This book is focused exclusively on water problems in the 48 U.S. states. The authors provide an accessible overview of the work of many federal, state and academic researchers and water system administrators whose investigations have focused on the state of water and the water crisis now accelerating in the United States. David McNabb and Carl Swenson seek to bring to a wider audience some of the current research findings and data on the perilous state of the United States’ surface and groundwater resources during this time of climate change and the extreme drought taking place in many sections of the nation. Descriptions of the water resource systems are based on research and the subsequent findings published by water scientists in the United States Geological Survey, the Environmental Protection Agency, the U.S. Corps of Engineers and water related agencies of the Departments of Agriculture and of the Interior and state and local water management agencies.
Some critics rank biographers just above serial murderers. The author of this book, a self-described member of the Samuel Johnson school, doesn't share this view. An account of a life, he believes, should adhere to the truth as the biographer sees it, not to the sentiments of others. This memoir of a professional biographer's life tells the inside story of how he became interested in his subjects and reveals the mechanics of the trade: how to assemble proposals for publishers, conduct interviews and archival research, and joust with editors, subjects and their literary estates. Other biographers have described their process but remained discrete, not wishing to offend their sources and supporters. This author has forgone such caution.
[Malmgren] succeeds in formulating a typology of science fiction that will become a standard reference for some years to come." —Choice " . . . the most intelligently organized and effectively argued general study of SF that I have ever read." —Rob Latham, SFRA Review " . . . required reading for its evenhanded overview of so much of the previous critical/theoretical material devoted to science fiction." —American Book Review Worlds Apart provides a comprehensive theoretical model for science fiction by examining the worlds of science fiction and the discourse which inscribes them. Malmgren identifies the basic science fiction types, including alien encounters, alternate societies and worlds, and fantasy, and examines the role of the reader in concretizing and interpreting these science fiction worlds.
Is there a right way to write a literary life? In this collection of columns from the New York Sun, Carl Rollyson explores the relationship between narrative and literary analysis. Should biographies be written in the style and form of novels? How to balance the life and the work? How much literary criticism can a biography absorb into its narrative? Rollyson proposes a number of apologias for biography-including the thought that in the right hands the literary biography is a continuation not only of the writer's work and life. In such instances there seems to be a symbiosis between biographer and subject. In other cases, biographies spearhead the rediscovery of important writers. He rejects the idea that literary figures are not good subjects for biography because they are not men and women of action. That literary biography is a kind of strip mining, a pathography laying bare the subject's life to no good purpose is another canard this book demolishes. The pieces here also expose the genre's weak points: a proclivity for overstatement and excessive length, the failure of biographers to build upon their predecessors' work (Rollyson invents a term-biographology-in order to discuss the biographical tradition).
Possibly the most influential figure in the history of American letters, William Dean Howells (1837-1920) was, among other things, a leading novelist in the realist tradition, a formative influence on many of America's finest writers, and an outspoken opponent of social injustice. This biography, the first comprehensive work on Howells in fifty years, enters the consciousness of the man and his times, revealing a complicated and painfully honest figure who came of age in an era of political corruption, industrial greed, and American imperialism. Written with verve and originality in a highly absorbing style, it brings alive for a new generation a literary and cultural pioneer who played a key role in creating the American artistic ethos. William Dean Howells traces the writer's life from his boyhood in Ohio before the Civil War, to his consularship in Italy under President Lincoln, to his rise as editor of Atlantic Monthly. It looks at his writing, which included novels, poems, plays, children's books, and criticism. Howells had many powerful friendships among the literati of his day; and here we find an especially rich examination of the relationship between Howells and Mark Twain. Howells was, as Twain called him, "the boss" of literary critics—his support almost single-handedly made the careers of many writers, including African Americans like Paul Dunbar and women like Sarah Orne Jewett. Showcasing many noteworthy personalities—Henry James, Edmund Gosse, H. G. Wells, Stephen Crane, Emily Dickinson, and many others—William Dean Howells portrays a man who stood at the center of American literature through the late nineteenth and early twentieth centuries.
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