When best mates Lucas and Tucker win a competition to cook with celebrity chefs everything comes to a boil. Can they stir up trouble and serve the just desserts in time? EATS is a culinary adventure tale, full of twists and turns that will have kids on the edge of their seat.
Debates about decolonisation of the mind and of our curricula reveal the dark shadow cast over the world by the adventurers of the modern era, beginning in 1492. Decolonisationexplores questions of justice, injustice and inhumanity that have geographically and intellectually shaped the course of history through overlapping colonial, decolonial and postcolonial eras. This multidisciplinary collection uses the lenses of history, philosophy, literature and education to examine aspects of colonialism and decolonisation, and their revolutionary and evolutionary manifestations which, contributors argue, occurred simultaneously in the historical and epistemological record. The problems that come into focus have a kaleidoscopic effect on how we come to understand fraught issues, from the 'invention' of blacks, to the formulation of the ideology of trusteeship and the obligations to 'lower civilisations'. Decolonisationbrings together an internationally renowned group of scholars to showcase their search for decolonial strategies within their disciplinary focus, covering ideas such as the different layers at which colonialism operates, strategies for a decolonisation that does not recolonise, and the importance of preserving and publishing in indigenous languages. This is a much-needed reference book for students and scholars in the field of decolonisation, history, philosophy and pedagogy. The introductory chapter offers a clear and concise primer to this complex subject, covering colonialism, imperialism, decoloniality, and the various actors involved.
A sinister novel based on the real Bloody Benders, a family of serial killers in the old West bound by butchery and obscured by the shadows of American history. The winds shift nervously on the Kansas plain whispering of travelers lost and buried, whispering of witches. Something dark and twisted has taken root at the Bender Inn. At first the townspeople of Cherryvale welcome the rising medium Kate Bender and her family. Kate's messages from the Beyond give their tedious dreams hope and her mother's potions cure their little ills—for a price. No one knows about their other business, the shortcut to a better life. And why shouldn’t their family prosper? They’re careful. It’s only from those who are marked, those who travel alone and can easily disappear, that the Benders demand their pound of flesh. But even a gifted seer like Kate can make a misstep. Now as the secrets festering beneath the soil of the family orchard threaten to bring them all to ruin, the Benders must sharpen their craft—or vanish themselves.
The essential guide to the world of Aztec mythology, based on Nahuatl-language sources that challenge the colonial history passed down to us by the Spanish. From their remote origins as migrating tribes to their rise as builders of empire, the Aztecs were among the most dynamic and feared peoples of ancient Mexico, with a belief system that was one of the most complex and vital in the ancient world. Historian Camilla Townsend returns to the original tales, told at the fireside by generations of Indigenous Nahuatl speakers. Along the way, she deals with human sacrifice, the raising of great temples, and the troubling legacy of the Spanish conquest. Few cultures are generally understood to have been so controlled by their religion as the Aztecs, and few religions are envisioned as being as violent and celebratory of death as theirs. In this introduction to the Aztec myths, Townsend draws from sixteenth-century historical annals and songs written down by Nahuatl-speaking peoples, now known as the Aztecs, in their own language to counter this narrative, inherited from the conquering Spaniards. In doing so, she reveals a rich tapestry of mythic tradition that defies modern expectations. Townsend retells stories ranging from the creation of the world, revealing the Aztec cosmological vision of nature and the divine, to legends of the Aztecs’ own past that show how they understood the foundation of their state and the course of their wars. She considers the impact of colonial contact on the myths and demonstrates that Indigenous engagement with the new cultural customs introduced by the Europeans never entirely uprooted old ways of thinking.
If your resolutions tend to look much the same from one year to another and you are suffering from the suspicion that someone, somewhere is having more fun that you, then you need something to revitalise your lust for life. A YEAR IN HIGH HEELS is here to help. This book will guide you through the months with a perfectly co-ordinated combination of culture and challenges. With a monthly muse to inspire, and a suggested title for that soon-to-be-formed book club, dumbing down is so last season. Erin O'Connor, Diane von Furstenberg, Matthew Williamson and others share their secrets about their favourite places - so the next time you check in you'll know what to check out - while Dita von Teese, Anya Hindmarch and Christian Lacroix show you how to undress, how to go green and how to appreciate opera. Eclectic, practical and fantastical, A YEAR IN HIGH HEELS is crammed with fascinating stories, inspiring ideas and surprisingly sensible advice. Forget who, when, why and what to wear. Get ready to wow!
This anthology addresses several of the most central ideas in the field of public administration. These ideas are as relevant to public budgeting as they are to performance measurement or human resource management. Collectively and individually the essays explore what Dwight Waldo referred to as the ?political theories? of public administration: issues that are ultimately unresolvable yet crucial to understanding the nature of public administrative practice. How can democracy and efficiency be balanced? Can there be a science of administration? How should we think about administrative accountability? What is the nature of the relationship between citizen and state? Is professionalism an adequate mechanism for ensuring accountability? How efficient can or should bureaucracy be? What is proper leadership by administrators hoping to address political democracy and managerial efficiency? This ASPA Classics Volumes serves to connect the practice of public policy and administration with the normative theory base that has accrued and the models for practice that may be deduced from this theory.
A new history illuminates the Society of Jesus in its first century from the perspective of those who knew it best: the early Jesuits themselves. The Society of Jesus was established in 1540. In the century that followed, thousands sought to become Jesuits and pursue vocations in religious service, teaching, and missions. Drawing on scores of unpublished biographical documents housed at the Roman Jesuit Archive, Camilla Russell illuminates the lives of those who joined the Society, building together a religious and cultural presence that remains influential the world over. Tracing Jesuit life from the Italian provinces to distant missions, Russell sheds new light on the impact and inner workings of the Society. The documentary record reveals a textual network among individual members, inspired by Ignatius of LoyolaÕs Spiritual Exercises. The early Jesuits took stock of both quotidian and spiritual experiences in their own records, which reflect a community where the worldly and divine overlapped. Echoing the SocietyÕs foundational writings, members believed that each JesuitÕs personal strengths and inclinations offered a unique contribution to the wholeÑan attitude that helps explain the SocietyÕs widespread appeal from its first days. Focusing on the JesuitsÕ own words, Being a Jesuit in Renaissance Italy offers a new lens on the history of spirituality, identity, and global exchange in the Renaissance. What emerges is a kind of genetic codeÑa thread connecting the key Jesuit works to the first generations of Jesuits and the Society of Jesus as it exists today.
Modern scientific research has changed so much since Isaac Newton’s day: it is more professional, collaborative and international, with more complicated equipment and a more diverse community of researchers. Yet the use of scientific journals to report, share and store results is a thread that runs through the history of science from Newton’s day to ours. Scientific journals are now central to academic research and careers. Their editorial and peer-review processes act as a check on new claims and findings, and researchers build their careers on the list of journal articles they have published. The journal that reported Newton’s optical experiments still exists. First published in 1665, and now fully digital, the Philosophical Transactions has carried papers by Charles Darwin, Dorothy Hodgkin and Stephen Hawking. It is now one of eleven journals published by the Royal Society of London. Unrivalled insights from the Royal Society’s comprehensive archives have enabled the authors to investigate more than 350 years of scientific journal publishing. The editorial management, business practices and financial difficulties of the Philosophical Transactions and its sibling Proceedings reveal the meaning and purpose of journals in a changing scientific community. At a time when we are surrounded by calls to reform the academic publishing system, it has never been more urgent that we understand its history.
The First World War claimed over 995,000 British lives, and its legacy continues to be remembered today. Stroud’s Five Valleys in the Great War offers an intimate portrayal of the region and its people living in the shadow of the 'war to end all wars'. This highly accessible volume explores themes of local reaction to the outbreak of war; the experience of individuals who enlisted; the changing face of industry and related unrest; the work of the hospitals in the area; the effect of the conflict on children; the women who defied convention to play a vital role on the home front and how people coped with the transition to life in peacetime once more. The Great War story of the Stroud Valleys – including Stroud, Brimscombe, Chalford, Bussage, Woodchester, Stonehouse, Minchinhampton and Rodborough – is recalled by those who were there and is vividly illustrated with photographs, postcards, documents and other First World War ephemera.
Jeanne Mammen's watercolour images of the gender-bending 'new woman' and her candid portrayals of Berlin's thriving nightlife appeared in some of the most influential magazines of the Weimar Republic and are still considered characteristic of much of the 'glitter' of that era. This book charts how, once the Nazis came into power, Mammen instead created 'degenerate' paintings and collages, translated prohibited French literature and sculpted in clay and plaster-all while hidden away in her tiny studio apartment in the heart of Berlin's fashionable west end. What was it like as a woman artist to produce modern art in Nazi Germany? Can artworks that were never exhibited in public still make valid claims to protest? Camilla Smith examines a wide range of Mammen's dissenting artworks, ranging from those created in solitude during inner emigration to her collaboration with artist cabarets after the Second World War. Smith's engaging analysis compares Mammen's popular Weimar work to her artistic activities under the radar after 1933, in order to fundamentally rethink the moral complexities of inner emigration and its visual culture. While Mammen's artistry is considered through the lens of gender politics to reveal her complex relationship with the urbanisation of her time, this book also highlights the crucial role played by a lost generation of inner émigré women artists as agents of German modernity. The examination of Mammen's life and work demonstrates the crucial role women artists played as both markers and agents of German modernity, but the double marginalisation they have nonetheless encountered as inner émigrés in recent history. It will be of interest to students of German studies, art history, literature, history, gender studies and cultural studies.
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