Rose Scarlet is a troubled woman; someone is trying to scare her but she doesn't know why. An eerie carving appears on the tree outside her house and a stranger moves into the neighbourhood. The carving matches that on a sword she discovered hidden away in her family home. It belonged to her ancestor and namesake Rosie Scarlet, a pirate captain. The sword once belonged to the man Rosie loved; Blackheart, one of the most evil and notorious pirates of the eighteenth century. When finally captured Blackheart hung for his crimes but Rosie was spared the gallows, pregnant with his child. Centuries later Rose finds her new neighbour Jack Bracken is Blackheart's descendent. The coincidence is remarkable as is Rose and Jack's striking resemblance to the pirates. They fall in love but it is all too easy. The sword is sought by a collector and Jack has been chosen to find it but he has also been drawn to England by a dark enchantment that tortures his mind and threatens to destroy the love he craves.
Guarantee your kid stands out from the crowd with this vast selection of hip, edgy and occasionally outrageous baby names. The Alternative Guide to Baby Names goes beyond the pedestrian suggestions of the traditional baby name book, featuring boys' names like Draven, Legion, Skylar and Snake, and quirky girls' names such as Harper, Nori, Eyre and Effie. Taking inspiration from celebrities, fictional characters, the music industry and place names, this book will provide you with hundreds of ideas and hours of fun.
Dynamic Form traces how intermedial experiments shape modernist texts from 1900 to 1950. Considering literature alongside painting, sculpture, photography, and film, Cara Lewis examines how these arts inflect narrative movement, contribute to plot events, and configure poetry and memoir. As forms and formal theories cross from one artistic realm to another and back again, modernism shows its obsession with form—and even at times becomes a formalism itself—but as Lewis writes, that form is far more dynamic than we have given it credit for. Form fulfills such various functions that we cannot characterize it as a mere container for content or matter, nor can we consign it to ignominy opposite historicism or political commitment. As a structure or scheme that enables action, form in modernism can be plastic, protean, or even fragile, and works by Henry James, Virginia Woolf, Mina Loy, Evelyn Waugh, and Gertrude Stein demonstrate the range of form's operations. Revising three major formal paradigms—spatial form, pure form, and formlessness—and recasting the history of modernist form, this book proposes an understanding of form as a verbal category, as a kind of doing. Dynamic Form thus opens new possibilities for conversation between modernist studies and formalist studies and simultaneously promotes a capacious rethinking of the convergence between literary modernism and creative work in other media.
Mia Morrow is impulsive, plain and simple. While her friends are concerned with grades and colleges, Mia would rather focus on the things that make her happy— like chasing boys or snatching something off a department store shelf. No big deal, right? But then Mia gets caught shoplifting, and her thoughtless behavior doesn’t just push her friends away, it gets her into a lot of trouble, too. In this eye-opening tale of friendships, family, and negative impulses, Cara Haycak subtly shows that the power to heal is within all of us, and it almost always starts with forgiveness.
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