Beautiful Chaos is an extraordinary journey of Carey Perloff and her theatre, ACT. Their continued evolution and ability to define and re-define themselves with courage, tenacity, and bravery allow them to confront what seem like insurmountable odds. This continues to shape and inspire Carey and those who work with her."--Olympia Dukakis, Academy Award-winning actress "Carey Perloff's lively, outspoken memoir of adventures in running and directing theatre will be a key document in the story of playmaking in America."--Tom Stoppard, Playwright "Carey Perloff, quite literally, raised a vibrant new theater from the rubble of an old one. This refreshingly honest account of her triumphs and misfires over the past two decades is both a fascinating read and an invaluable handbook for anyone attempting such a labor of love."--Armistead Maupin, author of Tales of the City "Carey Perloff's marvel of a book is part memoir of a working mother, a passionate artist, a woman flourishing in a male-dominated craft- and part lavish love letter to theater. It is as lively, thoughtful, and insightful an account I have ever read about the art form. This one is for any person who has ever sat in the dark and been spellbound by the transformative power of theater."--Khaled Hosseini, author of The Kite Runner "Carey Perloff is a veteran of the regional theatre wars. Beautiful Chaos is her vivacious account of her ambitious work commanding San Francisco's American Conservatory Theatre (ACT). The book exudes Perloff's trademark brio: smart, outspoken, full of fun and ferment."--John Lahr, author of Tennessee Williams: Mad Pilgrimage of the Flesh "This is an engaged, engaging, deeply intelligent, and passionate account of why the theatre matters and how it works in a city and in a society. It is also a fascinating and essential chapter in the history of San Francisco itself, as well as the story of a committed theatre artist's determination and vision."--Colm Toibin, author of Nora Webster Carey Perloff, Artistic Director of San Francisco's legendary American Conservatory Theater, pens a lively and revealing memoir of her twenty-plus years at the helm and delivers a provocative and impassioned manifesto for the role of live theater in today's technology-infused world. Perloff's personal and professional journey—her life as a woman in a male-dominated profession, as a wife and mother, a playwright, director, producer, arts advocate, and citizen in a city erupting with enormous change—is a compelling, entertaining story for anyone interested in how theater gets made. She offers a behind-the-scenes perspective, including her intimate working experiences with well-known actors, directors, and writers, including Tom Stoppard, Harold Pinter, Robert Wilson, David Strathairn, and Olympia Dukakis. Whether reminiscing about her turbulent first years as a young woman taking over an insolvent theater in crisis and transforming it into a thriving, world-class performance space, or ruminating on the potential for its future, Perloff takes on critical questions about arts education, cultural literacy, gender disparity, leadership, and power. Carey Perloff is an award-winning playwright, theater director, and the artistic director of the American Conservatory Theater of San Francisco since 1992.
Shortlisted for the STR Theatre Book Prize 2023 A LA Times best theater book of 2022 Harold Pinter and Tom Stoppard, by most accounts the leading British playwrights of our time, might seem to come from very different aesthetic, cultural and political worlds. But as Carey Perloff's fascinating new book reveals, the two have much in common. By examining these contemporaries alongside one another and in the context of the rehearsal room, we can glean new insights and connections, including the impact of their Jewish background on their work and their passion for the details of stagecraft. Readers of Pinter and Stoppard: A Director's View will emerge with a set of tools for approaching their work in a performance environment and for unlocking the mysteries of the plays for audiences. Esteemed theatre director Carey Perloff draws upon her first-hand experience of working with both writers, creating case studies of particular plays in production to provide new ways of positioning the work today. 30 years after major criticism on both playwrights first emerged, this is a ripe moment for a fresh examination of the unique contribution of Pinter and Stoppard in the twenty-first century.
Shortlisted for the STR Theatre Book Prize 2023 A LA Times best theater book of 2022 Harold Pinter and Tom Stoppard, by most accounts the leading British playwrights of our time, might seem to come from very different aesthetic, cultural and political worlds. But as Carey Perloff's fascinating new book reveals, the two have much in common. By examining these contemporaries alongside one another and in the context of the rehearsal room, we can glean new insights and connections, including the impact of their Jewish background on their work and their passion for the details of stagecraft. Readers of Pinter and Stoppard: A Director's View will emerge with a set of tools for approaching their work in a performance environment and for unlocking the mysteries of the plays for audiences. Esteemed theatre director Carey Perloff draws upon her first-hand experience of working with both writers, creating case studies of particular plays in production to provide new ways of positioning the work today. 30 years after major criticism on both playwrights first emerged, this is a ripe moment for a fresh examination of the unique contribution of Pinter and Stoppard in the twenty-first century.
Beautiful Chaos is an extraordinary journey of Carey Perloff and her theatre, ACT. Their continued evolution and ability to define and re-define themselves with courage, tenacity, and bravery allow them to confront what seem like insurmountable odds. This continues to shape and inspire Carey and those who work with her."--Olympia Dukakis, Academy Award-winning actress "Carey Perloff's lively, outspoken memoir of adventures in running and directing theatre will be a key document in the story of playmaking in America."--Tom Stoppard, Playwright "Carey Perloff, quite literally, raised a vibrant new theater from the rubble of an old one. This refreshingly honest account of her triumphs and misfires over the past two decades is both a fascinating read and an invaluable handbook for anyone attempting such a labor of love."--Armistead Maupin, author of Tales of the City "Carey Perloff's marvel of a book is part memoir of a working mother, a passionate artist, a woman flourishing in a male-dominated craft- and part lavish love letter to theater. It is as lively, thoughtful, and insightful an account I have ever read about the art form. This one is for any person who has ever sat in the dark and been spellbound by the transformative power of theater."--Khaled Hosseini, author of The Kite Runner "Carey Perloff is a veteran of the regional theatre wars. Beautiful Chaos is her vivacious account of her ambitious work commanding San Francisco's American Conservatory Theatre (ACT). The book exudes Perloff's trademark brio: smart, outspoken, full of fun and ferment."--John Lahr, author of Tennessee Williams: Mad Pilgrimage of the Flesh "This is an engaged, engaging, deeply intelligent, and passionate account of why the theatre matters and how it works in a city and in a society. It is also a fascinating and essential chapter in the history of San Francisco itself, as well as the story of a committed theatre artist's determination and vision."--Colm Toibin, author of Nora Webster Carey Perloff, Artistic Director of San Francisco's legendary American Conservatory Theater, pens a lively and revealing memoir of her twenty-plus years at the helm and delivers a provocative and impassioned manifesto for the role of live theater in today's technology-infused world. Perloff's personal and professional journey—her life as a woman in a male-dominated profession, as a wife and mother, a playwright, director, producer, arts advocate, and citizen in a city erupting with enormous change—is a compelling, entertaining story for anyone interested in how theater gets made. She offers a behind-the-scenes perspective, including her intimate working experiences with well-known actors, directors, and writers, including Tom Stoppard, Harold Pinter, Robert Wilson, David Strathairn, and Olympia Dukakis. Whether reminiscing about her turbulent first years as a young woman taking over an insolvent theater in crisis and transforming it into a thriving, world-class performance space, or ruminating on the potential for its future, Perloff takes on critical questions about arts education, cultural literacy, gender disparity, leadership, and power. Carey Perloff is an award-winning playwright, theater director, and the artistic director of the American Conservatory Theater of San Francisco since 1992.
THE STORY: LUMINESCENCE DATING is a thriller about a lost statue, a lost son, an ancient mystery and a love affair between two desperately mismatched people. Angela Hart has spent the better part of her career searching for a voluptuous naked Aphro
I: English literature. The genius of Shandy Hall : Laurence Sterne ; Double life : Jane Austen ; Best and worst : Charles Dickens ; Living with Trollope : Anthony Trollope ; Eminent Victorian : George Eliot ; The two Hardys : Thomas Hardy ; The King's trumpeter : Rudyard Kipling ; Life in the head : John Cowper Powys ; Nothing nasty in the woodshed : P.G. Wodehouse ; Like ink and milk : D.H. Lawrence ; Baby face : William Gerhardie ; The last Puritan : George Orwell ; Mr. Toad : Evelyn Waugh ; God's Greene : Graham Greene -- II: The English poets. Family man : William Wordsworth ; Unmisgiving : John Keats ; The all-star Victorian : Alfred, Lord Tennyson ; An art of self-discovery : Edward Thomas ; Fun while it lasted : Rupert Brooke ; Gallant pastiche : Cecil Day Lewis ; The best of Betjeman : John Betjeman ; The flight of the disenchanter : W.H. Auden ; The last romantic : Philip Larkin -- III: Mother Russia. Cutting it short : Alexander Pushkin ; Under the overcoat : Nikolai Gogol ; The strengths of his passivity : Ivan Turgenev ; An excellent man : Anton Chekhov ; The backward look : Ivan Bunin ; Poems with a heroine : Anna Akhmatova ; A poet's tragedy : Marina Tsvetaeva ; On the horse parsnip : Boris Pasternak ; The hard hitter : Isaac Babel ; A prig of genius : Aleksandr Solzhenitsyn -- IV: American poetry. Songs of a furtive self : Walt Whitman ; Mothermonsters and fatherfigures : E.E. Cummings ; Lowellship : Robert Lowell ; "One life, one writing" : James Merrill ; Richly flows contingency : John Ashbery -- V: Out of Eastern Europe. The power of delight : Bruno Schulz ; Something childish : Witold Gombrowicz ; Poet of holy dread : Paul Celan ; The art of austerity : Zbigniew Herbert ; Return of the native : Czeslaw Milosz -- VI: Aspects of novels. The point of novels ; Gossip in fiction ; Little green crabs : Marcel Proust ; The order of battle at Trafalgar ; In which we serve : Patrick O'Brian ; Seer of the ego : Stendhal ; What will you do to keep the s
Essays on the use of music and sound in films from Godzilla to Star Wars and beyond. In recent years, music and sound have been increasingly recognized as an important, if often neglected, aspect of film production and film studies. Off the Planet comprises a lively, stimulating, and diverse collection of essays on aspects of music, sound, and science fiction cinema. Following a detailed historical introduction to the development of sound and music in the genre, individual chapters analyze key films, film series, composers, and directors in the postwar era. The first part of the anthology profiles seminal 1950s productions such as The Day the Earth Stood Still, the first Godzilla film, and Forbidden Planet. Later chapters analyze the work of composer John Williams, the career of director David Cronenberg, the Mad Max series, James Cameron’s Terminators, and other notable SF films such as Space Is the Place, Blade Runner, Mars Attacks!, and The Matrix. Off the Planet is an important contribution to the emerging body of work in music and film, with contributors including leading film experts from Australia, Canada, Japan, New Zealand, the United Kingdom, and the United States.
THE STORY: LUMINESCENCE DATING is a thriller about a lost statue, a lost son, an ancient mystery and a love affair between two desperately mismatched people. Angela Hart has spent the better part of her career searching for a voluptuous naked Aphro
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