This is the perfect guide to Paris for armchair travelers and the ultimate companion to Cara Black's bestselling Aimée Leduc series. For newcomers and old fans alike, this companion will bring you up to speed on previous books in the series. Tour the arrondissements of Paris with interactive maps that show not only places featured in the twelve books of the series, but Cara's favorite cafes, bistros, and shops in Paris, and various other nooks and crannies of the City of Lights.
Meet Aimée Leduc, the smart, stylish Parisian private investigator, in her bestselling first investigation Aimée Leduc has always sworn she would stick to tech investigation—no criminal cases for her. Especially since her father, the late police detective, was killed in the line of duty. But when an elderly Jewish man approaches Aimée with a top-secret decoding job on behalf of a woman in his synagogue, Aimée unwittingly takes on more than she is expecting. She drops off her findings at her client’s house in the Marais, Paris’s historic Jewish quarter, and finds the woman strangled, a swastika carved on her forehead. With the help of her partner, René, Aimée sets out to solve this horrendous murder, but finds herself in an increasingly dangerous web of ancient secrets and buried war crimes.
It is once again up to American markswoman Kate Rees to take the shot that just might win—or lose—World War II, in the followup to national bestseller Three Hours in Paris. Three missions. Two cities. One shot to win the war. October 1942: it’s been two years since Kate Rees was sent to Paris on a British Secret Service mission to assassinate Hitler. Since then, she has left spycraft behind to take a training job as a sharpshooting instructor in the Scottish Highlands. But her quiet life is violently disrupted when Colonel Stepney, her former handler, drags her back into the fray for a risky three-pronged mission in Paris. Each task is more dangerous than the next: Deliver a package of forbidden biological material. Assassinate a high-ranking German operative whose knowledge of invasion plans could turn the tide of the war against the Allies. Rescue a British agent who once saved Kate’s life—and get out. Kate will encounter sheiks and spies, poets and partisans, as she races to keep up with the constantly shifting nature of her assignment, showing every ounce of her Oregonian grit in the process. New York Times bestselling author Cara Black has crafted another heart-stopping thrill ride that reveals a portrait of Paris at the height of the Nazi occupation.
Cara Black’s riveting 19th installment in her New York Times bestselling Parisian detective series entangles private investigator Aimée Leduc in a dangerous web of international spycraft, post-colonial Franco-African politics, and neighborhood secrets in Paris’s 12th arrondissement. Parisian private investigator Aimée Leduc is about to go onstage to deliver the keynote address at a tech conference that is sure to secure Leduc Detective some much-needed business contracts when she gets an emergency phone call from her daughter’s playgroup: Aimée’s own mother, who was supposed to pick Chloe up, never showed. Abandoning her hard-won speaking gig, Aimée rushes to get Chloe, annoyed that her mother has let her down yet again. But as Aimée and Chloe are leaving the playground, Aimée witnesses the body of a homeless woman being wheeled away from the neighboring convent, where nuns run a soup kitchen. The last person anyone saw the dead woman talking to was Aimée’s mother, who has vanished. Trying to figure out what happened to Sydney Leduc, Aimée tracks down the dead woman’s possessions, which include a huge amount of cash. What did Sydney stumble into? Is she in trouble?
Parisian P.I. Aimée Leduc is attacked and blinded during an investigation. Can she solve her case without her sight—and when her own life is in danger? Parisian private investigator Aimée Leduc is all dressed up in her new Chinese silk jacket, supposedly a designer’s “exclusive,” for dinner with a difficult client at an elegant restaurant in the Bastille district. She is chagrined to see that the woman seated at the very next table is wearing an identical jacket. When the woman leaves her cell phone on the table, Aimée follows her to return it and is attacked in the shadowy Passage Boule Blanche. When she regains consciousness, Aimée finds that she is blind. Nevertheless, she is told she is lucky; the woman she was following was found in the next passage, murdered. Aimée is determined to identify her attacker. Was he actually a serial killer targeting showy blondes, as the police insist? Was he really after the other woman? Or was Aimée his intended victim?
A confession fifty years in the making puts everyone’s favorite Paris détéctive très chic, Aimée Leduc, on a collision course with the “Hand,” a cabal of corrupt Parisian cops among who masterminded her father's murder—and among whose ranks he might have once found membership. When a friend’s child is kidnapped while wearing her daughter’s hoodie, Aimée realizes that the case has crossed into the realm of the personal in more ways than one. A dying man drags his oxygen machine into the office of Éric Besson, a lawyer in Paris’s 13th arrondissement. The old man, an accountant, is carrying a dilapidated notebook full of meticulous investment records. For decades, he has been helping a cadre of dirty cops launder stolen money. The notebook contains his full confession—he’s waited 50 years to make it, and now it can’t wait another day. He is adamant that Besson get the notebook into the hands of La Proc, Paris’s chief prosecuting attorney, so the corruption can finally be brought to light. But en route to La Proc, Besson’s courier—his assistant and nephew—is murdered, and the notebook disappears. Grief-stricken Éric Besson tries to hire private investigator Aimée Leduc to find the notebook, but she is reluctant to get involved. Her father was a cop and was murdered by the same dirty syndicate the notebook implicates. She’s not sure which she’s more afraid of, the dangerous men who would kill for the notebook or the idea that her father’s name might be among the dirty cops listed within it. Ultimately that’s the reason she must take the case, which leads her across the Left Bank, from the Cambodian enclave of Khmer Rouge refugees to the ancient royal tapestry factories to the modern art galleries.
The third Aimée Leduc Investigation set in Paris When Parisian private investigator Aimée Leduc picks up the phone one hot July afternoon, the call turns her life upside-down. The voice on the other end, with its heavy German accent, belongs to a woman named Jutta Hald. Jutta claims to have shared a jail cell with Aimée’s long-lost mother, a suspected terrorist on Interpol’s most wanted list. If Aimée wants to learn the truth about her mother, she is to meet Jutta at a rendezvous point in an ancient tower in the Sentier. But when Aimée arrives, Jutta is dead, shot in the head at close range. Aimée realizes she has stumbled into something bigger than Jutta let on, and that her own life is in danger. She has a lot of unsolved mysteries in front of her: Jutta Hald’s murder, resurfaced materials from Sydney Leduc’s terrorist activities in the 1970s, police suppression of important information. The question is, can Aimée put the pieces together before someone else ends up dead?
Someone impersonating Parisian P.I. Aimée Leduc shoots her partner, René, and eyewitnesses identify Aimée as the culprit. She must clear herself and find the shooter before she finishes the job Just as Parisian private investigator Aimée Leduc is about to leave for New York City to pursue a lead on a man who might be her brother, her fellow detective, René Friant, is wounded by a near-fatal gunshot. Aimée is distraught over René’s condition and horrified to be under suspicion for the attack; police have pegged her as the guilty party. At the same time, a large, mysterious sum appears in Leduc Detective’s bank account, and tax authorities descend upon Aimée. It seems someone is impersonating her—someone who wants revenge. But for what?
Paris, 1989: Aimee Leduc is going through a rough patch: she's about to fail medical college, her boyfriend is engaged to someone else and her father has skipped town and asked Aimee to look after the office. Aimee volunteers to take on a case involving an executed distant relative, in which her only task is to follow up on a lead, not to solve the murder. She soon finds herself dragged into a revenge scheme that leads back to the ravages of the second World War and a missing treasure trove of stolen Nazi gold. A flashback instalment starring a young Aimee Leduc.
Parisian private investigator Aimée Leduc has been framed for the murder of her daughter’s father—now she’s on the lam, and must find the real killer to clear her name in this thrilling 21st installment of Cara Black’s New York Times bestselling mystery series. Parisian private investigator Aimée Leduc doesn’t know that her life is about to be upended. Her ex, Melac, has been hounding her to move their daughter, Chloé, to Brittany. Aimée is fed up with his threats to take her to court and has stopped answering his calls. Which is why she doesn’t know he’s waiting for her by the Bassin de la Villette as she leaves a client’s office late one night. When she finds him there, bleeding in the canal, he has just been stabbed by an assailant, who knocks Aimée unconscious and plants the bloody knife in her hands. Now Aimée is in police custody, debilitated by a concussion, with overwhelming evidence pointing to her as Melac’s killer. She must figure out who murdered Melac—not an easy job, given the target on his back as a former homicide investigator. Cut off from her typical network and forced to operate under multiple layers of cover, Aimée must go deep into the underbelly of Paris’s 19th arrondissement, where she rubs shoulders with biker gangs, paranoid journalists, grieving parents, and frustratingly tight-lipped ex-cops on her hunt for justice.
A dying woman has secret about the unsolved murder of Parisian P.I. Aimée Leduc’s father, but is kidnapped before she can reveal it Paris, April 1999: Aimée Leduc has her work cut out for her—running her detective agency and fighting off sleep deprivation as she tries to be a good single mother to her new bébé. The last thing she has time for now is to take on a personal investigation for a poor manouche (Gypsy) boy. But he insists his dying mother has an important secret she needs to tell Aimée, something to do with Aimée’s father’s unsolved murder a decade ago. How can she say no? The dying woman’s secret is even more dangerous than her son realized. When Aimée arrives at the hospital, the boy’s mother has disappeared. She was far too sick to leave on her own—she must have been abducted. What does she know that’s so important it’s worth killing for? And will Aimée be able to find her before it’s too late and the medication keeping her alive runs out?
This riveting 20th installment entangles Parisian private investigator Aimée Leduc in a dangerous web of international spycraft and terrorist threats in Paris's 15th arrondissement. November 2001: in the wake of 9/11, Paris is living in a state of fear. For Aimée Leduc, November is bittersweet: the anniversary of her father’s death and her daughter’s third birthday fall on the same day. A gathering for family and friends is disrupted when a bomb goes off at the police laboratory—and Boris Viard, the partner of Aimée’s friend Michou, is found unconscious at the scene of the crime with traces of explosives under his fingernails. Aimée doesn’t believe Boris set the bomb. In an effort to prove this, she battles the police and his own lab colleagues, collecting conflicting eyewitness reports. When a member of the French secret service drafts Aimée to help investigate possible links to an Iranian Revolutionary guard and fugitive radicals who bombed Interpol in the 1980s, Aimée uncovers ties to a cold case of her father’s. As Aimée scours the streets of the 15th arrondissement trying to learn the truth, she has to ask herself if she should succumb to pressure from Chloe’s biological father and move them out to his farm in Brittany. But could Aimée Leduc ever leave Paris?
Aimee is thrilled when her one-time lover, Yves, an investigative journalist, returns from his assignment in Egypt and proposes marriage. She accepts and Yves places a Turkish betrothal ring on her finger. But after a single night of bliss, he meets a dreadful fate. The next day, Aimee is summoned by the Brigade Criminelle to identify a corpse found in a doorway in the Rue de Paradis. It is Yves. According to a witness, his killer was a woman in a chador." "Determined to avenge her lover's death, she ventures through Paris's Little Istanbul district. The trail leads to a sleeper jihadist and she becomes embroiled in Turkish-Kurdish political controversy."--BOOK JACKET.
As protesters march in Paris against a government agreement with an oil company suspected of polluting, Aimee Leduc, French-American computer investigator, finds herself with an abandoned infant, a drowned woman, a murdered client and a computer assignment deadline.
A botched assignment leaves Parisian P.I. Aimée Leduc in possession of a cache of priceless Vietnamese jade. The jade’s history is steeped in colonial bloodshed—and someone is willing to spill even more blood to get it back Private investigator Aimée Leduc has been introduced to the Cao Dai temple in Paris by her partner, René Friant. He urges her to learn to meditate: she could use a more healthful approach to life. The Vietnamese nun Linh has been helping Aimée to attain her goal, so when she asks Aimée for a favor—to go to the Clichy quartier to exchange an envelope for a package—René prompts Aimée to agree. But the intended recipient, Thadée Baret, is shot and dies in Aimée’s arms before the transaction can be completed, leaving Aimée with a wounded arm, a check for 50,000 francs, and a trove of ancient jade artifacts. Whoever killed Baret wants the jade. The RG—the French secret service—a group of veterans of the war in Indochina and some wealthy ex-colonials and international corporations seeking oil rights are all implicated. And the nun, Linh, has disappeared.
Parisian P.I. Aimée Leduc strives to clear the name of a childhood friend, now a policewoman, who's charged with shooting her partner Aimée Leduc is having a bad day. First, she comes home from work at her Paris detective agency to learn that her boyfriend is leaving her. She goes out for a drink with her friend Laure, a police officer, but Laure’s patrol partner, Jacques, interrupts, saying he needs to talk to Laure urgently. The two leave the bar, and when they don’t return, Aimée follows Laure’s path and finds her sprawled on a snowy rooftop, not far from Jacques, who is bleeding from a fatal gunshot wound. When the police arrive, they arrest Laure for murder. No one is interested in helping Aimée figure out the truth. As she chases down increasingly dangerous leads in the effort to free her friend, Aimée stumbles into a web of Corsican nationalists, separatists, gangsters, and artists. Could Jacques’s murder and Laure’s arrest be part of a much bigger cover-up?
New York Times Bestseller Cara Black’s fashionable Parisian P.I. Aimée Leduc has a new look for her 14th adventure: five months pregnant. June, 1998: Paris’s sticky summer heat is even more oppressive than usual as rowdy French football fans riot in anticipation of the World Cup. Private investigator Aimée Leduc has been trying to slow down her hectic lifestyle—she’s five months pregnant and has the baby’s well-being to think about now. But then disaster strikes close to home. A serial rapist has been terrorizing Paris’s Pigalle neighborhood, following teenage girls home and attacking them in their own houses. Zazie, the 13-year-old daughter of the proprietor of Aimée’s favorite café, has disappeared. The police aren’t mobilizing quickly enough, and when Zazie’s desperate parents approach Aimée for help, she knows she couldn’t say no even if she wanted to.
A long-lost Modigliani portrait, a grieving brother’s blood vendetta, a Soviet secret that’s been buried for 80 years—Parisian private investigator Aimée Leduc’s current case is her most exciting one yet. The cobbled streets of Montparnasse might have been boho-chic in the 1920s, when artists, writers, and their muses drank absinthe and danced on cafe tables. But to Parisian private investigator Aimée Leduc, these streets hold darker secrets. When an old Russian man named Yuri hires Aimée to protect a priceless painting that just might be a Modigliani, she learns how deadly art theft can be. Yuri is found tortured to death in his atelier, and the painting is missing. Every time Aimée thinks she's found a new witness, the body count rises. What exactly is so special about this painting that so many people are willing to kill—and die—for it?
The second Aimée Leduc investigation set in Paris When Anaïs de Froissart calls Parisian private investigator Aimée begging for help, Aimée assumes the woman wants to hire her to do surveillance on her philandering politician husband again. Aimée is too busy right now to indulge her. But Anaïs insists Aimée must come, that she is in trouble and scared. Aimée tracks Anaïs down just in time to see a car bomb explode, injuring Anaïs and killing the woman she was with. Anaïs can’t explain what Aimée just witnessed. The dead woman, Anaïs says, is Sylvie Coudray, her cheating husband’s long-time mistress, but she has no idea who wanted her dead, and Anaïs officially hires Aimée to investigate. As she digs into Sylvie Coudray’s murky past, Aimée finds that the dead woman may not be who Anaïs thought she was. Her Belleville neighborhood, full of North African immigrants, may be hiding clues to Sylvie’s identity. As a prominent Algerian rights activist stages a hunger protest against new immigration laws, Aimée begins to wonder whether Sylvie’s death was an act of terrorism, and who else may be at risk.
In June of 1940, when Paris fell to the Nazis, Hitler spent a total of three hours in the City of Light—abruptly leaving, never to return. To this day, no one knows why. Kate Rees, a young American markswoman, has been recruited by British intelligence to drop into Paris with a dangerous assignment: assassinate the Führer. Wrecked by grief after a Luftwaffe bombing killed her husband and infant daughter, she is armed with a rifle, a vendetta, and a fierce resolve. But other than rushed and rudimentary instruction, she has no formal spy training. Thrust into the red-hot center of the war, a country girl from rural Oregon finds herself holding the fate of the world in her hands. When Kate misses her mark and the plan unravels, Kate is on the run for her life—all the time wrestling with the suspicion that the whole operation was a set-up. New York Times bestselling author Cara Black is at her best as she brings Occupation-era France to vivid life in this masterful, pulse-pounding story about one young woman with the temerity—and drive—to take on Hitler himself. *Features an illustrated map of 1940s Paris as full color endpapers.
A Los Angeles Times National Bestseller A BBC Best Summer Read of 2017 A Kirkus Reviews Best Book of 2017 A Huffington Post Best Mystery of 2017 Paris, July 1999: Private investigator Aimée Leduc is walking through Saint-Germain when she is accosted by Suzanne Lesage, a Brigade Criminelle agent on an elite counterterrorism squad. Suzanne has just returned from the former Yugoslavia, where she was hunting down dangerous war criminals for the Hague. Back in Paris, Suzanne is convinced she’s being stalked by a ghost—a Serbian warlord her team took down. She’s suffering from PTSD and her boss thinks she’s imagining things. She begs Aimée to investigate—is it possible Mirko Vladić could be alive and in Paris with a blood vendetta? Aimée is already working on a huge case; plus, she’s got an eight-month-old baby to take care of. But she can’t say no to Suzanne, whom she owes a big favor. Aimée chases the few leads she has, and all evidence confirms Mirko Vladić is dead. It seems that Suzanne is in fact paranoid, perhaps losing her mind—until Suzanne’s team begins to die in a series of strange, tragic accidents. Are these just coincidences? Or are things not what they seem?
The eleventh Aimée Leduc investigation set in Paris Business is booming for Parisian private investigator Aimée Leduc. But she finds time to do a favor for her godfather, Commissaire Morbier, who asks her to drop by the gorgeous Passy home of his girlfriend, Xavierre d’Eslay, a haut bourgeois matron of Basque origin. Xavierre has been so busy with her daughter’s upcoming wedding that she has stopped taking Morbier’s calls, and he’s worried something serious is going on. When Aimée crashes the rehearsal dinner, Xavierre is discovered strangled in her own yard, and circumstantial evidence makes Morbier the prime suspect. To vindicate her godfather, Aimée must find the real killer. Her investigation leads her to police corruption, radical Basque terrorists, and a kidnapped Spanish princess.
Lee Child recruits Joyce Carol Oates, Jonathan Ames, Cara Black, and others to reveal nicotine’s scintillating alter egos. “Sixteen tributes to America’s guiltiest pleasure . . . Even confirmed anti-smokers will find something to savor.” —Kirkus Reviews In recent years, nicotine has become as verboten as many hard drugs. The literary styles in this volume are as varied as the moral quandaries herein, and the authors have successfully unleashed their incandescent imaginations on the subject matter, fashioning an immensely addictive collection.
A murderer strikes Los Lobos… Heartbreak and hardship have returned to the Taos pack. Even though survival is a rote course for Dani, a woman can only handle so much. Her brother’s mate has been murdered and he’s missing. The pack Alpha was left for dead at the scene. Oh, and her ex-lover has been tasked with finding her brother. Thane returned to make things right with the healing pack and the female he left behind. Leaving had been the only option that kept Dani safe. Now he’s back and not about to let her or the pack down again. Despite the tense situation, his wolf refuses to ignore the woman determined to “help” find her estranged brother. One way or another, she’d be his.
In this spiritual memoir, a white woman in an interracial marriage and mixed-race family paints a beautiful path from white privilege toward racial healing, from ignorance toward seeing the image of God in everyone she meets. Author and speaker Cara Meredith grew up in a colorless world. From childhood, she didn't think issues of race had anything to do with her, and she was ignorant of many of the racial realities (including individual and systemic racism) in America today. A colorblind rhetoric had been stamped across her education, world view, and Christian theology. Then as an adult, Cara's life took on new, colorful hues. She realized that white people in her generation, seeking to move beyond ancestral racism, had swung so far in believing a colorblind rhetoric that they tried to act as if they didn't see race at all. When Cara met and fell in love with the son of black icon, James Meredith, the power of love helped her see color. She began to notice the shades of life already present in the world around her, while also learning to listen in new ways to black voices of the past. After she married and their little family grew to include two mixed-race sons, Cara knew she would never see the world through a colorless lens again. Cara Meredith's journey will serve as an invitation into conversations of justice, race, and privilege, asking key questions, such as: What does it mean to navigate ongoing and desperately needed conversations of race and justice? What does it mean for white people to listen and learn from the realities our black and brown brothers and sisters face every day? What does it mean to teach the next generation a theology of justice, reconciliation, and love? What does it mean to dig into the stories of our past, both historically and theologically, to see the imago Dei in everyone? Plus, Cara offers an extensive Notes and Recommended Reading section at the end of the book, so you can continue learning, listening, and engaging in this important conversation.
The book is adapted from an online/email forum dialogue. Topics includes interracial relationships, Jesse Jackson, Election 2000, KKK, etc. Discussions takes a closer look at America—in Black & White.Excerpt: "I date white women exclusively. Well, I should say "non-African American women" exclusively. So, I guess I'm what you call a sell out. Why?…"Excerpt #2: "Are there any true black Republicans? And if the answer is yes then WHY?? I cannot and will not ever understand why any minority would vote for Bush. And why any minority would support him. It's also no different why Jesse Helms continues to win in the state of North Carolina. Will the real Uncle Tom please stand up?"Excerpt #3: "Venus Williams' success on the tennis courts is no less impressive than some of our male athletes in different sports but we don't seem to give her the same esteem.
Viewing turn-of-the-century African American history through the lens of cinema, Envisioning Freedom examines the forgotten history of early black film exhibition during the era of mass migration and Jim Crow. By embracing the new medium of moving pictures at the turn of the twentieth century, black Americans forged a collective—if fraught—culture of freedom. In Cara Caddoo’s perspective-changing study, African Americans emerge as pioneers of cinema from the 1890s to the 1920s. Across the South and Midwest, moving pictures presented in churches, lodges, and schools raised money and created shared social experiences for black urban communities. As migrants moved northward, bound for Chicago and New York, cinema moved with them. Along these routes, ministers and reformers, preaching messages of racial uplift, used moving pictures as an enticement to attract followers. But as it gained popularity, black cinema also became controversial. Facing a losing competition with movie houses, once-supportive ministers denounced the evils of the “colored theater.” Onscreen images sparked arguments over black identity and the meaning of freedom. In 1910, when boxing champion Jack Johnson became the world’s first black movie star, representation in film vaulted to the center of black concerns about racial progress. Black leaders demanded self-representation and an end to cinematic mischaracterizations which, they charged, violated the civil rights of African Americans. In 1915, these ideas both led to the creation of an industry that produced “race films” by and for black audiences and sparked the first mass black protest movement of the twentieth century.
Unlike any text to date, this revolutionary study surveys Black research and literature to determine the processes formal education uses to dehumanize Black students. This is a socio-historical analysis of the Black Flame trilogy (BFT), W. E. B. Du Bois’s unparalleled, thirty-year study of Atlanta, Georgia from Black Reconstruction (1860 – 1880) to 1956. W.E.B. Du Bois is one of the most prescient sociologists of the twentieth century in his research of Black people in America. These ground-breaking novels establish racialization, colonization, and globalization as processes that continue to dehumanize Black students in education. Africana critical theory (ACT), critical race theory (CRT), and Post Traumatic Slave Syndrome (PTSS) privilege the research, voice, and experiences of Blacks. These theoretical frames speak to the pain and effects of the impact of unchecked, gross, voyeuristic violence that helps define the White supremacist patriarchal culture in which we live. Straight forward and direct, this book show how the processes of dehumanization contribute to the legacy of trauma White supremacy exacts upon Black people and their humanity. This study is aimed at highlighting the stark disparities in Black and White education over times. This book offers a candid look at how the myth of Black inferiority and the metaphor of the achievement gap describe conscious economic deprivation, mob violence and intimidation, and White supremacist curricula, yet continues to imply long-standing cultural notion of Blacks intellectual inferiority. This research is offered to help mitigate the multigenerational education trauma Blacks have experienced since Reconstruction to envision a educational system that is efficacious and socially just in the distribution of resources, expanding diversity in curricula, and exposing pedagogical biases that traumatize not only Black people but all people.
Rose Scarlet is a troubled woman; someone is trying to scare her but she doesn't know why. An eerie carving appears on the tree outside her house and a stranger moves into the neighbourhood. The carving matches that on a sword she discovered hidden away in her family home. It belonged to her ancestor and namesake Rosie Scarlet, a pirate captain. The sword once belonged to the man Rosie loved; Blackheart, one of the most evil and notorious pirates of the eighteenth century. When finally captured Blackheart hung for his crimes but Rosie was spared the gallows, pregnant with his child. Centuries later Rose finds her new neighbour Jack Bracken is Blackheart's descendent. The coincidence is remarkable as is Rose and Jack's striking resemblance to the pirates. They fall in love but it is all too easy. The sword is sought by a collector and Jack has been chosen to find it but he has also been drawn to England by a dark enchantment that tortures his mind and threatens to destroy the love he craves.
Black Cats encapsulates the tale of Violett and Markus. Markus is a well known painter whose ex wife consistently takes leave of her life-long vacation to murder every woman he touches. Violett is the girl with whom Markus, after many years of philandering, ultimately falls in love. Violett is therefore yanked into a vicious world that is not merely the result of bad luck, but rather the habitual feuding of two gods, Markus and Kate (his ex wife); more or less present-day versions of Zeus and Hera.
The book is adapted from an online/email forum dialogue. Topics includes interracial relationships, Jesse Jackson, Election 2000, KKK, etc. Discussions takes a closer look at America—in Black & White.Excerpt: "I date white women exclusively. Well, I should say "non-African American women" exclusively. So, I guess I'm what you call a sell out. Why?…"Excerpt #2: "Are there any true black Republicans? And if the answer is yes then WHY?? I cannot and will not ever understand why any minority would vote for Bush. And why any minority would support him. It's also no different why Jesse Helms continues to win in the state of North Carolina. Will the real Uncle Tom please stand up?"Excerpt #3: "Venus Williams' success on the tennis courts is no less impressive than some of our male athletes in different sports but we don't seem to give her the same esteem.
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