Seminar paper from the year 2007 in the subject Politics - Region: USA, grade: First/ 80%, University of Reading (United Kingdom - International Relations), course: US Foreign and Defence Policy, language: English, abstract: In the United States of America the media is protected by the First Amendment to the Constitution: “Congress shall make no law [...] abridging the freedom of speech or of the press.” The media are institutions whose primary concern it is to produce and distribute all forms of knowledge, information and entertainment and encompass print media, television, radio and the internet. For the purposes of this paper, the focus shall be on television, as “television is undoubtedly the pre-eminent form of the media in the United States” and it is the medium of choice for Americans looking for information. In a democracy such as the United States of America, the media ought to report impartially and in a way to inform and engage the public. Public opinion is understood as a collective view of a given issue. Foreign policy shall be defined as the goals a state wants to attain abroad, the values that determine to those objectives, and the means or instruments used to pursue them.
1992 was a pivotal moment in African American history, with the Rodney King riots providing palpable evidence of racialized police brutality, media stereotyping of African Americans, and institutional discrimination. Following the twentieth anniversary of the Los Angeles uprising, this time period allows reflection on the shifting state of race in America, considering these stark realities as well as the election of the country's first black president, a growing African American middle class, and the black authors and artists significantly contributing to America's cultural output. Divided into six sections, (The African American Criminal in Culture and Media; Slave Voices and Bodies in Poetry and Plays; Representing African American Gender and Sexuality in Pop-Culture and Society; Black Cultural Production in Music and Dance; Obama and the Politics of Race; and Ongoing Realities and the Meaning of 'Blackness') this book is an engaging collection of chapters, varied in critical content and theoretical standpoints, linked by their intellectual stimulation and fascination with African American life, and questioning how and to what extent American culture and society is 'past' race. The chapters are united by an intertwined sense of progression and regression which addresses the diverse dynamics of continuity and change that have defined shifts in the African American experience over the past twenty years.
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