Baruch Spinoza (1632-1677) er en af Europas allerstørste filosoffer. I sin samtid blev han regnet for en kætter og fritænker. I dag anses hans tanker om ytringsfrihed, religionskritik og demokrati som grundlaget for den europæiske oplysningstid. For første gang på dansk folder Carl Henrik Koch hele historien om Spinoza ud – og giver indblik i et mørkt kapitel i Europas historie. En tid med inkvisition, heksebrændinger og religiøse krige. Men også en tid, hvor fundamentet til det moderne Europa blev støbt i hemmelige selskaber og frisindede enklaver af intellektuelle. CARL HENRIK KOCH (f. 1938) er dr.phil. og fhv. docent ved Københavns Universitet, filosof og videnskabshistoriker, tidligere vicepræsident for Det Kongelige Danske Videnskabernes Selskab og medlem af Statens Humanistiske Forskningsråd. Carl Henrik Koch har bidraget til en række filosofihistoriske værker, herunder hovedværket Den danske filosofis historie (med Steen Ebbesen). Han har desuden skrevet en lang række bøger om bl.a. Francis Bacon, Kierkegaard og Steno samt senest ISAAC NEWTON – Geniet og mennesket fra 2013.
This book introduces the sociology of philosophy as a research field, asking what can be gained by looking at the discipline of philosophy from a sociological perspective and how to go about doing it, as presented through three case studies of 20th-century Swedish and Scandinavian philosophy. After a general introduction to the topic including its brief history and central concepts, the case studies tackle questions such as how the crucial distinction between analytical and Continental philosophy came to be established in Sweden, how the Norwegian philosopher Arne Naess worked out in his early philosophy an approach to dealing with the cultural trauma of the Second World War and the Nazi occupation, and how professional philosophical careers were built in postwar Sweden. The authors then take a forward look, suggesting where the field might go from here and what its future key areas might be. This volume will appeal to scholars and students in sociology, philosophy, intellectual history, and Scandinavian studies.
The rapid growth of the world population - nearly six-fold over the last hundred years - combined with the rising number of technical installations especially in the industrialized countries has lead to ever tighter and more strained living spaces on our planet. Because ofthe inevitable processes oflife, man was at first an exploiter rather than a careful preserver of the environment. Environmental awareness with the intention to conserve the environment has grown only in the last few decades. Environmental standards have been defined and limit values have been set largely guided, however, by scientific and medical data on single exposures, while public opinion, on the other hand, now increasingly calls for astronger consideration of the more complex situations following combined exposures. Furthermore, it turned out that environmental standards, while necessarily based on scientific data, must also take into account ethical, legal, economic, and sociological aspects. A task of such complexity can only be dealt with appropriately in the framework of an inter disciplinary group.
This book is a collection of essays, by the leading German musicologist of our day, on one of the most controversial and influential composers of our century: Arnold Schoenberg. Schoenberg is considered here as a historical figure, as a thinker and theoretician and as a composer whose works may be subjected to technical analysis and/or examined in relation to the history of ideas. Above all, he is considered in the context of the 'New Music', the historical and cultural movement of the first two decades of this century which embrace musicians such as Webern, Schreker and Scriabin (all of whom are allotted individual essays), as well as Schoenberg himself. In addition to historical and analytical essays there are essays of a broader cultural-historical and even sociological import which should interest all those involved with twentieth-century music and ideas.
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