La littérature française est vivante. De jeunes auteurs s’y révèlent, avec une œuvre dont les contours, l’univers, le style s’affirment. « Écrivains d’aujourd’hui » propose de les découvrir dans leur diversité, ou d’apprendre à les percevoir autrement. Réalisé par la rédaction de La Revue Littéraire, ce volume comprend : un grand entretien avec Camille Laurens sur son œuvre en cours d’élaboration ; des notes de lecture sur chacun des livres publiés à ce jour, d’Index à Romance nerveuse, en passant par Philippe ou Dans ces bras-là ; des textes inédits en fin de volume.
This absorbing, heartfelt work uncovers the story of the real dancer behind Degas’s now-iconic sculpture, and the struggles of late nineteenth-century Parisian life. She is famous throughout the world, but how many know her name? You can admire her figure in Washington, Paris, London, New York, Dresden, or Copenhagen, but where is her grave? We know only her age, fourteen, and the work that she did—because it was already grueling work, at an age when children today are sent to school. In the 1880s, she danced as a “little rat” at the Paris Opera, and what is often a dream for young girls now wasn’t a dream for her. She was fired after several years of intense labor; the director had had enough of her repeated absences. She had been working another job, even two, because the few pennies the Opera paid weren’t enough to keep her and her family fed. She was a model, posing for painters or sculptors—among them Edgar Degas. Drawing on a wealth of historical material as well as her own love of ballet and personal experiences of loss, Camille Laurens presents a compelling, compassionate portrait of Marie van Goethem and the world she inhabited that shows the importance of those who have traditionally been overlooked in the study of art.
Omega, written by astronomer Camille Flammarion (1842?1925), is no less than an epic history of our future?a startling and unforgettable vision of the end of the world. Reasoned scientific speculation combined with probing philosophical inquiry lend credibility and magnitude to this tale of how humankind will physically and culturally evolve over the next several million years. ø The end begins in the twenty-fifth century, when a comet threatens to collide with the earth. The consequences of that frightening cosmic event are far-reaching, setting in motion a series of physical, psychic, and social changes that will profoundly affect the planet and its people far into the future. The earth?s surface drastically transforms over time. Cultures radically alter, collapse, and fade away. Nations rise and fall, species become extinct, and human beings find themselves at the end of the world, alone and changed in fundamental ways. This melancholic, poetic science fiction tale of things to come is as compelling and disturbing today as when it was first written.
In the twenty-fifth century AD, a comet will collide with the earth and bring about the end of the world. Faced with this apocalyptic knowledge, humanity undergoes a multitude of social, physical and psychic changes that engender incredible alterations to both people and planet over many millennia. Beautifully illustrated, this novel is a fascinating vision of humanity millions of years in the future. Camille Flammarion's 1893 science fiction novel “Omega” marries reasonable scientific speculation and philosophy in this impressive exploration of things that may be to come. Nicolas Camille Flammarion FRAS (1842–1925) was a French author and astronomer. A prolific writer, he produced over fifty books including science fiction novels, works on astronomy, and works on physical research. Other titles by this author include: “The Plurality of Inhabited Worlds” (1862), “Real and Imaginary Worlds” (1865), and “God in Nature” (1866). Read & Co. Classics is proudly republishing this vintage science fiction novel now in a new edition complete with the introductory essay 'Distances of the Stars'.
Doing business in today's economy and surviving requires a new paradigm. Who are at the center of this new approach to doing business? CONSUMERS. Historically, power struggles have raged between suppliers and distributors. Recently, both parties awakened to the fact that neither of them has the ultimate power . . . it now resides solely with the consumer. This valuable book describes what demassification of the consumer market means and will show you how—and why—businesses must adapt to succeed. Handy charts, tables, and illustrations make the information easy to understand, and fascinating sidebar quotations from well-known leaders of various industries—Sam Walton, Jack Welch, and many more—give the book a unique and memorable flavor. “Consumers,” say the authors, “not only demand higher quality and lower prices, but also expect convenient, quick, customized service. They expect in-stock conditions and quality. They demand value and respect. Global markets mean large numbers of consumers, but these consumers want to be treated as individuals, and the mass market no longer exists. Companies in industries from financial services to groceries to consumer goods to health care to hardware to automobiles are adopting these new business processes and winning in the marketplace. Their competitors are falling by the wayside.” This essential book: examines the factors that are shaping the current business environment and looks at the re-orientation of today's consumer, presenting global perspectives on these vital issues explores this new consumer-centric approach from the perspectives of suppliers, intermediaries, and retailers, as well as the business processes being used to create more efficient supply chains and more effective demand fulfillment processes shows you the tools that can be used to implement this new business paradigm in the areas of technology, internal business processes, and collaboration answers frequently asked questions shares the success stories of Rite Aid, Southwest Airlines, Starbucks, Snap-On Tools, National Semiconductor, and others! After addressing the issues of why business must change and examining the significance of a global business environment, The Consumer . . . or Else! addresses each element of the new business paradigm: the new role of consumers major players, including the shift in the business processes of retailers and manufacturers and the role of intermediaries new business processes, with a focus on technology, internal coordination, and collaboration Companies from Dell Computer to Del Monte are putting consumers first and reaping the sales benefits. General Mills will soon provide consumers with the opportunity to create and name their own custom cereal. As the authors point out, “The business process is changing-changing the way product flows, the way information flows, and the way cash flows. Companies that recognize this need to change will hold huge competitive advantages, and the companies that fail to adapt will simply not be here in the future.” Let The Consumer . . . or Else!: Consumer-Centric Business Paradigms be your guidebook to this challenging new business climate.
This absorbing, heartfelt work uncovers the story of the real dancer behind Degas’s now-iconic sculpture, shedding light on the struggles of late nineteenth-century Parisian life. She is famous throughout the world, but how many know her name? You can admire her figure in Washington, Paris, London, New York, Dresden, or Copenhagen, but where is her grave? We know only her age, fourteen, and the work that she did—because it was already grueling work, at an age when children today are sent to school. In the 1880s, she danced as a “little rat” at the Paris Opera, and what is often a dream for young girls now wasn’t a dream for her. She was fired after several years of intense labor; the director had had enough of her repeated absences. She had been working another job, even two, because the few pennies the Opera paid weren’t enough to keep her and her family fed. She was a model, posing for painters or sculptors—among them Edgar Degas. Drawing on a wealth of historical material as well as her own love of ballet and personal experiences of loss, Camille Laurens presents a compelling, compassionate portrait of Marie van Goethem and the world she inhabited that shows the importance of those who have traditionally been overlooked in the study of art.
Camille has begun divorce proceedings and a new novel. While sitting in a cafe, she falls in love with a man. She follows him and discovers he specialises in marriage guidance. Camille sees this as a slice of good fortune, a promise for the future - with him, she can go straight to the point.
The 1998 edition of this fact-packed, trivia lover's guide to pop culture's greatest hits and hitmakers boasts over forty percent all-new and completely updated material. From the details on the latest celebrity weddings to this year's Emmy, Oscar, and National Book Award winners, this fantastic compendium has it all. 80+ photos.
Vous achetez un livre au hasard d'un voyage, vous le parcourez sans méfiance quand soudain vous comprenez qu'un auteur indélicat y révèle votre secret le plus intime. Tout vous montre du doigt, c'est votre vie, vous vous y reconnaissez. Mais lui, qui est-il, qui lui a raconté ? Commence alors une enquête dont la rigoureuse progression alphabétique se heurte à la multiplicité des interprétations, où rencontres, souvenirs et affabulations déforment votre vérité. C'est à ce chassé-croisé entre lecteur et auteur que vous invite Index. À travers les interrogations d'une jeune femme confrontée à sa propre histoire est posée avec insolence la question clef du roman, qui est de savoir, en tout récit, qui parle.
La littérature française est vivante. Des auteurs s'y révèlent, avec une oeuvre dont les contours, l'univers, le style s'affirment. Ecrivains d'aujourd'hui propose de les découvrir dans leur diversité, ou d'apprendre à les percevoir autrement. Réalisé par la rédaction de La Revue littéraire, ce volume comprend : un grand entretien avec Camille Laurens sur son oeuvre en cours d'élaboration des notes de lecture sur chacun des livres publiés à ce jour, d'Index à Romance nerveuse en passant par Philippe ou Dans ces bras-là des textes inédits en volume
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