This classic study explores the history of criminal law in Roman, Germanic and medieval Europe from ancient times to the date of authorship, and includes a scientific and philosophical discussion of the principles underlying criminal law. Originally published under the auspices of the Association of American Law Schools as volume 6 of The Continental Legal History Series. lvi, 561 pp.
Many books have been written about Beethoven. But it is rare to find one that seeks an alternative between the fragmentation found in most specialized studies and the superficial overview typical of popular biography. In this volume, Carl Dahlhaus, one of the century's leading musicologists, combines interpretations of individual works that focus on issues of composition and musical history, with excursions into the musical aesthetics of the period around 1800; an age that was not only a "classical" period in the history of the arts but also one in that aesthetics carved itself a place in the center of philosophical attention. The theme of the book is the reconstruction of Beethoven's "musical thinking" from the evidence in the works themselves and their context in the history of ideas.
Carl von Clausewitz's major theoretical work, On War, has retained its freshness and relevance since it first appeared 160 years ago. Clausewitz was also a wide-ranging, innovative historian--his acerbic history of Prussia before 1806 became an underground classic long before it could be published--and a combative political essayist, whose observations on the affairs of Germany and Europe combine social egalitarianism with a nearly Bismarckian Realpolitik. In this companion volume to On War, the editors bring together Clausewitz's political writings and a selection of his historical works--material that is fascinating in its own right, important as a commentary on his theories of war, and a valuable source for understanding European ideas and attitudes during and after the Napoleonic era. None of these works has previously appeared in English, with one exception, which was published in a corrupt, censored text that has now been restored to its original form. The editors have contributed introductions for the historical and for the political parts of the volume, as well as brief introductions to the individual selections. Their analyses and the texts themselves reveal Clausewitz to be an exceptionally independent observer both of the past and of his own times, whose outlook is distinguished by an unideological pragmatism and a keen sense of the possibilities and shortcomings of state power. Originally published in 1992. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
These short eight-bar exercises are generally regarded as some of the best, most versatile and comprehensive of Czerny's studies. Apart from helping to achieve speed, suppleness and versatility of tone and touch, these exercises concentrate on many essential aspects of piano technique: diatonic and chromatic scales, tone repetition, chords progressions and arpeggios, thirds and octaves, two-part playing in one hand, polyphony, alternating hands, trills and other ornamentation, etc. This new edition is based on the first edition of 1853 and contains Czerny's original fingering.
Carl Schachter is, by common consent, one of the three or four most important music theorists currently at work in North America. He is the preeminent practitioner in the world of the Schenkerian approach to the music of the eighteenth and nineteenth centuries, which focuses on the linear organization of music and now dominates discussions of the standard repertoire in university courses and in professional journals. His articles have appeared in a variety of journals, including some that are obscure or hard to obtain. This volume gathers some of his finest essays, including those on rhythm in tonal music, Schenkerian theory, and text setting, as well as a pair of analytical monographs, on Bach's Fugue in B-flat major from Volume 1 of the Well-Tempered Clavier and Chopin's Fantasy, Op. 49.
Many of the world's first written records have been found in the area of the Ancient Near East, in what is today known as the Middle East. While many people are familiar with the ancient Israelite literature recorded in the Hebrew Bible, most Near Eastern literature remains a mystery. From an Antique Land lifts the veil from these fascinating writings, explaining the ancient stories in the context of their cultures. From the invention of writing through the conquest of Alexander the Great, expert scholars examine literature originally written in Egyptian, Sumerian, Akkadian, Hittite, Ugaritic, Canaanite, Hebrew, and Aramaic. Each chapter includes an overview of the culture, a discussion of literary genres, and descriptions and short analyses of the major literary works. Photos of archaeological remains further illustrate these people and their writings.
Issues surrounding business complexity plague organizations throughout the world. This situation is particularly true of the numerous complex projects and programs upon which organizations embark on a regular basis. Current project management processes and standards are based on Newtonian/Cartesian principles, such as linearity, reductionism, and single source problem causation. However, complex projects exhibit both Newtonian/Cartesian characteristics and complex systems characteristics, such as emergence, self-organization, non-linearity, non-reductionism, and multi-source problem causation. To conduct successful projects, complementary ways of approaching projects are required, and new competencies for those who manage projects and for those on project teams are required as well. There are a number of books available to help project managers and teams address the issue of systems behavior. However, there are none that approach complex projects from a neuroscience-based approach to human behavior and ambiguity. This book does exactly that in order to reduce project complexity and thereby increase the probability of project success. Cognitive Readiness in Project Teams looks to the concept of cognitive readiness (CR), first developed by the United States Department of Defense to better prepare and manage teams of individuals in complex battlefield situations. Its intent is to make project managers and teams more focused, responsive, resilient and adaptive through self-mastery and the mastering of interpersonal relationships. It introduces a CR framework for project managers and teams. This framework has neuroscience fundamentals and theorems as the foundation for the three pillars of CR: mindfulness, emotional intelligence, and social intelligence. The book is a compendium of chapters written by renowned authors in the fields of project management, neuroscience, mindfulness, and emotional and social intelligence.
This classic study explores the history of criminal law in Roman, Germanic and medieval Europe from ancient times to the date of authorship, and includes a scientific and philosophical discussion of the principles underlying criminal law. Originally published under the auspices of the Association of American Law Schools as volume 6 of The Continental Legal History Series. lvi, 561 pp.
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