriller, an action-filled, quick-paced novel of intrigue as contemporary as a headline. The Hydra Head has a constant political reality as backdrop: the permanent tension in the Middle East and the vast new oil resources of Mexico, the setting for a brilliant attempt to portray the diversity of one man's experience.
In his new book, Carlos Alberto Torres, an internationally renowned critical theorist of education, explores the early writings of Paulo Freire whose ideas have had a tremendous and long-lasting impact on the world of pedagogy and politics. Torres analyzes Freire's works, from the 1960s and 1970s, before Freire gained worldwide recognition for his Pedagogy of the Oppressed. Offering an in-depth look into the formative thinking of Freire, Torres identifies how his ideas produced frameworks for educating global citizens, building community and mutual respect, creating social responsibility, instilling an appreciation for diversity, promoting multiple literacies, and social justice education. This volume is the result of more than 3 decades of research with access to Freire's personal library and the archives of the Paulo Freire Institute, as well as the author's extensive conversations with Paulo Freire over two decades--Dr. Torres was Freire's adviser during his tenure as Secretary of Education in the Municipality of São Paulo, Brazil, 1989-1991.
Celebrate Cuba's people, culture, and natural world in bilingual haikus written in Spanish and English! Celebra la gente, cultura y mundo natural de Cuba en haikus bilingües en español e inglés. Is it an island or a tiny ship floating upon the waters? HaiCuba/HaiKuba is a celebration of Cuba through bilingual haikus written in Spanish and English. Discover the red, white, and blue tocororo bird (whose feathers resemble the flag of Cuba), the crowded guagua, a Havana neighborhood, salsa music and dancing, and guayaberas, through poetry that captures the rhythm of life in Cuba. Co-authored by award-winning Cuban-American author Carlos Pintado and prolific bilingual author and translator Lawrence Schimel, HaiCuba/HaiKuba introduces the people, culture, and natural world of Cuba through these tropical verses and vibrant illustrations. Includes an introduction to the art of haikus as well as back matter on the topics covered in the book. ¿Es una isla o un barco flotando sobre las aguas? HaiCuba/HaiKuba es una celebración de Cuba en haikus bilingües en español e inglés. Descubre el tocororo con sus plumas rojas, blancas, y azules (igual que la bandera de Cuba), la guagua apretada, un barrio habanero, la salsa (su música y baile) y las guayabera, a través de poemas que capturan el ritmo de la vida en Cuba. Co escrito por el galardonado poeta cubano-americano Carlos Pintado y el prolífico escritor y traductor bilingüe Lawrence Schimel, HaiCuba/HaiKuba presenta la gente, cultura y mundo natural de Cuba en estos versos tropicales e ilustraciones coloridas. Incluye una introducción a la arte del haiku además de un anexo final con información adicional sobre los temas cubiertos en el libro.
Is health care like the BC Ferry Service or Ontario Hydro? Lawrie McFarlane and Carlos Prado argue that health care is being treated as though it were just another public utility and that the present crisis in medicare has developed precisely because of this approach. In The Best-Laid Plans they contend that what health care needs is less centralized management and the restoration of empowerment to both patients and care-givers. Contrary to recent attempts to reform health care, which have been based on the assumption that all health care needs is better management, McFarlane and Prado contend that what separates health care from other public services is the complex relationships between the service providers (doctors, nurses, physiotherapists, etc.) and their clients (patients), and the tendency for these relationships to evolve in unpredictable ways. Using Michael Foucault's "genealogical" and "ethical" analyses to explain the unpredictable nature of interactions in a high stakes, emotionally loaded environment, the authors demonstrate how planning, administration, delivery, and reform of a basic public service have gone wrong.
The Caribbean has been traditionally associated with externally devised mappings and categories, thus appearing as a passive entity to be consumed and categorized. Challenging these forces and representations, Carlos Garrido Castellano argues that something more must be added to the discussion in order to address contemporary Caribbean visual creativity. Beyond Representation in Contemporary Caribbean Art arises from several years of field research and curatorial activity in museums, universities, and cultural institutions of Jamaica, Trinidad, Martinique, Guadeloupe, Cuba, Dominican Republic, Puerto Rico, and the United States. This book explores the ways in which Caribbean individuals and communities have recurred to art and visual creativity to create and sustain public spaces of discussion and social interaction. The book analyzes contemporary Caribbean art in relation to broader discussions of citizenship, cultural agency, critical geography, migration, and social justice. Covering a broad range of artistic projects, including curatorial practice, socially engaged art, institutional politics, public art, and performance, this book is about the imaginative ways in which Caribbean subjects and communities rearrange the sociocultural framework(s) they inhabit and share.
Carlos Acosta, the Cuban dancer considered to be one of the world's greatest performers, fearlessly depicts his journey from adolescent troublemaker to international superstar in his captivating memoir, No Way Home. Carlos was just another kid from the slums of Havana; the youngest son of a truck driver and a housewife, he ditched school with his friends and dreamed of becoming Cuba's best soccer player. Exasperated by his son's delinquent behavior, Carlos's father enrolled him in ballet school, subjecting him to grueling days that started at five thirty in the morning and ended long after sunset. The path from student to star was not an easy one. Even as he won dance competitions and wowed critics around the world, Carlos was homesick for Cuba, crippled by loneliness and self-doubt. As he traveled the world, Carlos struggled to overcome popular stereotypes and misconceptions; to maintain a relationship with his family; and, most of all, to find a place he could call home. This impassioned memoir is about more than Carlos's rise to stardom. It is about a young man forced to leave his homeland and loved ones for a life of self-discipline, displacement, and physical hardship. It is also about how the heart and soul of a country can touch the heart and soul of one of its citizens. With candor and humor, Carlos vividly depicts daily life in communist Cuba, his feelings about ballet -- an art form he both lovesand hates -- and his complex relationship with his father. Carlos Acosta makes dance look effortless, but the grace, strength, and charisma we see onstage have come at a cost. Here, in his own words, is the story of the price he paid.
Itzel es una joven latina que viaja a Estados Unidos para aprender inglés y conocer otra cultura. Pero sus compañeros la discriminan; sufre un accidente y comete errores que la ponen en problemas legales. Entonces, se ve obligada a enfrentarse con sus propias limitaciones y a buscar principios que puedan ayudarla a levantarse. Invencible es una novela emocionante de principio a fin; expone leyes integrales para conquistar cualquier reto y triunfar en la vida. El lector quedará atrapado en su emocionante trama y descubrirá, con la protagonista, el poder de pensar y actuar de manera efectiva. Los libros de Sangre de Campeón, conforman la literatura juvenil más importante de la década. ¡Colecciónalos!
En esta obra póstuma, Carlos Monsiváis, con su estilo y erudición únicos, recorre un siglo de la vida cultural de México, si bien, como él mismo confiesa, ésta es una tarea inacabable a la que además se suma la brevedad de la obra, que le obliga a cerrar su crónica en la década de 1980, dejando fuera los movimientos y creadores de los dos últimos decenios del siglo XX. Su recorrido parte de la época del modernismo y pasa por todas las manifestaciones culturales que se desarrollan a lo largo de las siguientes décadas, como la narrativa de la Revolución, el muralismo, la cultura en los años veinte, los Contemporáneos, la poesía de la generación del 50 hasta llegar al año de la ruptura que representa 1968 y las manifestaciones culturales que de él se desprenden.
Lawyer Alejandro Del Fuerte is torn between prosecuting a case involving a church-owned Spanish land grant and the wishes of his fiancâee, who is also his legal partner, as secret threats from veiled government and church sources seek to derail him from the case.
This major work presents a biosystematic analysis of wild potatoes of Peru. It represents more than three decades of the work by the author in the International Potato Center. In addition to a description of the taxa, the book includes drawings of the various species, floral dissections, habitat photos and distribution maps. The distinguished artist and plant pathologist, Dr. Franz Frey, made the watercolor paintings.
Perhaps the foremost social analyst and journalist on Cuban affairs, Carlos Alberto Montaner has written a definitive study of the Cuban regime from the vantage point of the Cuban dictator. This is not simply a history of Cuban communism but rather a personal history of its leader, Fidel Castro. Montaner's extraordinary knowledge of the country and its politics prevents the work from becoming a psychiatric examination from afar. Indeed, what personal irrationalities exist are seen as built into the fabric of the regime itself, and not simply as a personality aberration.Fidel Castro and the Cuban Revolution is not an apologia for past United States involvement in Cuban affairs. The author is severe in his judgments of such participation. Nor is he sparing in his sense of the betrayal of the original purposes of the Revolution of 1959 manifested in the character and policies of Fidel Castro. As the work progresses from a study of the victims to a study of the beneficiaries of the Cuban Revolution, it leaves the reader with a deep sense of the tragedy of a revolution betrayed, but not one that could have easily been avoided.Montaner is an ""exile"" like the great Alexander Herzen before him. His decision to live in Europe was made by choice, not of necessity. He sees his role as critical analyst, not as restoring the status quo ante. A most valuable aspect of this book is its intimate reevaluation of Fulgencio Batista. Whatever the reader's judgment of Montaner's work, no one can read it and be dismissive of the effort. It is a work of intimacy even through written in exile--and hence must be viewed as an important effort to understand the character of the man and regime who have changed the course of Cuban history in our times.
This is the first monograph published in the United States on Carlos Jimenez, whose work has been linked to the new wave of Spanish architects as well as to Latin American architects such as Luis Barragan. Jimenez's buildings are known for their purity of form, use of bold color, and sophisticated ordering of spaces. His simple geometries allow light to define and animate his otherwise tranquil interiors. This monograph presents eight of the architect's most stunning projects, including the headquarters for the Houston Fine Arts Press, the new Spencer Studio Art Building at Williams College in Massachusetts, the Central Administration Building of the Museum of Fine Arts Houston, and Jimenez's own house and studio complex. Richly illustrated throughout with photographs, plans, and drawings, the book includes an introduction by Rafael Moneo, an essay by historian Stephen Fox, and a postscript by Lars Lerup, as well as complete project documentation.
—Las pesadillas han vuelto. Son demasiado reales. Sueño a mi hermana. La escucho gritar, llorar, suplicarme, y me despierto sudando, viéndola como si estuviera allí, con su gesto solitario, ávido de afecto... —Me asusta tu mirada. ¿Dónde está ella? —Escribió una carta. Necesita ayuda urgente… VOLAR SOBRE EL PANTANO ES UNA NOVELA MAGNÉTICA. Los protagonistas, Zahid y Lisbeth, recién casados, se aprestan a tratar de rescatar a Alma, una joven que se halla al borde de la muerte. Durante su odisea por encontrarla, charlan sobre las terribles vicisitudes que cada uno tuvo que superar para escapar de alcoholismo, maltrato físico, abuso sexual, embarazo no deseado, pandillerismo y muchas otras adversidades.
Evaristo Bergnes arrives in Cuba in the mid nineteenth century. He marries a Cuban woman, Ines Duran, and with her they have eight children. Their descendants collide with the Cuban revolutionary movement, which forever changed their lives.
This concise dictionary is intended to be helpful in the reading of archaeological books and publications, and in the writing of papers and articles in both English and Spanish.
Napkin Nights: The Crunk Chronicles is the story of two young guys living it up in the Seattle club scene. This historical fiction story is written in mostly "street" slang and lingo that is delicately blended with standard English. The two guys are; the older yet not street wise Derek, and his younger friend, Juan. Please join them as they hit the streets of the Seattle to find crazy adventures and perhaps find themselves as well.
La Historia Social de las Instituciones Punitivas está necesitada en España de encuentro y debate, de confrontación y colaboración entre investigadores e investigadoras. Solo así logrará hacerse visible e inteligible como tendencia historiográfica y sobre todo como apuesta teórico-metodológica, porque de hecho ya es más que creíble como práctica historiográfica. Aquí, en este libro, junto a los logros también se perfilan las carencias y los retos más acuciantes. Lejos de buscar una autonomía extemporánea, la Historia Social de las Instituciones Punitivas quiere buscar su propia viabilidad a base de intersecciones y buenas mezclas. Esos objetivos se planteaba el Grupo de Estudio sobre la Historia de la Prisión y las Instituciones Punitivas (GEHPIP) ―un equipo interuniversitario y con sede en la Universidad de Castilla-La Mancha (UCLM)― al organizar lo que de forma homónima decidió titular I Congreso Internacional sobre Historia de la Prisión y las Instituciones Punitivas, celebrado en Ciudad Real entre el 10 y el 12 de abril de 2013. El libro electrónico que aquí se presenta es una buena muestra de lo que allí se comunicó y discutió. Social History of Punitive Institutions in Spain needs meetings and discussions, comparison and collaboration between researchers. Only then it will become visible and intelligible as a historiographical trend and, above all, as a theoretical-methodological hope, because in fact, now it is more than conceivable as a historiographical practice. Here in this book are outlined, along with the achievements, the shortcomings and the most pressing challenges. Far from seeking an extemporaneous autonomy, Social History of Punitive Institutions wants to try to find its own feasibility based on intersections and good mixings. Those objectives were considered by the Study Group about History of Prison and Punitive Institutions (Grupo de Estudio sobre la Historia de la Prisión y las Instituciones Punitivas, GEHPIP) –an interuniversity team and with central office at Universidad de Castilla-La Mancha (UCLM)– when organising what it decided to name in an homonymous way 1st International Congress on History of Prison and Punitive Institutions (I Congreso Internacional sobre Historia de la Prisión y las Instituciones Punitivas), held in Ciudad Real (Spain) from 10 to 12 April 2013. The electronic book here presented is a good example of what it was told and discussed there.
«Reflexiones sobre el sacerdocio bajo sus aspectos teológicos, filosóficos, pastorales, morales y litúrgicos, podría ser un subtítulo de la erudita obra: SACERDOTES PARA SIEMPRE del Padre CARLOS MIGUEL BUELA, Fundador del “Instituto del Verbo Encarnado” para misioneros ad Gentes y de las “Servidoras del Señor y de la Virgen de Matará”. Y con decir esto, ya tenemos sobrada presentación para acreditar al autor, como experto en vocaciones sacerdotales y religiosas. Al respetable volumen de la obra, con más de 800 páginas, se agrega la fluidez y calidad de su escritura, constituyendo un arsenal de citas de textos escogidos de la Biblia, los Santos Padres, Mensajes Pontificios y Documentos Conciliares, especialmente de Trento y Vaticano II, síntesis este último Concilio Pastoral, de toda la doctrina católica, compendiada a su vez en el Catecismo de la Iglesia Católica» (Pbro. Victorino Ortego. Tomado del prólogo del libro).
A quirky collection of short sci-fi stories for fans of Kij Johnson and Kelly Link Assimilation is founded on surrender and being broken; this collection of short stories features people who have assimilated, but are actively trying to reclaim their lives. There is a concert pianist who defies death by uploading his soul into his piano. There is the person who draws his mother's ghost out of the bullet hole in the wall near where she was executed. Another character has a horn growing out of the center of his forehead—punishment for an affair. But he is too weak to end it, too much in love to be moral. Another story recounts a panda breeder looking for tips. And then there's a border patrol agent trying to figure out how to process undocumented visitors from another galaxy. Poignant by way of funny, and philosophical by way of grotesque, Hernandez's stories are prayers for self-sovereignty.
Ernesto ?Che? Guevara went on a trip through South America with a friend, Alberto Granado, in 1952. The account of that journey is contained in Che's classic The Motorcycle Diaries. Becoming Che is an account of how Ernesto, the ?snob, ? became the quintessential revolutionary, Che Guevara
Tez is back at it again in the continuous battle of the street life. After surviving being shot, he now has a choice to make. He has every reason to get out of the game, but just as many to stay. His girl Lex and his daughter Precious are his heart. He will give anything to see them happy, including taking his chances of never coming home. Tez has to make sure that he eliminates any looming threats before he can exit the game. The clock is ticking, and the streets show no mercy. Tez has learned that a wise man knows when to get up and get out. A fool continues to roll the dice and take the chance of losing it all. Sasha watched Tez kill her husband, but she knew that he did it for a good reason. She continues to play her position, but life is not life without a plan. She was surprised that Tez had not attempted to kill her yet. Now it was just a game of who got who first. Until that time, she planned to capitalize on the situation as much as she could. J-bo, Psycho, DaDa, and Mizery still maintained their loyalty to Tez. They are a family, not by blood, but by truth. Yet, as in every family, issues occur and problems arise. What could cause a crack within the loyalty they found in each other? Would someone snitch, kill, or steal? You will soon know Da Truth 2!
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