In this diary of retirement, acclaimed writing teacher Carl Klaus guides us through a passage that we all must take, one that forces us to confront the deeply disorienting issues of identity and mortality as well as the pleasures of creating a whole new life.
Sorrow is “not a state but a process” that needs “not a map but a history. . . . There is something new to be chronicled every day,” writes C. S. Lewis in A Grief Observed. When Carl Klaus's wife of thirty-five years died suddenly from a cerebral hemorrhage, right before Thanksgiving in 2002, he took the only road toward recovery that made sense to him: he started writing letters to her, producing a unique history of grief, solace, and love. His vivid and thoughtful letters will resonate with everyone whose loss confronts them with emotional, psychological, and philosophical questions for which there are no easy answers.During his first year without Kate, Carl writes himself into the life that comes after the life he loved. From days of grief in the darkness of a midwestern winter, to springtime, with a return to life in the garden and a memorial service for Kate on a sunny afternoon, to fall, with a pilgrimage to their favorite vacation spot in Hawaii, Carl documents his year-long experience of remembering, meditating, and evolving a new life. Individually his letters provide the insights of a master diarist; collectively, they have the arc of a master essayist. Recording the full range of mourning from intense shock to moments of exceptional affirmation, Klaus's stories and reflections on loss bear witness to universal truths about the first and most significant year of mourning.
What is supposed to be a straightforward property deal turns into a nightmare for the English lawyer David and his partner Thomas. Precisely in the unspoilt countryside of northern Umbria, where the couple live, a group of international speculators want to invest in a grand-scale project to build a country club for millionaires. When shortly before the related contracts are to be signed the neighbouring sheep farmer is found murdered and soon after him the pet dog of the project developer, David and Thomas fear they, too, could be on the criminals' death list. Then they own the house and land that the speculators desperately need for the project to go ahead ...
Interviews with the Disney artist who created Scrooge McDuck and many well-loved comic books Disney artist Carl Barks (1901-2000) created one of Walt Disney's most famous characters, Scrooge McDuck. Barks also produced more than 500 comic book stories. His work is ranked among the most widely circulated, best-loved, and most influential of all comic book art. Although the images he created are known virtually everywhere, Barks was an isolated storyteller, living in the desert of California and preferring to labor without public fanfare during most of his career. He created work of such exceptional quality that he was accorded the greatest autonomy of any Disney artist. He is the only comic book artist ever to receive a Disney Legends award. The influence of Barks's work on such filmmakers as George Lucas and Steven Spielberg and on such artists as Gottfried Helnwein has extended Barks's significance far beyond the boundaries of comics. After Barks's death at the age of ninety-nine, Roy Disney praised him for his "brilliant artistic vision." Carl Barks: Conversations is the only comprehensive collection of Barks's interviews. It ranges chronologically from the very first one (with Malcolm Willits, the fan who uncovered Barks's identity) to the artist's final conversations with Donald Ault in the summer of 2000. In between are interviews conducted by J. Michael Barrier, Edward Summer, Bruce Hamilton, and others. Several of these interviews are published here for the first time. Ault's friendship with Barks, ranging over a period of thirty years, provides an unusually intimate resource not only for standard q&a interviews but also for casual conversations in informal settings. Carl Barks: Conversations reveals previously unknown information about the life, times, and opinions of one of the master storytellers of the twentieth century. Donald Ault, a professor of English at the University of Florida, is the author of Narrative Unbound: Re-Visioning William Blake's The Four Zoas and Visionary Physics: Blake's Response to Newton. His work has been published in Studies in Romanticism, The Wordsworth Circle, Modern Philology, and The Comics Journal.
Annotation Essays which state the fundamentals of Jung's psychological system: "On the Psychology of the Unconscious" and "The Relations Between the Ego and the Unconscious," with their original versions in an appendix.
Funny and brutal. A big-hearted book, I enjoyed it.' Stuart Conquest, Grandmaster'Carl is gifted as both a natural entertainer and storyteller. Although this memoir is primarily about chess, the tales in it are filled with a frank and refreshing honesty that will literally have your heart racing with adventure.'Jovanka Houska, International Master'Chess Crusader' is an absolutely fascinating memoir, and most emphatically not only a book for chess players. It reveals how chess is a metaphor for life, and how skills honed at the chess board can be applied in many real-life situations. This compelling chronicle takes you from Birmingham to Moscow, and plunges you into the life of an author with a remarkable original mind, while also highlighting the hazards of stealing a half-cooked sausage from a deranged German.It's a lively, enthralling account of a colourful life dominated by the black and white squares of the chessboard, and their relation to the wider issues of a troubled childhood and the challenges of work, women, love and loss. It's a tale of adversity, but also of achievement and new friendships and experiences.
The German art historian and critic Carl Einstein (1885-1940) was at the forefront of the modernist movement that defined the twentieth century. One of the most prolific and brilliant early commentators on cubism, he was also among the first authors to assess African sculpture as art. Yet his writings remain relatively little known in the Anglophone world. With A Mythology of Forms, the first representative collection of Einstein’s art theory and criticism to appear in English translation, Charles W. Haxthausen fills this gap. Spanning three decades, it assembles the most important of Einstein’s writings on the art that was central to his critical project—on cubism, surrealism, Pablo Picasso, Georges Braque, and Paul Klee, and includes the full texts of his two pathbreaking books on African art, Negro Sculpture (1915) and African Sculpture (1921). With fourteen texts by Einstein, each presented with extensive commentary, A Mythology of Forms will bring a pivotal voice in the history of modern art into English.
Confident or fretful, solemn or sassy, tough or tender, casual or formal: the self you project in writing—your persona—is the byproduct of numerous decisions you make about what to say and how to say it. Though any single word or phrase or sentence might make little difference within the scope of an entire essay or book, collectively they create an impression of who you are or seem to be—an impression that’s sure to influence how readers respond to your work. Thus it’s essential to take charge of how you come across on the page, to craft an appropriate persona for whatever you’re writing, whether it’s a personal essay, a blog, a technical report, a letter to the editor, or a memoir. In this wise and ingenious little guide, noted essayist Carl Klaus shows you how to adapt your self to the needs of such varied nonfiction, by varying his own persona to illustrate the distinctive effect produced by each aspect and element of writing. Klaus divides his book into two parts: first, an introduction to the nature and function of a persona, then a survey of the most important elements of writing that contribute to the character of a persona, from point of view and organization to diction and sentence structure. Both parts contain exercises that will give you practice in developing a persona of your choice. Challenging and stimulating, each of his exercises focuses on a distinctly different aspect of composition and style, so as to help you develop the skills of a versatile and personable writer. By focusing on the most important ways of projecting your self in nonfiction prose, you can learn to craft a distinctive self in your writing.
Essays, written and collected over ten years, documenting Carl Klaus' 80s. Topics ranging from aging, food, finances, health, reading, writing, Trump, and social upheavals"--
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