Stories about abortion provide a rich ground for looking at the relationship between narrative, experience, and meaning because in many ways abortion has come to be a defining issue for American culture—one that touches on the value we attribute to human life, liberty, and freedom. Using personal stories and interviews, MariAnna seeks to show the contours of a vital and diverse collective story—a narrative that emphasizes the discursive dynamics at work in any account of the significance of abortion. MariAnna seeks to show the contours of a vital and diverse collective story—a narrative that emphasizes the discursive dynamics at work in any account of the significance of abortion. By attempting to find a range of narrative and experiential extremes, she provides diverse and detailed accounts that form a collective story. The accounts she provides are about actual experience, but because the meaning of that experience is created and conveyed in narrative form, there is no neat distinction between a story and the event to which it refers. Meaning is embedded in larger cultural narrative: the individual stories told about abortion and the intersection between them. These stories illustrate how experience itself is mediated by, to some extent even a function of, narrative modes and currents. They illustrate the way autobiographical history is so enmeshed in cultural narrative forms that the private accounts we give of our own lives function as often unacknowledged social commentary. Stories about abortion provide a rich ground for looking at the relationship between narrative, experience, and meaning because in many ways abortion has come to be a defining issue for American culture—one that touches on the value we attribute to human life, liberty, and freedom. This book will be of particular interest to scholars, students, and researchers involved with Women's Studies and Women's Health issues and to general readers concerned with contemporary American social problems.
The tortured hero's happily-ever-after Former navy SEAL Connor Benson is in beautiful Tuscany, but he can't forget his time on the frontline. Meeting beautiful Isabella Rossi reminds him of everything he once fought for...and everything he can't have. Isabella understands what it's like to be stuck in the past--since becoming a widow she's been sleepwalking through life. But handsome Connor's delicious kisses are waking her up, and his courage inspires her: she must fight for the love they both deserve!The Vineyards of Calanetti Saying "I do" under the Tuscan sun...
Stories about abortion provide a rich ground for looking at the relationship between narrative, experience, and meaning because in many ways abortion has come to be a defining issue for American culture—one that touches on the value we attribute to human life, liberty, and freedom. Using personal stories and interviews, MariAnna seeks to show the contours of a vital and diverse collective story—a narrative that emphasizes the discursive dynamics at work in any account of the significance of abortion. MariAnna seeks to show the contours of a vital and diverse collective story—a narrative that emphasizes the discursive dynamics at work in any account of the significance of abortion. By attempting to find a range of narrative and experiential extremes, she provides diverse and detailed accounts that form a collective story. The accounts she provides are about actual experience, but because the meaning of that experience is created and conveyed in narrative form, there is no neat distinction between a story and the event to which it refers. Meaning is embedded in larger cultural narrative: the individual stories told about abortion and the intersection between them. These stories illustrate how experience itself is mediated by, to some extent even a function of, narrative modes and currents. They illustrate the way autobiographical history is so enmeshed in cultural narrative forms that the private accounts we give of our own lives function as often unacknowledged social commentary. Stories about abortion provide a rich ground for looking at the relationship between narrative, experience, and meaning because in many ways abortion has come to be a defining issue for American culture—one that touches on the value we attribute to human life, liberty, and freedom. This book will be of particular interest to scholars, students, and researchers involved with Women's Studies and Women's Health issues and to general readers concerned with contemporary American social problems.
Harlequin® Romance brings you four new titles for one great price, available now! Experience the rush of falling in love! This Harlequin® Romance box set includes: SOLDIER, HERO…HUSBAND? (The Vineyards of Calanetti) by Cara Colter Since becoming a widow, Isabella Rossi has been sleepwalking through life. But when she meets former navy SEAL Connor, his delicious kisses are waking her up! Connor can't forget his past, but Isabella is determined to fight for the future they both deserve… FALLING FOR MR. DECEMBER by Kate Hardy Photographer Sammy's never dreamed of forever, but sparks fly when she meets gorgeous barrister Nick Kennedy. As she gets to know the man behind the pinstripes, dare she hope Nick will make it a Christmas to remember with the most magical gift of all—his heart? THE BABY WHO SAVED CHRISTMAS Alison Roberts Brooding celebrity chef Julien is guardian of his tiny orphaned nephew…and completely out of his depth! Alice Macmillan's arrival is the answer to his prayers, and as snowflakes start falling, could this Christmas see the beginning of their own fledgling family? A PROPOSAL WORTH MILLIONS by Sophie Pembroke Focused on making her business a success, Sadie Sullivan doesn't need any distractions. But when her secret crush—Dylan—arrives with an irresistible proposal, the chemistry she's long tried to ignore suddenly feels very real… As Sadie signs along the dotted line, it seems this deal might just lead to sun, sea and a happily-ever-after! Look for 4 compelling new stories every month from Harlequin® Romance!
WINNER OF THE NEW ENGLAND SOCIETY BOOK AWARD In Cara Robertson’s “enthralling new book,” The Trial of Lizzie Borden, “the reader is to serve as judge and jury” (The New York Times). Based on twenty years of research and recently unearthed evidence, this true crime and legal history is the “definitive account to date of one of America’s most notorious and enduring murder mysteries” (Publishers Weekly, starred review). When Andrew and Abby Borden were brutally hacked to death in Fall River, Massachusetts, in August 1892, the arrest of the couple’s younger daughter Lizzie turned the case into international news and her murder trial into a spectacle unparalleled in American history. Reporters flocked to the scene. Well-known columnists took up conspicuous seats in the courtroom. The defendant was relentlessly scrutinized for signs of guilt or innocence. Everyone—rich and poor, suffragists and social conservatives, legal scholars, and laypeople—had an opinion about Lizzie Borden’s guilt or innocence. Was she a cold-blooded murderess or an unjustly persecuted lady? Did she or didn’t she? An essential piece of American mythology, the popular fascination with the Borden murders has endured for more than one hundred years. Told and retold in every conceivable genre, the murders have secured a place in the American pantheon of mythic horror. In contrast, “Cara Robertson presents the story with the thoroughness one expects from an attorney…Fans of crime novels will love it” (Kirkus Reviews). Based on transcripts of the Borden legal proceedings, contemporary newspaper accounts, unpublished local accounts, and recently unearthed letters from Lizzie herself, The Trial of Lizzie Borden is “a fast-paced, page-turning read” (Booklist, starred review) that offers a window into America in the Gilded Age. This “remarkable” (Bustle) book “should be at the top of your reading list” (PopSugar).
Dynamic Form traces how intermedial experiments shape modernist texts from 1900 to 1950. Considering literature alongside painting, sculpture, photography, and film, Cara Lewis examines how these arts inflect narrative movement, contribute to plot events, and configure poetry and memoir. As forms and formal theories cross from one artistic realm to another and back again, modernism shows its obsession with form—and even at times becomes a formalism itself—but as Lewis writes, that form is far more dynamic than we have given it credit for. Form fulfills such various functions that we cannot characterize it as a mere container for content or matter, nor can we consign it to ignominy opposite historicism or political commitment. As a structure or scheme that enables action, form in modernism can be plastic, protean, or even fragile, and works by Henry James, Virginia Woolf, Mina Loy, Evelyn Waugh, and Gertrude Stein demonstrate the range of form's operations. Revising three major formal paradigms—spatial form, pure form, and formlessness—and recasting the history of modernist form, this book proposes an understanding of form as a verbal category, as a kind of doing. Dynamic Form thus opens new possibilities for conversation between modernist studies and formalist studies and simultaneously promotes a capacious rethinking of the convergence between literary modernism and creative work in other media.
Visual images, artifacts, and performances play a powerful part in shaping U.S. culture. To understand the dynamics of public persuasion, students must understand this "visual rhetoric." This rich anthology contains 20 exemplary studies of visual rhetoric, exploring an array of visual communication forms, from photographs, prints, television documentary, and film to stamps, advertisements, and tattoos. In material original to this volume, editors Lester C. Olson, Cara A. Finnegan, and Diane S. Hope present a critical perspective that links visuality and rhetoric, locates the study of visual rhetoric within the disciplinary framework of communication, and explores the role of the visual in the cultural space of the United States. Enhanced with these critical editorial perspectives, Visual Rhetoric: A Reader in Communication and American Culture provides a conceptual framework for students to understand and reflect on the role of visual communication in the cultural and public sphere of the United States. Key Features and Benefits Five broad pairs of rhetorical action—performing and seeing; remembering and memorializing; confronting and resisting; commodifying and consuming; governing and authorizing—introduce students to the ways visual images and artifacts become powerful tools of persuasion Each section opens with substantive editorial commentary to provide readers with a clear conceptual framework for understanding the rhetorical action in question, and closes with discussion questions to encourage reflection among the essays The collection includes a range of media, cultures, and time periods; covers a wide range of scholarly approaches and methods of handling primary materials; and attends to issues of gender, race, sexuality and class Contributors include: Thomas Benson; Barbara Biesecker; Carole Blair; Dan Brouwer; Dana Cloud; Kevin Michael DeLuca; Anne Teresa Demo; Janis L. Edwards; Keith V. Erickson; Cara A. Finnegan; Bruce Gronbeck; Robert Hariman; Christine Harold; Ekaterina Haskins; Diane S. Hope; Judith Lancioni; Margaret R. LaWare; John Louis Lucaites; Neil Michel; Charles E. Morris III; Lester C. Olson; Shawn J. Parry-Giles; Ronald Shields; John M. Sloop; Nathan Stormer; Reginald Twigg and Carol K. Winkler "This book significantly advances theory and method in the study of visual rhetoric through its comprehensive approach and wise separations of key conceptual components." —Julianne H. Newton, University of Oregon
Stories about abortion provide a rich ground for looking at the relationship between narrative, experience, and meaning because in many ways abortion has come to be a defining issue for American culture—one that touches on the value we attribute to human life, liberty, and freedom. Using personal stories and interviews, MariAnna seeks to show the contours of a vital and diverse collective story—a narrative that emphasizes the discursive dynamics at work in any account of the significance of abortion. MariAnna seeks to show the contours of a vital and diverse collective story—a narrative that emphasizes the discursive dynamics at work in any account of the significance of abortion. By attempting to find a range of narrative and experiential extremes, she provides diverse and detailed accounts that form a collective story. The accounts she provides are about actual experience, but because the meaning of that experience is created and conveyed in narrative form, there is no neat distinction between a story and the event to which it refers. Meaning is embedded in larger cultural narrative: the individual stories told about abortion and the intersection between them. These stories illustrate how experience itself is mediated by, to some extent even a function of, narrative modes and currents. They illustrate the way autobiographical history is so enmeshed in cultural narrative forms that the private accounts we give of our own lives function as often unacknowledged social commentary. Stories about abortion provide a rich ground for looking at the relationship between narrative, experience, and meaning because in many ways abortion has come to be a defining issue for American culture—one that touches on the value we attribute to human life, liberty, and freedom. This book will be of particular interest to scholars, students, and researchers involved with Women's Studies and Women's Health issues and to general readers concerned with contemporary American social problems.
A Bride For The Italian Boss – Susan Meier Passionate chef Rafe Mancini is renowned for his food – and his temper! No one meets his exacting standards, until stand–in maître d' Daniella Tate breathes new life into his restaurant, and into Rafe. Daniella is only visiting the picturesque Tuscan village of Calanetti, but clutching her ticket home, she must make a decision...return to her old, safe life or stay as Rafe's bride! Return Of The Italian Tycoon – Jennifer Faye Tough tycoon Angelo Amatucci must return to the Tuscan village of his childhood. With a lot of work to do, he brings his dedicated assistant Kayla Hill with him. As beautiful Kayla falls for the village's charms, she also discovers a new, very attractive side to Angelo – working with him to secure a wedding contract is blissful torture! Especially as Kayla begins to wonder what it would be like to be Mrs Amatucci! Reunited By A Baby Secret – Michelle Douglas After a vacation in paradise, Marianna Amatucci returned to her family vineyard determined to make a fresh start. But her plans changed in an instant when a pregnancy test revealed she'd returned with a souvenir! When she finds the father, Ryan White, he's nothing like the laidback surfer she met on the beach. In a tailored suit, he oozes masculine authority, and he's staying in the penthouse! What will walking into his high–flying corporate world mean for their baby...? Soldier, Hero...Husband? – Cara Colter Former Navy SEAL Connor Benson is in beautiful Tuscany, but he can't forget his time on the frontline. Meeting Isabella Rossi reminds him of everything he once fought for...and everything he can't have. Isabella understands what it's like to be stuck in the past – since becoming a widow she's been sleepwalking through life. But handsome Connor's delicious kisses are waking her up, and his courage inspires her: she must fight for the love they both deserve!
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