Derived from the renowned multi-volume International Encyclopaedia of Laws, this analysis of media law in Spain surveys the massively altered and enlarged legal landscape traditionally encompassed in laws pertaining to freedom of expression and regulation of communications. Everywhere, a shift from mass media to mass self-communication has put enormous pressure on traditional law models. An introduction describing the main actors and salient aspects of media markets is followed by in-depth analyses of print media, radio and television broadcasting, the Internet, commercial communications, political advertising, concentration in media markets, and media regulation. Among the topics that arise for discussion are privacy, cultural policy, protection of minors, competition policy, access to digital gateways, protection of journalists’ sources, standardization and interoperability, and liability of intermediaries. Relevant case law is considered throughout, as are various ethical codes. A clear, comprehensive overview of media legislation, case law, and doctrine, presented from the practitioner’s point of view, this book is a valuable time-saving resource for all concerned with media and communication freedom. Lawyers representing parties with interests in Spain will welcome this very useful guide, and academics and researchers will appreciate its value in the study of comparative media law.
The political poster explosion of July 1936 has been highly acclaimed by critics and scholars worldwide. One of the best-known posters of the time, "Freedom!" – which has acquired near cult status – shows a peasant holding a sickle aloft, set against the anarchist red-and-black flag. The artist, Carles Fontserè, was just twenty years old when he joined the revolution along with fellow artists and comrades-in-arms, Josep Alumà, Helios Gómez, Antoni Clavé and many others who appear in this account. In his outstanding memoirs, which are more artistic, political and collective than intimate, Fontserè recounts his upbringing in a petit bourgeois family with Carlist leanings along with his experience in the Barcelona Requeté. His thirst for reading led him to the writings of Tolstoy, which inspired his nascent libertarian ideals culminating in his road-to-Damascus transformation during the heady events of the Nationalist military uprising in Barcelona. Fontserè played a key role in the founding of the Professional Drawing Union in 1936 and went on to draw posters for the Iberian Anarchist Federation (FAI) and the Workers' Party of Marxist Unification (POUM), among other political parties. He served with the International Brigades and, paradoxically, survived several close brushes with death from his own side. His story culminates with the Republican retreat from Barcelona and his escape over the Pyrenees, together with Catalan president Lluís Companys and his cabinet, into exile in France. Fontserè's Memoirs of a Spanish Civil War Artist masterfully combines autobiography and history through the eyes of one of the 20th century's foremost Catalan graphic artists, known worldwide for his Republican propaganda posters. The book of Carles Fontserè's memoirs is not only an excellent translation from Catalan to English, but one central to the history of Catalonia.
The fascination that the work of Gaudí arouses is due in large part to the enigmatic symbolism of its forms, full of mystical and philosophical significance that is sometimes difficult for observers to perceive, but which becomes clearer when analysed in the light of certain very influential currents of ideas in the art of the nineteenth and early twentieth centuries. Based on the study of Casa Bellesguard and the Temple of the Sagrada Família, this book opens up new avenues for interpreting Gaudí’s symbolism, discovering the ties existing between the work of the Catalan architect and that of the German painter Peter Lenz, which at the same time is rooted in the early Romantic period. Aimed at both specialists and the general public, Antoni Gaudí: Casa Bellesguard as the Key to His Symbolism not only broadens the knowledge and the documentation of Gaudí’s creative universe, but also contributes to enriching our perception of his work.
Derived from the renowned multi-volume International Encyclopaedia of Laws, this analysis of media law in Spain surveys the massively altered and enlarged legal landscape traditionally encompassed in laws pertaining to freedom of expression and regulation of communications. Everywhere, a shift from mass media to mass self-communication has put enormous pressure on traditional law models. An introduction describing the main actors and salient aspects of media markets is followed by in-depth analyses of print media, radio and television broadcasting, the Internet, commercial communications, political advertising, concentration in media markets, and media regulation. Among the topics that arise for discussion are privacy, cultural policy, protection of minors, competition policy, access to digital gateways, protection of journalists’ sources, standardization and interoperability, and liability of intermediaries. Relevant case law is considered throughout, as are various ethical codes. A clear, comprehensive overview of media legislation, case law, and doctrine, presented from the practitioner’s point of view, this book is a valuable time-saving resource for all concerned with media and communication freedom. Lawyers representing parties with interests in Spain will welcome this very useful guide, and academics and researchers will appreciate its value in the study of comparative media law.
Sunyol, l'altre president afusellat representa un valent intent de superar una de les grans assignatures pendents del barcelonisme i del catalanisme del nostre temps: la recuperació de la figura de Josep Sunyol i Garriga -president del F.C.Barcelona i parlamentari més votat de la Catalunya republicana- en el 60è aniversari del seu assassinat. Solé i Sabaté, Llorens i Strubell ens n'ofereixen un retrat apassionant i detallat que esmicola 60 anys de silenci i tabú al voltant d'un personatge clau del barcelonisme, de la premsa catalanista i del nacionalisme progressista. Alhora, ens dibuixen un retrat fascinant d'aquell sector de la burgesia catalana dels anys 20 o 30 que, en oposició a la Lliga, va apostar sense embuts per un catalanisme popular i desacomplexat. El llibre, a part de fornir-nos una corprenedora narració del seu assassinat a mans dels franquistes, ens ajuda a comprendre tota la dimensió del lema: "El Barça és més que un club".
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