Carlo Goldoni (1707 – 1793) was one of the most prolific and versatile playwrights of his century, even though most of his vast output deals with life confined to a few square miles of Northern Italy. This new edition contains two comedies about women surviving precariously in a man's world, but each taking a distinctly different approach to her problems. Mirandolina believes open dealing is essential; Valentina wants to have her cake and eat it, and uses intrigue to further her interests. Both are eager to win some kind of equality in a world in which they have no equality, only certain advantages, and almost come to grief. But these are worldly comedies and Goldoni does not deny us the satisfaction of seeing the women triumph.
Nineteenth-century Italy is a vast, unexplored territory in the history of modern political thought and liberal democratic theory. Apart from Mazzini, Pareto, and Mosca, the authors of this period are little read, even though their central concerns – the riddle of human liberation, progress, and liberty – are as important today as ever. This volume presents a selection of the writings of Carlo Cattaneo (1801-1869), one of the period's most important thinkers, as selected by an equally important personage of a subsequent time, the anti-Fascist intellectual Gaetano Salvemini. Cattaneo had a profound sense of the historical contingencies underlying the quest both to understand human affairs and to realize a self-governing society. Cattaneo's ideas and framework of analysis – like those of John Stuart Mill and Alexis de Tocqueville – were not shaped by a narrow intra-academic agenda but by the great social, economic, and political transformations of his time. The issues he addressed included problems of revolution, reform, and change in the passage to modernity, which extended far beyond the confines of nineteenth-century Italy. The selection of original pieces presented in this translation is preceded by an introduction by the editors, Carlo G. Lacaita and Filippo Sabetti, which guides the reader through Cattaneo's thinking and puts it in a comparative context. Ultimately, however, it is the editors' goal to let this profound Italian thinker speak for himself.
Carlo Goldoni (1707 – 1793) was one of the most prolific and versatile playwrights of his century, even though most of his vast output deals with life confined to a few square miles of Northern Italy. This new edition contains two comedies about women surviving precariously in a man's world, but each taking a distinctly different approach to her problems. Mirandolina believes open dealing is essential; Valentina wants to have her cake and eat it, and uses intrigue to further her interests. Both are eager to win some kind of equality in a world in which they have no equality, only certain advantages, and almost come to grief. But these are worldly comedies and Goldoni does not deny us the satisfaction of seeing the women triumph.
Raccolta di articoli giornalistici che commentano eventi della cronaca più attuale con un taglio liberista e libertario. Commenti politici ed economici di un anticonformista.A collection of media contributes upon issues concerned with the ongoing search of a credible, acceptable new governance of the globalized industrial system. Contributes of a maverick to subjects of economy and politics.A list of articles commenting ongoing political events in the course of the ongoing globalization of the industrial economy. Issues are handled of a financial, social, industrial and technological content as related to the changing behaviour of society.
One of the first and most important Italian playwrights to move away from the commedia dell’arte tradition of improvisation, Carlo Goldoni (1707–1793) wrote more naturalistic “comedies of character” that featured the dialect and situations of everyday life in Venice. Five Comedies collects a selection of Goldoni’s finest plays, annotated and translated into English: The New House, The Coffee House, and “The Holiday Trilogy” (Off to the Country, Adventures in the Country, and Back from the Country). Editor Michael Hackett provides an introduction to Goldoni and his performance tradition for directors, actors, and designers, revealing the masterful construction of Goldoni’s plays, while an afterword by Cesare de Michelis carefully reconstructs the playwright’s life and times.
A collection of four of the Italian playwright's comedies ("A Curious Mishap," "The Beneficent Bear," "The Fan" and "The Spendthrift Miser"), edited and with an introduction by Helen Zimmern. This English language edition first published in 1892.
In the year of the bicentenary of the death of Carlo Goldoni, one of Italy’s most brilliant dramatists, two of his greatest comedies are brought to life in Ranjit Bolt’s vibrant translations. The Venetian Twins is a classic tale of mistaken identity and the ensuing confusion. The play was given its premiere at the Royal Shakespeare Company in a production directed by Michael Bogdanov which enjoyed huge success in Stratford and London. Mirandolina is one of Goldoni’s best known works and this translation was produced at the Royal Lyceum, Edinburgh.
Carlo Goldoni was Italy's greatest playwright of the eighteenth century and wrote at least one hundred and fifty plays, although only a handful; of these have been performed since his time. Working for theatres in both Venice and Paris, he took much of his inspiration from 'commedia dell'arte'. This collection focuses on Goldoni's more serious side and includes the plays Don Juan, Friends and Lovers and The Battlefield. The first published English-language edition of Goldoni’s worldly vision of the Don Juan legend, in verse, alongside translations of the naturalistic Friends and Lovers and The Battlefield, all of which were first seen at the Citizens Theatre in Glasgow.
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