Dì la verità, prima di leggere questo titolo avresti mai pensato che una cosa del genere fosse possibile? Scommettiamo di no perché, quella di inventare Alex Anderson, è la classica idea folle, di quelle che, un secondo dopo averne sentito parlare, pensi «ma perché non è venuta in mente anche a me?». Alex in realtà è Alessandro che, dovendo lanciare il suo ultimo romanzo negli Stati Uniti ha prima immaginato e poi messo in atto una strategia di social media marketing che ha assunto le sembianze di una vera e propria campagna elettorale per la conquista della Casa Bianca, ripresa dai media di tutto il mondo. Alex Anderson si è materializzato e ha preso vita attraverso un sito internet e un profilo Twitter con i quali è riuscito a convincere decine di migliaia di americani della sua reale esistenza, e che fosse davvero in corsa per la nomination repubblicana. Con Luca Rigoni (TgCom24), Carlo Cattaneo (Lettera43 e altre testate) e Antonino Caffo (Panorama, Data Manager e Vice), Alessandro Nardone ripercorre la storia di Alex analizzandone ogni sfaccettatura: dall'appoggio a Edward Snowden all'analisi dello scontro tra Trump e la Clinton, fino alle considerazioni in merito alle tecniche utilizzate per dare vita al "candidato della Rete", raccontate anche attraverso una gallery dei tweet e dei messaggi più significativi (e anche divertenti) della prima campagna elettorale in cui un italiano, di fatto, si è candidato alla presidenza degli Usa.
Il titolo dell'opera, Vinessa, implica un viatico romantico, simbolico ed evocativo: il nome di un vento che trasporti questi componimenti in fuga, verso altri territori, altre culture, lettori, autori. All'interno di Vinessa (vento periodico del Lago di Garda che per la sua particolare conformazione dà vita a numerosi venti periodici o addirittura giornalieri, il Vinessa soffia umido e fresco da sud-est) si susseguono, in ordine alfabetico: Rita Clemente con Il piacere di un istante; Daniele Gobbetti con Eva; Antonella Iannilli con Parolabili poesie...; Valentina Pierluigi con Affacciati sull'anima; Carlo Presti con Per te, per me; Anna Rosati con Le distanze." (tratto dalla prefazione di Giuseppe Aletti)
The history of cinema, and notably that of post-war Italian cinema, can only be understood adequately in the context of other contiguous cultural disciplines. World literature, including that of France, Germany, and Russia, played a key role in the development of post-war Italian film and the cinematic technique it has come to embody. Moving away from the usual modes of defining this period—a trajectory that begins with neorealism and ends with Bertolucci—author Carlo Testa offers proof that coming to terms with literary texts is an essential step toward understanding the motion pictures they influenced. The means of recreating literature for the screen has changed drastically over the last half-century, as has the impact of different national traditions on Italian cinema. Testa's work is the first to explicitly and deliberately link postwar Italian cinema to general intellectual concerns such as the relationship between literary authors and cinematic auteurs. Moreover, his analysis of the impact of French, German, and Russian cultures on Italy brings forth a new reading of Italian cinema, a new paradigm for exploring complex issues of authorship, culture, and art.
Carved from a piece of pine by a woodcarver named Geppetto in a small Italian village, Pinocchio was created as a wooden puppet, but dreamt of becoming a real boy.
This first complete English translation, including over 250 full-color images, is a longitudinal cultural history of how art came to be institutionalized in the history of western representational practices.
For many healthcare professionals, musculoskeletal diseases represent the "bread and butter" topic after graduation. Therefore, radiological education in respect of the musculoskeletal system is vital in ensuring adequate patient management and cost-effective use of healthcare financial resources. This book illustrates the clinical anatomy of the musculoskeletal system by means of images obtained using commercially available imaging equipment and the three main imaging techniques employed today – magnetic resonance imaging, computed tomography, and ultrasound. Based on an integrated multimodality approach, each anatomical region is presented with a special focus on clinically relevant anatomical details and the characteristic findings observed in patients referred by physicians. With almost 450 images and illustrations, A Radiologically Guided Approach to Musculoskeletal Anatomy is intended as a bridge from a standard anatomical atlas to diagnostic imaging. It will assist in the everyday interpretation of imaging studies of the musculoskeletal system, providing prompt answers to frequently encountered questions. Clinical notes and self-assessment modules are also provided. All who wish to learn more about the role of diagnostic imaging of the musculoskeletal system will find this book to be of great value. It will benefit not only medical students and residents but also radiology technologists and professionals in other fields of health care, including orthopaedists, rheumatologists, and rehabilitation specialists.
Discusses the history and spread of the International Slow Food Movement which was sparked in 1986 when Carlo Petrini organized a protest against plans to build a McDonald's fast food restaurant near the Spanish Steps in Rome, and discusses the movement's goals of preserving indigenous foods and eating traditions, and returning to dining as a social event.
In this detailed treatment of the myth of Adonis in post-Classical times, Carlo Caruso provides an overview of the main texts, both literary and scholarly, in Latin and in the vernacular, which secured for the Adonis myth a unique place in the Early Modern revival of Classical mythology. While aiming to provide this general outline of the myth's fortunes in the Early Modern age, the book also addresses three points of primary interest, on which most of the original research included in the work has been conducted. First, the myth's earliest significant revival in the age of Italian Humanism, and particularly in the poetry of the great Latin poet and humanist Giovanni Pontano. Secondly, the diffusion of syncretistic interpretations of the Adonis myth by means of authoritative sixteenth-century mythological encyclopaedias. Thirdly, the allegorical/political use of the Adonis myth in G.B. Marino's (1569-1625) Adone, published in Paris in 1623 to celebrate the Bourbon dynasty and to support their legitimacy with regard to the throne of France.
After being reborn, Tanya has earned the right to be called an Ace and is steadily climbing the ranks. But as much as she wishes to be placed in the safety of the rear, for some reason she keeps winding up at the very edge of the front lines! While swearing revenge on Being X, Tanya's days of brutal combat alongside her beautiful subordinate, Visha, have begun...
Carlo Testa demonstrates that while pairings of famed directors and writers are commonplace in modern Italian cinema, the study of the interrelation between Italian cinema and European literature has been almost completely neglected in film scholarship.
As hinted at by Colonel Lergen's "thoughtful" words of advice, an attack on Dacia has been ordered by the Empire, and the fearsome power of the new mage battalion is deployed. Determined to unleash the power of modernity upon the enemy, Tanya prepares her freshly polished human shields for an all-out battle...There's no holding back with a resume-worthy achievement on the line...!!
This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1962.
First published in 1993. In this classic textbook, Cipolla explores the slow but complex process of development that transformed Europe from its relatively weak position in AD 1000 into the highly dynamic and powerful society of 1700. The book is: * Interdisciplinary - blending the economist's and the historian's approach * Full of sources and commentary derived not only from social and economic history, but from the history of medicine, technology and ideas * Substantially revised for this new edition, to provide a greater wealth of illustrative material throughout the book * More detailed than the previous edition in its coverage of a number of specific topics including: the history of public debt; the development of the monetary system; the development of trade routes and production; and the evolution of particular national economies The author has also added many new illustrations, tables and figures.
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