Throughout the nineteenth century and twentieth century, various attempts were made to define and control problematic behaviour in public by legal and legislative means through the use of a somewhat nebulous concept of ‘indecency’. Remarkably however, public indecency remains a much under-researched aspect of English legal, social and criminal justice history. Covering a period of just over a century, from 1857 (the date of the passing of the first Obscene Publications Act) to 1960 (the date of the famous trial of Penguin Books over their publication of Lady Chatterley’s Lover following the introduction of a new Obscene Publications Act in the previous year), Public Indecency in England investigates the social and cultural obsession with various forms of indecency and how public perceptions of different types of indecent behaviour led to legal definitions of such behaviour in both common law and statute. This truly interdisciplinary book utilises socio-legal, historical and criminological research to discuss the practical response of both the police and the judiciary to those caught engaging in public indecency, as well as to highlight the increasing problems faced by moralists during a period of unprecedented technological developments in the fields of visual and aural mass entertainment. It is written in a lively and approachable style and, as such, is of interest to academics and students engaged in the study of deviance, law, criminology, sociology, criminal justice, socio-legal studies, and history. It will also be of interest to the general reader.
Throughout the nineteenth century and twentieth century, various attempts were made to define and control problematic behaviour in public by legal and legislative means through the use of a somewhat nebulous concept of ‘indecency’. Remarkably however, public indecency remains a much under-researched aspect of English legal, social and criminal justice history. Covering a period of just over a century, from 1857 (the date of the passing of the first Obscene Publications Act) to 1960 (the date of the famous trial of Penguin Books over their publication of Lady Chatterley’s Lover following the introduction of a new Obscene Publications Act in the previous year), Public Indecency in England investigates the social and cultural obsession with various forms of indecency and how public perceptions of different types of indecent behaviour led to legal definitions of such behaviour in both common law and statute. This truly interdisciplinary book utilises socio-legal, historical and criminological research to discuss the practical response of both the police and the judiciary to those caught engaging in public indecency, as well as to highlight the increasing problems faced by moralists during a period of unprecedented technological developments in the fields of visual and aural mass entertainment. It is written in a lively and approachable style and, as such, is of interest to academics and students engaged in the study of deviance, law, criminology, sociology, criminal justice, socio-legal studies, and history. It will also be of interest to the general reader.
Offering a uniquely 'psycho-cultural' take on the emotional dynamics of UK political culture this book uses theories and research in psychoanalysis, cultural and media studies and political sociology. It explores the cultural and emotional processes that shape our relationship to politics in a media age, referencing Joanna Lumley to Nigel Farage.
When a local context really makes the difference… The new edition of this original Australian text continues to offer the most balanced coverage of theory and research for Australian students and educators and appeals to students from many backgrounds. It covers the domains of development including neurological, cognitive, social, physical and personality. The text is organised chronologically by chapter. Within each chapter content is organised topically. This structure allows for a degree of flexibility and lecturers can choose the way they wish to approach the content, whether it is topically or chronologically.
While Canadian historians have studied socialism in the 1930s, and although there have been many studies of American and British literary leftists from this period, Comrades and Critics is the first full-length study of Canada's 1930s literary left. Challenging dominant perceptions that this decade was a lull between the more celebrated modernist enterprises of the 1920s and 1940s, Candida Rifkind argues that the events of the 1930s - from mass unemployment, to the dustbowl, to the Spanish Civil War - galvanized a generation of writers, leading them to unite artistic practice and political action in provocative and influential ways. Analyzing and recovering much-neglected poems, plays, manifestoes, and documentaries, Rifkind demonstrates how leftist cultural production came to dominate English-Canadian literature by the end of the decade. She pays particular attention to the significant role that women writers played in this period and examines a diverse group of writers that included Dorothy Livesay, Anne Marriott, Irene Baird, and Toby Gordon Ryan. These writers negotiated the struggle to revolutionize both literature and politics, while being subject to the gender hierarchies of socialism and literary modernism that continued long after the thirties came to an end. A groundbreaking study in Canadian history and literature, Comrades and Critics is a much-needed examination of an important and still influential literary period.
Moss begins by tracing the theme of imitating Jesus through suffering in the literature of the Jesus movement and early church and its application in martyrdom literature. She demonstrates the importance of imitating the sufferings of Christ as a practice and ethos in the Jesus movement. She then proceeds to the interpretations of the martyr's death and afterlife, arguing against the dominant theory that the martyr's death was viewed as a sacrifice, and finding that in their post-mortem existence martyrs continue to be assimilated to Christ, closely resembling the exalted Christ as intercessors, judges, enthroned monarchs and banqueters.
How the billionaire owners of Hobby Lobby are spending hundreds of millions of dollars to make America a “Bible nation” The Greens of Oklahoma City—the billionaire owners of the Hobby Lobby chain of craft stores—are spending hundreds of millions of dollars in an ambitious effort to increase the Bible’s influence on American society. In Bible Nation, Candida Moss and Joel Baden provide the first in-depth investigative account of the Greens’ sweeping Bible projects. Moss and Baden tell the story of the Greens’ efforts to place a Bible curriculum in public schools; their rapid acquisition of an unparalleled collection of biblical antiquities; their creation of a closely controlled group of scholars to study and promote the collection; and their construction of a $500 million Museum of the Bible in Washington, D.C. Revealing how all these initiatives promote a very particular set of beliefs about the Bible, the book raises serious questions about the trade in biblical antiquities, the integrity of academic research, and the place of private belief in public life.
Using perspectives on death from ancient Greek, Roman and Jewish traditions, a theology professor discusses the history of Christian martyrdom and challenges the traditional understanding of the spread of Christianity.
Written clearly and concisely, using jargon-free language that is easily understood, this book compresses research from the past few decades into an accessible resource. It focuses on the concrete cognitive processes of driving, specifically, information acquisition and information processing. The authors delineate the theory, practice, and application of human factors knowledge and psychology to explain human errors that occur when acquiring information from the road environment. The book provides content on highway engineering, new technologies, vehicle, signage, VMS, and safety as well as information about the human factors on errors, situation awareness, workload, and fatigue.
From an award-winning biblical scholar, the untold story of how enslaved people created, gave meaning to, and spread the message of the New Testament, shaping the very foundations of Christianity in ways both subtle and profound. For the past two thousand years, Christian tradition, scholarship, and pop culture have credited the authorship of the New Testament to a select group of men: Matthew, Mark, Luke, John, and Paul. But hidden behind these named and sainted individuals are a cluster of enslaved coauthors and collaborators. Although they almost all go unnamed and uncredited, these essential workers were responsible for producing the earliest manuscripts of the New Testament: making the parchment and papyri on which Christian texts were written, taking dictation, and polishing and refining the words of the apostles. When the Christian message began to move independently from the first apostles, it was enslaved missionaries who undertook the dangerous and arduous journeys across the Mediterranean and along dusty Roman roads to move Christianity from Jerusalem and the Levant to Rome, Spain, North Africa, and Egypt—and into the pages of history. The influence of these enslaved contributors on the spread of Christianity, the development of foundational Christian concepts, and the making of the Bible was enormous, yet their role has been almost entirely overlooked until now. Filled with profound revelations both for what it means to be a Christian and for how we read individual texts themselves, God’s Ghostwriters is a groundbreaking and rigorously researched book about how enslaved people shaped the Bible, and with it all of Christianity.
The fourth of Candida Lawrence’s stand-alone memoirs, the collection of pieces that is Vanishing reveals a life-long awareness of human fragility and the constant proximity of alienation and separation. A survivor in the truest sense and a woman with the greatest personal resilience, Candida Lawrence recalls what it is to make each day an assertion of independence. Her deeply felt remembrances always grant us an honest account of what it is to live in this unstable world. And the pieces that make up Vanishing are no exception. Vanishing opens with Lawrence’s childhood distrust of men’s use of words and an assertion that she will ever write only truth. By the second piece in this volume it comes clear that there is no subject she will not address with an eloquent, understated honesty that reveals her heart and her mind and her constant resistance to expectation. By the end of this volume what comes clearest is her sense that modernity has separated us from the most real emotions and the most sensible attachments. As always, Lawrence’s writing is filled with smart, gentle anger, sweet sadness, and the most private sense of what is vital and important. To read this memoir is not only to know a remarkable woman; reading all of Lawrence is to see the world through eyes that are unblinking over sixty five years.
Exploring the transformation of California into a center for contemporary art through the twentieth century, this book dramatically illustrates the paths California artists took toward a more diverse and inclusive culture.
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