This volume brings our story down to 1843, an important era in Richard Wagner’s Life, with his entry, as composer, of two successful operas, upon a so-called "practical" career at one of the principal German theatres.
This volume examines a single music-aesthetical idea from various historical and philosophical backgrounds. In exploring the origins of the idea and its career over two centuries, it brings to light the variety of ways in which it has affected music.
This volume brings our story down to 1843, an important era in Richard Wagner’s Life, with his entry, as composer, of two successful operas, upon a so-called "practical" career at one of the principal German theatres.
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