When an Italian kingpin falls, a battle of successors begins in this “razor-sharp political thriller set in Berlusconi’s Rome” (The New Statesman). Things are changing in Rome. The new Pope, determined to reform the Vatican, proclaims an extraordinary Jubilee year, one “of Mercy.” A new center-left government replaces its disgraced predecessor. And with the underworld kingpin Samurai in jail, his protégé Sebastiano Laurenti plans to establish himself as his designated successor. But to do it, he must reckon with a new generation of gangsters and racketeers edging in on the corrupt profits to be made off the Jubilee’s public works. Meanwhile, Laurenti must also keep an eye on the ambitious newly elected politician Chiara Visone. As the sharks circle and the street-dogs fight, a tenuous hope endures. An incorruptible politician of the old left is about to forge an unlikely alliance with a young bishop who refuses to play the Vatican’s power games. Sharp, dark, and taut, The Night of Rome is fiction that sails dangerously close to the wind of current events.
Carlo Goldoni (1707 – 1793) was one of the most prolific and versatile playwrights of his century, even though most of his vast output deals with life confined to a few square miles of Northern Italy. This new edition contains two comedies about women surviving precariously in a man's world, but each taking a distinctly different approach to her problems. Mirandolina believes open dealing is essential; Valentina wants to have her cake and eat it, and uses intrigue to further her interests. Both are eager to win some kind of equality in a world in which they have no equality, only certain advantages, and almost come to grief. But these are worldly comedies and Goldoni does not deny us the satisfaction of seeing the women triumph.
If we are judged by the nature of our enemies, then Daphne Caruana Galizia should be remembered as a hero of our time. She was Malta's most fearless journalist until someone with money and power decided that she should be silenced forever. Her assassination on 16th October 2017 was a brutal blow to anyone who cares about the truth. MURDER ON THE MALTESE EXPRESS
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
In the year of the bicentenary of the death of Carlo Goldoni, one of Italy’s most brilliant dramatists, two of his greatest comedies are brought to life in Ranjit Bolt’s vibrant translations. The Venetian Twins is a classic tale of mistaken identity and the ensuing confusion. The play was given its premiere at the Royal Shakespeare Company in a production directed by Michael Bogdanov which enjoyed huge success in Stratford and London. Mirandolina is one of Goldoni’s best known works and this translation was produced at the Royal Lyceum, Edinburgh.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
When an Italian kingpin falls, a battle of successors begins in this “razor-sharp political thriller set in Berlusconi’s Rome” (The New Statesman). Things are changing in Rome. The new Pope, determined to reform the Vatican, proclaims an extraordinary Jubilee year, one “of Mercy.” A new center-left government replaces its disgraced predecessor. And with the underworld kingpin Samurai in jail, his protégé Sebastiano Laurenti plans to establish himself as his designated successor. But to do it, he must reckon with a new generation of gangsters and racketeers edging in on the corrupt profits to be made off the Jubilee’s public works. Meanwhile, Laurenti must also keep an eye on the ambitious newly elected politician Chiara Visone. As the sharks circle and the street-dogs fight, a tenuous hope endures. An incorruptible politician of the old left is about to forge an unlikely alliance with a young bishop who refuses to play the Vatican’s power games. Sharp, dark, and taut, The Night of Rome is fiction that sails dangerously close to the wind of current events.
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