Carl Hermann Voss has succeeded in presenting a very knowledgeable and comprehensive, and at the same time highly readable, account of the world's major religions: their historical development, key personages, and basic tenets. He writes with clarity, insight, and sympathetic understanding. I found this to be an engrossing and illuminating book--Dr. Avraham Harman, The Hebrew University of JerusalemLiving Religions of the World: Our Search for Meaning is both reliable and readable, an excellent combination commending it to students and educated laymen alike. The living faiths, offering real alternatives in a world grown small and compelling every thinking person to make a personal choice, are presented with sympathy and scholarship. There is a fine concluding summary of the major issues of conscience and decision in a generation which displays an upsurge of religious interest frequently along non-traditional paths.--Dr. Franklin H. Littell, Temple University, Philadelphia, PADr. Voss's important scholarly work has always been marked by extraordinary sensitivity combined with wide erudition. This marvelous book shows his many admirers anew how our common search for meaning finds distinct but complementary expression in the major religions of the world. A lifetime of scholarly reflection renders his book an enriching experience for us all.--Father David Tracy, University of Chicago
Carl Hermann Voss has succeeded in presenting a very knowledgeable and comprehensive, and at the same time highly readable, account of the world's major religions: their historical development, key personages, and basic tenets. He writes with clarity, insight, and sympathetic understanding. I found this to be an engrossing and illuminating book--Dr. Avraham Harman, The Hebrew University of JerusalemLiving Religions of the World: Our Search for Meaning is both reliable and readable, an excellent combination commending it to students and educated laymen alike. The living faiths, offering real alternatives in a world grown small and compelling every thinking person to make a personal choice, are presented with sympathy and scholarship. There is a fine concluding summary of the major issues of conscience and decision in a generation which displays an upsurge of religious interest frequently along non-traditional paths.--Dr. Franklin H. Littell, Temple University, Philadelphia, PADr. Voss's important scholarly work has always been marked by extraordinary sensitivity combined with wide erudition. This marvelous book shows his many admirers anew how our common search for meaning finds distinct but complementary expression in the major religions of the world. A lifetime of scholarly reflection renders his book an enriching experience for us all.--Father David Tracy, University of Chicago
Gary Hatfield examines theories of spatial perception from the seventeenth to the nineteenth century and provides a detailed analysis of the works of Kant and Helmholtz, who adopted opposing stances on whether central questions about spatial perception were amenable to natural-scientific treatment. At stake were the proper understanding of the relationships among sensation, perception, and experience, and the proper methodological framework for investigating the mental activities of judgment, understanding, and reason issues which remain at the core of philosophical psychology and cognitive science. Hatfield presents these important issues as living philosophies of science that shape and are shaped by actual research programs, creating a complex and fascinating picture of the entire nineteenth-century battle between nativism and empiricism. His examination of Helmholtz's work in physiological optics and epistemology is a tour de force. Gary Hatfield is Associate Professor of Philosophy at the University of Pennsylvania.
James and Stumpf first met in Prague in 1882. James soon started corresponding with a “colleague with whose persons and whose ideas alike I feel so warm a sympathy.” With this, a lifelong epistolary friendship began. For 28 years until James’s death in 1910, Stumpf became James’s most important European correspondent. Besides psychological themes of great importance, such as the perception of space and of sound, the letters include commentary upon Stumpf’s (Tonpsychologie) and James’s main books (The Principles of Psychology, The Varieties of Religious Experience), and many other works. The two friends also exchange views concerning other scholars, religious faith and metaphysical topics. The different perspectives of the American and the German (European) way of living, philosophizing and doing science are frequently under discussion. The letters also touch upon personal questions of historical interest. The book offers a critical edition and the English translation of hitherto unpublished primary sources. Historians of psychology and historians of philosophy will welcome the volume as a useful tool for their understanding of some crucial developments of the time. Scholars in the history of pragmatism and of phenomenology will also be interested in the volume.
The music of the nineteenth century was - and still is - thought of as a 'romantic' art, whereas the main current of the literature and fine arts of the age was 'realist' from about 1830. Yet some works are consistently described as 'realistic': Nusorgsky's Boris and Bizet's Carmen are only the most frequently cited examples. Professor Dahlhaus sets out the criteria of realism, with particular reference to French and German theorists and examines the extent to which they apply to music too. While his findings do not reverse the verdict that the music of the age was in general romantic, he demonstrates that musical realism consists in much more than imitation of natural sounds or tone-painting. The notes are revised here for the English-speaking reader.
Carl Stumpf (1848-1936) was a German philosopher and psychologist and a visionary and important academic. During his lifetime, he ranked among the most prominent scientists of his time. Stumpf's intention, as evident in his book, Tone Psychology, was to investigate the phenomenon of tone sensation in order to understand the general psychic functions and processes underlying the perception of sound and music. It could be argued that modern music psychology has lost or perhaps ignored the epistemological basis that Carl Stumpf developed in his Tone Psychology. To gain a confident psychological basis, the relevance of Stumpf's deliberations on music psychology cannot be overestimated. Analyses of the essence of tones, complex tones and sounds are fundamental topics for general psychology and epistemology. By the end of this two-volume work, Stumpf had established an epistemology of hearing. The subject of Volume I is the sensation of successive single tones. Stumpf demonstrates that analysis leads to the realisation of a plurality (is there only one tone or are there several tones?), which is then followed by a comparison: an increase may be observed (one tone is higher than the other) or a similarity may be realised (both tones have the same pitch or the same loudness). With almost mathematical stringency, Stumpf developed a topology of tones. Volume II deals with the sensation of two simultaneous tones (musical intervals). The books are stimulating, rewarding and provocative and will appeal to music psychologists, music theorists, general psychologists, philosophers, epistemologists and neuroscientists.
Providing sensitive, knowledgeable, and accessible introductions to all major religions in today's world, the fundamental principle of this Pathways Book is that commitment to one's own religious tradition or philosophical belief does not preclude appreciation of other faiths, but encourages the learner to define more clearly his or her own religious identity.
Witz can serve either builders or destroyers, defenders of the faith or heretics, diplomats or oafs, male chauvinists or radical feminists. Witz shows its volatility in setting up cultural, class, and gender boundaries just to smash them. Hill argues that there is something about Witz that makes it quintessential to the plight of modern culture. He views Witz as an ahistorical subject developing over time and transcending the lifespans and intentions of the authors who have written with or about it.
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