Less than fifteen years after the birth of Birmingham, its brewing history began, and soon saloons dotted nearly every corner. Prohibition, however, decimated the brewing scene for eighty-five years. Although national Prohibition began in 1920, Jefferson County voted to go dry in 1907. Alabama beer saw a brief resurgence after the Brewpub Act of 1992, as craft beer's popularity grew nationwide. But the brewpubs and breweries that emerged struggled against the state's restrictive laws, which included such stipulations as locating brewpubs in historic districts and limiting beer bottle sizes to sixteen ounces. By the time grass-roots lobbying organization Free the Hops formed in 2004 to fight those restrictive laws, every Birmingham brewery had closed. Join author Carla Jean Whitley as she uncovers the struggle to make local beer a Birmingham staple.
The chronicle of the legendary Alabama studio brings to life decades of rock, blues, and R&B history from The Rolling Stones to The Black Keys. An estimated four hundred gold records have been recorded in the Muscle Shoals area. Many of those are thanks to Muscle Shoals Sound Studio and the session musicians known as the Muscle Shoals Rhythm Section—also dubbed “the Swampers.” Some of the greatest names in rock, R&B and blues laid tracks in the original, iconic concrete-block building, including Cher, Lynyrd Skynyrd, and scores of others. The National Register of Historic Places now recognizes that building, where Lynyrd Skynyrd recorded the original version of “Free Bird” and the Rolling Stones wrote “Brown Sugar” and “Wild Horses.” By combing through decades of articles and music reviews related to Muscle Shoals Sound, music writer Carla Jean Whitley reconstructs the fascinating history of how the Alabama studio created a sound that reverberates across generations.
The chronicle of the legendary Alabama studio brings to life decades of rock, blues, and R&B history from The Rolling Stones to The Black Keys. An estimated four hundred gold records have been recorded in the Muscle Shoals area. Many of those are thanks to Muscle Shoals Sound Studio and the session musicians known as the Muscle Shoals Rhythm Section—also dubbed “the Swampers.” Some of the greatest names in rock, R&B and blues laid tracks in the original, iconic concrete-block building, including Cher, Lynyrd Skynyrd, and scores of others. The National Register of Historic Places now recognizes that building, where Lynyrd Skynyrd recorded the original version of “Free Bird” and the Rolling Stones wrote “Brown Sugar” and “Wild Horses.” By combing through decades of articles and music reviews related to Muscle Shoals Sound, music writer Carla Jean Whitley reconstructs the fascinating history of how the Alabama studio created a sound that reverberates across generations.
Less than fifteen years after the birth of Birmingham, its brewing history began, and soon saloons dotted nearly every corner. Prohibition, however, decimated the brewing scene for eighty-five years. Although national Prohibition began in 1920, Jefferson County voted to go dry in 1907. Alabama beer saw a brief resurgence after the Brewpub Act of 1992, as craft beer's popularity grew nationwide. But the brewpubs and breweries that emerged struggled against the state's restrictive laws, which included such stipulations as locating brewpubs in historic districts and limiting beer bottle sizes to sixteen ounces. By the time grass-roots lobbying organization Free the Hops formed in 2004 to fight those restrictive laws, every Birmingham brewery had closed. Join author Carla Jean Whitley as she uncovers the struggle to make local beer a Birmingham staple.
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