This book examines what it means to be a family within the restrictive, disruptive, and often distressing context of imprisonment. Drawing on original qualitative data, it looks beyond traditional models of the family to examine the question of which relationships matter to individuals affected by imprisonment, and demonstrates how family relationships are actively constructed and maintained through family "practices" and "displays" such as visits, shared experiences and continuing family memories and traditions. It sheds new light not only on the true extent of who is impacted by the imposition of a prison sentence, but also the barriers to family life that these individuals encounter throughout its duration. This book also contributes to our understanding of wider issues such as poverty and social marginalisation, the role of family relationships on desistance from crime, and legitimacy. It argues that the act of supporting an individual in custody can bring families into regular contact with the criminal justice system in ways that can be both distressing and problematic, and therefore contends that the prison system should minimise the damage caused by imprisonment not only to family relationships, but also to the perceived legitimacy of the criminal justice system. Generating new conceptual insights into the harms of imprisonment and how perceptions of legitimacy and fairness are shaped by the criminal justice system, this book will be of much interest to students of criminology and sociology engaged in studies of criminal justice, prisons, gender, social work, and punishment. It will also be of interest to policy makers, penal-reformers, and activists.
Sometimes love finds you where you are, and other times it meets you across distant shores as four women discover in these four historical stories linked by a shared gold pendant. More Than Gold (New South Wales, 1851) by Carolyn Miller Josephine Wilkins is headstrong and heartbroken—why else would she have left all she knew to follow her brother’s dreams of finding gold across the seas? Daniel Jardine is simply seeking adventure, in a land far away from family responsibilities and duty, two burdens he’s happy to disregard in his quest to be known for himself. When these two finally meet sparks are set to fly, as they discover that digging deeper than first impressions reveals the true value of one’s character, and real love and faith is worth far more than gold. The Veil (Baltimore, 1877) by Kelly Goshorn After Caroline Wilkins is burned during a suitor’s attack, she retreats behind a lace veil and vows only to remove it for a man who will profess his love without seeing what lies beneath. Franz Kohler is a mountain of a man with a gentle heart and a hidden dream of carving intricate Bavarian clocks. When a mutual attraction grows between them, neither is willing to reveal their secrets, jeopardizing any hope of a future together unless two hearts can find the courage to trust again. Running from Love (Canada, 1905) by Angela K. Couch Anna Kohler has left her home, and even her country, for the sake of her wayward brother. But when the local Mounted Police takes an interest in them, her hopes for the future collide. Constable Benjamin Cole has a duty to perform, no matter what his heart desires. Lauren’s Song (Outer Banks, NC, 1942) by Cara Putman Lauren Randolph’s world has fractured with the death of her father five years earlier in a boating accident. John Weary defied his father’s wishes when he followed his grandfather’s footsteps and joined the Coast Guard. When Lauren's brother goes missing at sea, John is determined to do what he can for Lauren, while continuing his work scouring the shoreline for U-Boats. Lauren focuses on her duties with the Civil Defense as they seek to uncover the real reason her brother disappeared. To do so, they have to unravel the truth about the woman who claims to carry John's child and whether fishermen are really seeing U-boats or something else entirely.
Visual images, artifacts, and performances play a powerful part in shaping U.S. culture. To understand the dynamics of public persuasion, students must understand this "visual rhetoric." This rich anthology contains 20 exemplary studies of visual rhetoric, exploring an array of visual communication forms, from photographs, prints, television documentary, and film to stamps, advertisements, and tattoos. In material original to this volume, editors Lester C. Olson, Cara A. Finnegan, and Diane S. Hope present a critical perspective that links visuality and rhetoric, locates the study of visual rhetoric within the disciplinary framework of communication, and explores the role of the visual in the cultural space of the United States. Enhanced with these critical editorial perspectives, Visual Rhetoric: A Reader in Communication and American Culture provides a conceptual framework for students to understand and reflect on the role of visual communication in the cultural and public sphere of the United States. Key Features and Benefits Five broad pairs of rhetorical action—performing and seeing; remembering and memorializing; confronting and resisting; commodifying and consuming; governing and authorizing—introduce students to the ways visual images and artifacts become powerful tools of persuasion Each section opens with substantive editorial commentary to provide readers with a clear conceptual framework for understanding the rhetorical action in question, and closes with discussion questions to encourage reflection among the essays The collection includes a range of media, cultures, and time periods; covers a wide range of scholarly approaches and methods of handling primary materials; and attends to issues of gender, race, sexuality and class Contributors include: Thomas Benson; Barbara Biesecker; Carole Blair; Dan Brouwer; Dana Cloud; Kevin Michael DeLuca; Anne Teresa Demo; Janis L. Edwards; Keith V. Erickson; Cara A. Finnegan; Bruce Gronbeck; Robert Hariman; Christine Harold; Ekaterina Haskins; Diane S. Hope; Judith Lancioni; Margaret R. LaWare; John Louis Lucaites; Neil Michel; Charles E. Morris III; Lester C. Olson; Shawn J. Parry-Giles; Ronald Shields; John M. Sloop; Nathan Stormer; Reginald Twigg and Carol K. Winkler "This book significantly advances theory and method in the study of visual rhetoric through its comprehensive approach and wise separations of key conceptual components." —Julianne H. Newton, University of Oregon
This book examines what it means to be a family within the restrictive and distressing context of imprisonment. It sheds new light on the barriers to family life experienced by prisoners, and on our understanding of wider issues such as poverty and social marginalisation, the role of family relationships on desistance
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