Journeys Near the End is a journal that contains countless and detailed examples of the many victories and defeats that Carl Volkmann experienced in his eight-year struggle to overcome the effects of Stage IV colon cancer. The book is a tribute to the love and support of family and friends, the remarkable advances in the treatment of the disease and the outstanding personal and professional skills of the medical professionals who have cared for him."--from back of book.
Springfield is the capital of Illinois and the home of Abraham Lincoln and Vachel Lindsay. The city is filled with history, and that fact is reflected in the many sculptures, monuments, and plaques that have been commissioned to commemorate this history. The city contains more than 14 statues and busts of Abraham Lincoln. Famous sculptors have created 17 statues inside the state capitol alone, and 13 more statues and sculptures are located on the capitol grounds. The states Capital Development Board sponsors the Art-in-Architecture program and provides funding for newly commissioned sculptures in state-funded public buildings. Several major American sculptors are represented in the many works, including Leonard Volk, Leonard Crunelle, Larkin Mead, Fred Torrey, and James Earl Fraser. Works of contemporary artists such as Michael Dunbar, Richard Hunt, and Preston Jackson are also present. Oak Ridge Cemetery contains four war memorials and Abraham Lincolns tomb. Each of the sculptures, monuments, and plaques has a story to tell and helps to make Springfields history come alive.
Springfield is the capital of Illinois and the home of Abraham Lincoln and Vachel Lindsay. The city is filled with history, and that fact is reflected in the many sculptures, monuments, and plaques that have been commissioned to commemorate this history. The city contains more than 14 statues and busts of Abraham Lincoln. Famous sculptors have created 17 statues inside the state capitol alone, and 13 more statues and sculptures are located on the capitol grounds. The states Capital Development Board sponsors the Art-in-Architecture program and provides funding for newly commissioned sculptures in state-funded public buildings. Several major American sculptors are represented in the many works, including Leonard Volk, Leonard Crunelle, Larkin Mead, Fred Torrey, and James Earl Fraser. Works of contemporary artists such as Michael Dunbar, Richard Hunt, and Preston Jackson are also present. Oak Ridge Cemetery contains four war memorials and Abraham Lincolns tomb. Each of the sculptures, monuments, and plaques has a story to tell and helps to make Springfields history come alive.
Carl Stumpf (1848-1936) was a German philosopher and psychologist and a visionary and important academic. During his lifetime, he ranked among the most prominent scientists of his time. Stumpf's intention, as evident in his book, Tone Psychology, was to investigate the phenomenon of tone sensation in order to understand the general psychic functions and processes underlying the perception of sound and music. It could be argued that modern music psychology has lost or perhaps ignored the epistemological basis that Carl Stumpf developed in his Tone Psychology. To gain a confident psychological basis, the relevance of Stumpf's deliberations on music psychology cannot be overestimated. Analyses of the essence of tones, complex tones and sounds are fundamental topics for general psychology and epistemology. By the end of this two-volume work, Stumpf had established an epistemology of hearing. The subject of Volume I is the sensation of successive single tones. Stumpf demonstrates that analysis leads to the realisation of a plurality (is there only one tone or are there several tones?), which is then followed by a comparison: an increase may be observed (one tone is higher than the other) or a similarity may be realised (both tones have the same pitch or the same loudness). With almost mathematical stringency, Stumpf developed a topology of tones. Volume II deals with the sensation of two simultaneous tones (musical intervals). The books are stimulating, rewarding and provocative and will appeal to music psychologists, music theorists, general psychologists, philosophers, epistemologists and neuroscientists.
Gary Hatfield examines theories of spatial perception from the seventeenth to the nineteenth century and provides a detailed analysis of the works of Kant and Helmholtz, who adopted opposing stances on whether central questions about spatial perception were amenable to natural-scientific treatment. At stake were the proper understanding of the relationships among sensation, perception, and experience, and the proper methodological framework for investigating the mental activities of judgment, understanding, and reason issues which remain at the core of philosophical psychology and cognitive science. Hatfield presents these important issues as living philosophies of science that shape and are shaped by actual research programs, creating a complex and fascinating picture of the entire nineteenth-century battle between nativism and empiricism. His examination of Helmholtz's work in physiological optics and epistemology is a tour de force. Gary Hatfield is Associate Professor of Philosophy at the University of Pennsylvania.
In choosing Montreal for its 8th biennial meeting, the International Research Society of Spinal Deformities (IRSSD), is returning to an auspicious and important venue: their 1992 meeting in Montreal marked the turning point from a focus on the morphological aspects of spinal deformity, towards three-dimensional evaluation and interpretation of scoliotic deformities and their biomechanics. Since then, the IRSSD meetings have had an instrumental role in the advancement of scientific research on problems affecting the spine. This book contains the proceedings of the 2010 conference in the form of peer-reviewed, short papers and abstracts, summarizing the 140 papers and posters presented at the Montreal meeting. With contributions from scientific and clinical experts from around the world, it covers all aspects of spinal deformity research including: etiology, genetics, biology, metabolism, biomechanics, imaging technologies, innovations in treatment and treatment outcomes. It explores current research developments, the underlying mechanisms that cause scoliosis and the clinical effectiveness of a wide range of treatments. Of interest to all those involved in the research into and treatment of spinal deformities, the book provides an opportunity to learn more about the latest developments in this field.
Carl V. Lachmund (1857-1928) was an American pupil of Liszt; he studied with the Hungarian master in Weimar between the years 1882-1884. During that time he kept a diary which eventually ran to some 700 pages. This document gives one of the mo st exhaustive accounts of Liszt's keyboard instruction extant. Some time after World War I, and in response toa demand from a number of musicians with an interest in the matter, Lachmund decided to turn his diary into a book about his daily life with Liszt. In order to gather additional background material about a period now long past, he wrote to more than 200 musicians in America and Europe who had had some personal contact with the composer, and invited them to share their personal reminiscences. The book never appeared and his papers came to rest in the New York Public Library, with whose cooperation this book is now being published.The Liszt scholar Alan Walker has undertaken the task of introducing, editing, and annotating the Lachmund papers. He calls the diary an irreplaceable source of first-hand material which throws fresh light on the way Liszt taught the piano. Liszt also emerges from these pages as a great and noble human being. This book will interest all teachers, performers, and students of the period. It represents a major contribution to nineteenth-century studies.
Reprint of the original, first published in 1873. The publishing house Anatiposi publishes historical books as reprints. Due to their age, these books may have missing pages or inferior quality. Our aim is to preserve these books and make them available to the public so that they do not get lost.
No political parties of present-day Germany are separated by a wider gulf than the two parties of labor, one democratic and reformist, the other totalitarian and socialist-revolutionary. Social Democrats and Communists today face each other as bitter political enemies across the front lines of the Cold War; yet they share a common origin in the Social Democratic Party of Imperial Germany. How did they come to go separate ways? By what process did the old party break apart? How did the prewar party prepare the ground for the dissolution of the labor movement in World War I, and for the subsequent extension of Leninism into Germany? To answer these questions is the purpose of Carl Schorske's study.
Behavioral Neuroscience: An Introduction provides a basic understanding of what is known about the means by which neurons communicate and about the nervous system which interprets, integrates, and transmits signals into meaningful and appropriate behaviors. The book starts with an overview of the nervous system. The text then describes the general operation and organization of the nervous system; and some of the major types of neurons in the context of their systems. The basic characteristics of neurons and how they communicate; the processes and the basic integrative properties of defined groups of neurons; and complex learning and memory are also considered. The book further tackles the auditory, somesthetic, olfactory, gustatory, visual, and motor systems; the functions of the autonomic nervous system and the neuroendocrine system; and the neural basis of two types of motivated behavior, drinking and feeding. The text also encompasses sleep and activity rhythms; the development of the neural circuitry and its plasticity throughout life; and the development of behavior. Behavioral disorders and the aspects of the human nervous system which make man unique among all living creatures are also looked into. Behavioral psychologists, behavioral neuroscientists, and psychobiologists will find the book invaluable.
The Origins of Music was first published in German in 1911. In this text Carl Stumpf set out a path-breaking hypothesis on the earliest musical sounds in human culture. Alongside his research in such diverse fields as classical philosophy, acoustics, and mathematics, Stumpf became one of the most influential psychologists of the late 19th century. He was the founding father of Gestalt psychology, and collaborated with William James, Edmund Husserl, and Wolfgang Köhler. This book was the culmination of more than 25 years of empirical and theoretical research in the field of music. In the first part, Stumpf discusses the origin and forms of musical activities as well as various existing theories on the origin of music, including those of Darwin, Rousseau, Herder, and Spencer. In the second part of the book, he summarizes his works on the historical development of instruments and music, and studies a putatively global range of music from non-European cultures to demonstrate the psychological principles of tonal organization, as well as providing a range of cross-cultural musical transcriptions and analyses. This became a foundation document for comparative musicology, the elder sibling to modern Ethnomusicology, and the book provides access to the original recordings Stumpf used in this process. The Origins of Music is available for the first time in the English language as a result of a collaboration between the European Society for the Cognitive Sciences of Music (ESCOM) and Oxford University Press. It is a fascinating volume for all those with an interest in the history of psychology and music. It appears here in tandem with Self-Portrait,Stumpf's autobiography of 1924, in which he outlines the rich life experiences behind his research career alongside his own explanation of his scientific and cultural legacy.
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