Calvin Hollywood is a photo artist from Heidelberg, Germany who combines photography and image editing in a most imaginative way. His personal style is characterized by the hyper sharpness, high contrasts, and almost painted look of his photos (http://www.calvinhollywood-blog.com/portfolio/). Digital editing plays an important role in his photographic work, but Hollywood emphasizes getting the shot right from the start. He considers lighting very important, but the surroundings and the model's styling are also key and he always tries to factor textures and details into the shot. This photo collection contains more than 100 of Calvin Hollywood's most spectacular pictures as well as his thoughts on topics such as Photoshop, plug-ins, outfits, lighting, planning, time management, and more. The book also comes with over four hours of video tutorials created and produced by Video2Brain, creators of the popular Learn By Video series. In the videos, Hollywood walks viewers step-by-step through his signature techniques and shows readers exactly how he used them to create many of the images featured in the book. All of Peachpit's eBooks contain the same content as the print edition. You will find a link in the last few pages of your eBook that directs you to the media files. Helpful tips: If you are able to search the book, search for "Where are the lesson files?" Go to the very last page of the book and scroll backwards. You will need a web-enabled device or computer in order to access the media files that accompany this ebook. Entering the URL supplied into a computer with web access will allow you to get to the files. Depending on your device, it is possible that your display settings will cut off part of the URL. To make sure this is not the case, try reducing your font size and turning your device to a landscape view. This should cause the full URL to appear.
“Brilliant . . . The dean of American comic writers showcases his varied talents mocking the public and private lives of politicians, average citizens and himself.”—The Star-Ledger Calvin Trillin has committed blatant acts of funniness all over the place—in The New Yorker, in one-man off-Broadway shows, in his “deadline poetry” for The Nation, in comic novels, and in what USA Today called “simply the funniest regular column in journalism.” Now Trillin selects the best of his funny stuff and organizes it into topics like high finance (“My long-term investment strategy has been criticized as being entirely too dependent on Publishers Clearing House sweepstakes”) and the literary life (“The average shelf life of a book is somewhere between milk and yogurt”). He addresses the horrors of witnessing a voodoo economics ceremony and the mystery of how his mother managed for thirty years to feed her family nothing but leftovers (“We have a team of anthropologists in there now looking for the original meal”). He even skewers deserving political figures in poetry. In this, the definitive collection of his humor, Calvin Trillin is prescient, insightful, and invariably hilarious. “A literary treasure . . . There is only one Calvin Trillin, and if he didn’t exist we would have to invent him.”—The Washington Times “Funny is to Trillin what drinking is to Uncle Jed in Annie Get Your Gun—it’s what he does ‘natur’lly.’ He’s also a lot more than funny. Quite Enough of Calvin Trillin is the twenty-eighth book he’s published over not far short of a half-century, and their range of subjects is remarkable.”—Jonathan Yardley, The Washington Post “Trillin made his reputation over four decades as the author of ‘U.S. Journal’ in the New Yorker [but he] is incapable of resisting the temptation of comedy. The jokes kept on welling up and Mr. Trillin made a parallel reputation as a writer of funny stuff.”—The Economist “Wry, whip-smart, understated, and entertaining.”—The Miami Herald
In colorful detail, Calvin Lane explores the dynamic intersection between reform movements and everyday Christian practice from ca. 1000 to ca. 1800. Lowering the artificial boundaries between “the Middle Ages,” “the Reformation,” and “the Enlightenment,” Lane brings to life a series of reform programs each of which developed new sensibilities about what it meant to live the Christian life. Along this tour, Lane discusses music, art, pilgrimage, relics, architecture, heresy, martyrdom, patterns of personal prayer, changes in marriage and family life, connections between church bodies and governing authorities, and certainly worship. The thread that he finds running from the Benedictine revival in the eleventh century to the pietistic movements of the eighteenth is a passionate desire to return to a primitive era of Christianity, a time of imagined apostolic authenticity, even purity. In accessible language, he introduces readers to Cistercians and Calvinists, Franciscans and Jesuits, Lutherans and Jansenists, Moravians and Methodists to name but a few of the many reform movements studied in this book. Although Lane highlights their diversity, he argues that each movement rooted its characteristic practice – their spirituality – in an imaginative recovery of the apostolic life.
I Love HELL-A! This gory volume is dripping with insights showing just how the video game world of Dead Island 2 came to life! Featuring never before seen concept art on each of the Slayers, their gear and weapons, the ruined and iconic streets of post-outbreak Los Angeles, and the shambling hordes of dangerous undead that call them home! Also, this book showcases insights from the creators of the game, with captions and text written by Alex Calvin (Runescape: The First 20 Years). Dark Horse Books, Deep Silver, and Dambuster Studios proudly present: The Art of Dead Island 2!
An oversized full-color hardcover that celebrates fifteen years of the iconic Assassin’s Creed video game saga! Discover the genesis of each Assassin’s Creed game and get an insider's look at the efforts that went into creating one the biggest franchises in the video game industry. In observance of Assassin’s Creed’s fifteen-year anniversary, Ubisoft and Dark Horse Books have teamed up to create an extensive examination into the creation of the award-winning Assassin’s Creed franchise. Featuring gorgeous art from over a decade-and-a-half of development, and detailed interviews with the games’ past and present creators, this is the perfect companion piece for any aspiring Assassin.
An introduction to literary theory unlike any other, Ten Lessons in Theory engages its readers with three fundamental premises. The first premise is that a genuinely productive understanding of theory depends upon a considerably more sustained encounter with the foundational writings of Hegel, Marx, Nietzsche, and Freud than any reader is likely to get from the introductions to theory that are currently available. The second premise involves what Fredric Jameson describes as "the conviction that of all the writing called theoretical, Lacan's is the richest." Entertaining this conviction, the book pays more (and more careful) attention to the richness of Lacan's writing than does any other introduction to literary theory. The third and most distinctive premise of the book is that literary theory isn't simply theory "about" literature, but that theory fundamentally is literature, after all. Ten Lessons in Theory argues, and even demonstrates, that "theoretical writing" is nothing if not a specific genre of "creative writing," a particular way of engaging in the art of the sentence, the art of making sentences that make trouble sentences that make, or desire to make, radical changes in the very fabric of social reality. As its title indicates, the book proceeds in the form of ten "lessons," each based on an axiomatic sentence selected from the canon of theoretical writing. Each lesson works by creatively unpacking its featured sentence and exploring the sentence's conditions of possibility and most radical implications. In the course of exploring the conditions and consequences of these troubling sentences, the ten lessons work and play together to articulate the most basic assumptions and motivations supporting theoretical writing, from its earliest stirrings to its most current turbulences. Provided in each lesson is a working glossary: specific critical keywords are boldfaced on their first appearance and defined either in the text or in a footnote. But while each lesson constitutes a precise explication of the working terms and core tenets of theoretical writing, each also attempts to exemplify theory as a "practice of creativity" (Foucault) in itself.
It was 1935, the sixth year of the Great Depression. Most of the population was living on faith, hope, and denial. Still, it was not a bad year to be sixteeen--if you were white, middle-class, Protestant, and lucky enough to be living in Atlanta. Like a Tree is the story of the Krueger family and how they coped and conquered through the spirit-breaking years of the nineteen-thirties. In a larger context, Like a Tree is about the South's white liberal minority that worked quietly and largely underground, fighting prejudice, segregation, and ignorance to emancipate future generations. Early revewers have called this book "touching," "absorbing," "powerful, "important," "original," "richly textured." It is a testament to perseverance, love, good will, and the fortitude of ordinary human beings.
BONUS: This edition contains an excerpt from Calvin Trillin's Quite Enough of Calvin Trillin. In Calvin Trillin’s antic tales of family life, she was portrayed as the wife who had “a weird predilection for limiting our family to three meals a day” and the mother who thought that if you didn’t go to every performance of your child’s school play, “the county would come and take the child.” Now, five years after her death, her husband offers this loving portrait of Alice Trillin off the page–his loving portrait of Alice Trillin off the page–an educator who was equally at home teaching at a university or a drug treatment center, a gifted writer, a stunningly beautiful and thoroughly engaged woman who, in the words of a friend, “managed to navigate the tricky waters between living a life you could be proud of and still delighting in the many things there are to take pleasure in.” Though it deals with devastating loss, About Alice is also a love story, chronicling a romance that began at a Manhattan party when Calvin Trillin desperately tried to impress a young woman who “seemed to glow.” “You have never again been as funny as you were that night,” Alice would say, twenty or thirty years later. “You mean I peaked in December of 1963?” “I’m afraid so.” But he never quit trying to impress her. In his writing, she was sometimes his subject and always his muse. The dedication of the first book he published after her death read, “I wrote this for Alice. Actually, I wrote everything for Alice.” In that spirit, Calvin Trillin has, with About Alice, created a gift to the wife he adored and to his readers.
Whether its creating a winning resume, mastering interviews or navigating the unwritten rules of the workplace, youll find out how to land a job in Hire Me! Calvin Lovick and Angela Cranon-Charles, who have more than 50 years of combined experience in the employment industry and as publishers, help you stand out from the crowd for all the right reasons. Learn how to avoid burning bridges with past employers and supervisors; gain knowledge that will impress potential employers; dress appropriately for job interviews; demonstrate enthusiasm for the job youre seeking; and steer clear of 25 common interview mistakes. The guide includes a resume checklist, advice on whether to use a functional or chronological resume, tips on what types of accomplishments to include on a resume, sample resumes, and insights on why its so important to personalize each job application for the position youre seeking. Moreover, the guide provides sage advice for people already employed, including what lines not to cross in professional relationships, how to best ask for a raise, how to determine if its time to make a career move, and more.
Calvin Hollywood is a photo artist from Heidelberg, Germany who combines photography and image editing in a most imaginative way. His personal style is characterized by the hyper sharpness, high contrasts, and almost painted look of his photos (http://www.calvinhollywood-blog.com/portfolio/). Digital editing plays an important role in his photographic work, but Hollywood emphasizes getting the shot right from the start. He considers lighting very important, but the surroundings and the model's styling are also key and he always tries to factor textures and details into the shot. This photo collection contains more than 100 of Calvin Hollywood's most spectacular pictures as well as his thoughts on topics such as Photoshop, plug-ins, outfits, lighting, planning, time management, and more. The book also comes with over four hours of video tutorials created and produced by Video2Brain, creators of the popular Learn By Video series. In the videos, Hollywood walks viewers step-by-step through his signature techniques and shows readers exactly how he used them to create many of the images featured in the book. All of Peachpit's eBooks contain the same content as the print edition. You will find a link in the last few pages of your eBook that directs you to the media files. Helpful tips: If you are able to search the book, search for "Where are the lesson files?" Go to the very last page of the book and scroll backwards. You will need a web-enabled device or computer in order to access the media files that accompany this ebook. Entering the URL supplied into a computer with web access will allow you to get to the files. Depending on your device, it is possible that your display settings will cut off part of the URL. To make sure this is not the case, try reducing your font size and turning your device to a landscape view. This should cause the full URL to appear.
John Calvin was an influential French theologian and pastor during the Protestant Reformation, and a principal figure in the development of the system of Christian theology later called Calvinism. In 1543 he penned A Treatise on Relics, and their religious-historical influence.
True stories of sudden death in the classic collection by a master of American journalism “Reporters love murders,” Calvin Trillin writes in the introduction to Killings. “In a pinch, what the lawyers call ‘wrongful death’ will do, particularly if it’s sudden.” Killings, first published in 1984 and expanded for this edition, shows Trillin to be such a reporter, drawn time after time to tales of sudden death. But Trillin is attracted less by violence or police procedure than by the way the fabric of people’s lives is suddenly exposed when someone comes to an untimely end. As Trillin says, Killings is “more about how Americans live than about how some of them die.” These stories, which originally appeared in The New Yorker between 1969 and 2010, are vivid portraits of lives cut short. An upstanding farmer in Iowa finds himself drastically changed by a woman he meets in a cocktail lounge. An eccentric old man in Eastern Kentucky is enraged by the presence of a documentary filmmaker. Two women move to a bucolic Virginia county to find peace, only to end up at war over a shared road. Mexican American families in California hand down a feud from generation to generation. A high-living criminal-defense lawyer in Miami acquires any number of enemies capable of killing him. Stark and compassionate, deeply observed and beautifully written, Killings is “that rarity, reportage as art” (William Geist, The New York Times Book Review). Praise for Killings “Riveting tales of murder and mayhem. . . . [Calvin] Trillin is a superb writer, with a magical ability to turn even the most mundane detail into spellbinding wonder. Armed with this wealth of material, he utterly shines. Every piece here is a gem.”—The Seattle Times “What Mr. Trillin does so well, what makes Killings literature, is the way he pictures the lives that were interrupted by the murders. Even the most ordinary life makes a terrible noise . . . when it’s broken off.”—Anatole Broyard, The New York Times “Fascinating, troubling . . . In each of these stories is the basis of a Dostoevskian novel.”—Edward Abbey, Chicago Sun-Times “The stories . . . are unforgettable. They leave us, finally, with the awareness of the unknowable opacity of the human heart.”—Bruce Colman, San Francisco Chronicle “[Trillin] writes brilliantly. . . . These stories still hold up, as classics.”—The Buffalo News “In his artful ability to conjure up a whole life and a whole world, Trillin comes as close to achieving the power of a Chekhov short story as can anyone whose material is so implacably tied to fact.”—Frederick Iseman, Harper’s Bazaar “I have a book for you true-crime addicts if you’re caught up on the podcast Serial, the cascade on TV of 48 Hours and Dateline NBC episodes. . . . It’s time to pick up Calvin Trillin’s Killings.”—The New York Times Book Review “Well-crafted and thoughtfully composed, lacking judgment and admonishment, these are a true piece of quality journalism, which clearly continues to captivate audiences.”—Library Journal “With telling detail and shrewd insights, [Calvin Trillin] masterfully evokes the places and personalities that hatched these grim episodes.”—Publishers Weekly
Service, the Path to Justice is a timely antidote to cynicism and despair in a world of growing inequality and injustice. The authors argue that serving others is the basis for human survival because only through service to others will injustice be eradicated and peace prevail. Redekop and Beitzel focus on the concept of voluntary service—public participation motivated by the value of loving one’s neighbour as oneself—as morally worthy social action in which the doer and the recipient of the action benefit equally. This approach to social action counteracts the inequality and injustice inherent in society’s structures. The development and practice of self- giving in Mennonite, Brethren, and Quaker denominations is analyzed, bringing sociological, ethical, and applied perspectives to the examination. The practice of voluntary service is immediately available to everyone, and the win-win benefits flowing from this approach to social action promote sustained public participation for social action. This is an enlightening and optimistic view of the power of an individual to bring kindness, fairness, and peace to the world.
My book is my autobiography: it is told in a short story form; all about the highs and the many lows I experienced, and the decisions I made, that propelled me to both my successes, and my many failures that I reached out seeking to find! (I always hoped for the best; I expected I might find the very worst; and usually it would fall somewhere in between: that way, I was seldom if ever, disappointed!) I always tried to treat people I met, with the same respect, as I wanted them to show to me in return. I know I could have done better than I did most times, but I truly never took "LOVE" lightly, nor did I tell women I met, that I loved them, just because it was convenient to do so! I often tried to express my feelings, the best way I could with most of the poetry I wrote, with honestly, and a sincere amount - of humility, and inspiration! If I could change only one thing in my life: I would try to have been a better roll model to my kids, and to have been - a better father, and grand pa! My book covers a one of a kind story of my meeting, and beating "Evel Kneivel at his own game twice; and my struggle with alcohol; my Serious Gambling addiction, and my Deadly fight with Cancer!
NEW YORK TIMES BESTSELLER • A fascinating portrait of journalism and the people who make it, told through pieces collected from the incomparable six-decade career of bestselling author and longtime New Yorker writer Calvin Trillin “The Lede contains profiles . . . that are acknowledged classics of the form and will be studied until A.I. makes hash out of all of us.”—Dwight Garner, The New York Times I’ve been writing about the press almost as long as I’ve been in the game. At some point, it occurred to me that disparate pieces from various places in various styles amounted to a picture from multiple angles of what the press has been like over the years since I became a practitioner and an observer. Calvin Trillin has reported serious pieces across America for The New Yorker, covered the civil rights movement in the South for Time, and written comic verse for The Nation. But one of his favorite subjects over the years—a superb fit for his unique combination of reportage and humor—has been his own professional environment: the American press. In The Lede, Trillin gathers his incisive, often hilarious writing on reporting, reporters, and the media world that is their orbit. He writes about a legendary crime reporter in Miami, a swashbuckling New York Times reporter, and an erudite film critic in Dallas who once a week transformed himself from an appreciator of the French nouvelle vague into a crude connoisseur of movies like Mother Riley Meets the Vampire. There are pieces on the House of Lords aspirations of a North American press baron, the paucity of gossip columns in Russia, the embroilment of a weekly newspaper in a missing person case, and the founding of a publication called Beautiful Spot: A Magazine of Parking. Uniting all of this is Trillin’s signature combination of empathy, humor, and graceful prose. The Lede is an unparalleled portrait of one of our fundamental American institutions from a master journalist.
Harper Roland has abandoned his job as a war correspondent, and returned home a weary, jaded 37-year-old. Uncertain of the future but determined to move forward with his life, he begins a search for enduring love--hoping he will also regain the ability to see the beauty of the world. Along the way, he meets an intellectually gifted but emotionally absent doctor, a beautiful Parisian artist who burns too hot to the touch, and a human rights lawyer who has left New York in search of a more centered life. The novel's sweeping tale encompasses four continents--where prior assumptions are constantly tested, and men who cling too passionately to certainty unleash destruction--and ultimately leads Harper back to the chaos he was trying to escape. The result is a startlingly fresh view of the contemporary world, in which place and history are mere starting points for the deeper journey into the geography of the human heart.
In 1961, President John F. Kennedy signed Executive Order 10930, the first step in a long series of efforts to regulate the ethical behavior of executive branch officials. A few years later Lyndon B. Johnson required all senior officials to report assets and sources of non-government income to the Civil Service Commission. The reaction to Watergate opened the floodgates to more laws and rules: the Ethics in Government Act of 1978, subsequent expansions of that act in the 1980s and 1990s, and sweeping executive orders by Presidents George H. W. Bush and Bill Clinton. The consequence of these aggressive efforts to scandal proof the federal government is a heavy accumulation of law and regulation administered by agencies employing hundreds of people and spending millions of dollars every year. Ethics regulation has been one of the steady growth sectors in the federal government for decades. This book explores the process that led to the current state of ethics regulation in the federal executive branch. It assesses whether efforts to scandal proof the federal government have been successful, what they have cost, and whether reforms should be considered. The book's chapters: describe the radical differences between the public service environment of yesteryear and today¡¦s heavy regulatory atmosphere provide an overview of government corruption and integrity in America through 1960 describe the evolution of the regulatory process and political factors that have led to its current incarnation assess the substance of existing ethics regulations as well as the size, cost, and complexity of the enforcement infrastructure employ survey research and other empirical data from various executive branch scandals to measure the efficacy of current ethics regulations Informed by research of unprecedented scope and depth, Scandal Proof provides a balanced assessment of the character and impact of federal ethics regulatory efforts--in
The topical essays of Too Soon to Tell reveal Calvin Trillin at his barbed and irrepressible best. Dealing with matters of the family, he tells the tale of a couple who were at first pleased that their twenty-six-year-old son had finally moved out ("If Jeffrey's going to find himself, it would probably help for him to look somewhere other than his own room") and then realized that they had lost the ability to videotape. Grappling with educational issues, he discusses whether the presence of Michael Milken as a lecturer at the UCLA business school means that its religion department will get around to employing Jim Bakker ("Church Management 101: Imaginative Ideas in Religious Fund-Raising"). In the field of world affairs, he deals with the role of astrologers ("The planets are perfect for trading arms for hostages and saying you didn't") and whether the language laws in Quebec really require the hiring of a mime who doesn't speak French rather than a mime who doesn't speak English. Trillin's short takes send us back to life refreshed and delighted.
Whether writing about Jasper Johns or Jeff Koons, Cindy Sherman or Richard Serra, Calvin Tomkins shows why it is both easier and more difficult to make art today. If art can be anything, where do you begin? For more than three decades Calvin Tomkins's incisive profiles in The New Yorker have given readers the most satisfying reports on contemporary art and artists available in any language. In Lives of the Artists ten major artists are captured in Tomkins's cool and ironic style to record the new directions art is taking during these days of limitless freedom. As formal technique and rigorous training continue to fall away, art has become an approach to living. As the author says, "the lives of contemporary artists are today so integral to what they make that the two cannot be considered in isolation." Among the artists profiled are Jeff Koons and Damien Hirst, the reigning heirs of deliberately outrageous art that feeds off the allegedly corrupting influences of capitalist glut and entertainment; Matthew Barney of the pregenital obsessions; Cindy Sherman, who manages multiple transformations as she disappears into her own work; and Julian Schnabel, who has forged a second career as award-winning film director. Tomkins shows that the making of art remains among the most demanding jobs on earth.
Radical History Review presents innovative scholarship and commentary that looks critically at the past and its history from a non-sectarian left perspective. RHR scrutinises conventional history and seeks to broaden and advance the discussion of crucial issues such as the role of race, class and gender in history.
Without a doubt, Frank Avant vs. C. H. Mason is the most critical juncture in the entire history of the Church of God in Christ (COGIC). The Pentecostal-Holiness Movement of the early twentieth century began with an aggressive legal confrontation between two of the movement's leading African-American pastors and their adherents. Charles P. Jones and Charles H. Mason's up-close and personal relationship was torn apart over their fundamental differences of the baptism in the Holy Ghost and speaking in tongues. Up until the Azusa Street Revival, Jones and Mason shared an extraordinary profundity for each other; and their relationship was maximized when Jones united Mason and Lelia Washington in marriage in 1905. In 1907, Jones filed a lawsuit in Memphis against Mason after leading the way in having Mason excommunicated from the General Ministerial Council of Holiness Churches and Meetings for proliferating speaking in tongues. Jones and Mason founded the organization in 1897 after both of them were expelled from the Baptist denomination for teaching holiness. When Mason lost the case in Memphis Chancery Court, it was merely an opportunity to lead the Jones faction to the―Red Sea. Mason and his attorney, Elder Robert E. Hart, appealed the case to the Tennessee Supreme Court in Jackson, where the judges decided in their favor, devastating the Jones faction and their attorney, Benjamin F. Booth.
Xavier Hunter hoped his senior year would be bad news-free. His old enemy is finally in lockdown and Xavier is out from under one mad-crazy relationship disaster. And he's cool with his dream girl, Samantha Fox, dating other guys because fair is fair-he hasn't been a saint. But he's not hearing anything good about her new man, Sean. And showing Samantha the truth could be the one game Xavier can't win... With graduation and college coming up fast, Samantha has been thinking hard about her future. Maybe she and Xavier have too much baggage to get back together. And Sean is a chance to see things fresh and figure out what she really wants. So she doesn't need Xavier telling jealous lies-especially when the drama he's lighting up could crash and burn their futures for good...
From the award-winning author of NO HUNGER IN PARADISE Outside the global spotlight, footballers don't drive Aston Martins or pose for underwear ads. This is war. This is life. This is football. Michael Calvin turned up for the first day of pre-season training at Millwall FC. 333 days later, he sat among the subs at Wembley. Over the course of a season, he witnessed the intimate everyday life of a football club far from the glitz and glamour of the Premier League, and the unique characters that come together every day on the field. These are dedicated, hard-working family men, close to their roots, 'playing for the people who hate their jobs, who'd love our lives.' Forget about the over-hyped circus of the Premier League. This is the beautiful game in all its raucous glory: essential reading for anyone whom football is a way of life.
The California Constitution is one of the longest in the world and has been revised over 500 times since its original drafting in 1849. In its current incarnation, the constitution reflects the states mistrust of elected officials, gives cities and towns broad home rule powers, and outlines governance for the states university system. The California State Constitution provides an outstanding constitutional and historical account of the states basic governing charter. In addition to an overview of Californias constitutional history, it offers an in-depth, section-by-section analysis of the entire constitution, detailing the many significant changes that have been made since its initial drafting in 1849. This treatment, along with a table of cases, index, and the bibliography provides an unsurpassed reference guide for students, scholars, and practitioners of Californias constitution. Previously published by Greenwood, this title has been brought back in to circulation by Oxford University Press with new verve. Re-printed with standardization of content organization in order to facilitate research across the series, this title, as with all titles in the series, is set to join the dynamic revision cycle of The Oxford Commentaries on the State Constitutions of the United States. The Oxford Commentaries on the State Constitutions of the United States is an important series that reflects a renewed international interest in constitutional history and provides expert insight into each of the 50 state constitutions. Each volume in this innovative series contains a historical overview of the states constitutional development, a section-by-section analysis of its current constitution, and a comprehensive guide to further research. Under the expert editorship of Professor G. Alan Tarr, Director of the Center on State Constitutional Studies at Rutgers University, this series provides essential reference tools for understanding state constitutional law. Books in the series can be purchased individually or as part of a complete set, giving readers unmatched access to these important political documents.
What's it like having an old man who's a saint?" The question came from the depths of Romey Guttner's troubled soul. It was as honest as the hot sun that beat down on him and his best friend, Lowell, as they picked beans that unforgettable summer in the late fifties. They were just boys, one the son of the town's pillar of faith and one the neglected child of a man whose anger spilled onto everyone in his path. Despite their disparate upbringings, Romey and Lowell were like brothers, inseparable in their pursuit of adventure. But events were brewing that would force them to confront the reality of their differences for the first time. With perceptiveness and style, James Calvin Schaap renders a coming-of-age tale about friendship, fathers and sons, and, most of all, the grace that saves us from the darkest places.
Articles and comic verse about the Lone Star State from the Thurber Prize winner: “What’s not to love?” —Texas Monthly Whether reporting for the New Yorker, penning comic verse and political commentary, or writing his memoirs, Calvin Trillin has bumped into Texas again and again. He insists it’s not by design—“there has simply been a lot going on in Texas.” Astute readers will note, however, that Trillin’s family immigrated to America through the port of Galveston, and, after reading this book, many will believe the Lone Star State has somehow imprinted itself on his imagination. Trillin on Texas gathers some of his best writing on subjects near to his heart—politics, true crime, food, and rare books among them—that also have a Texas connection. Indulging his penchant for making “snide and underhanded jokes about respectable public officials,” he offers his signature sardonic take on the Bush dynasty and their tendency toward fractured syntax; a faux but quite believable LBJ speech; and wry portraits of assorted Texas county judges, small town sheriffs, and Houston immigration lawyers. He takes us on a pilgrimage to the barbecue joint that Texas Monthly named the best in Texas, and describes scouting for books with Larry McMurtry. He tells the stories of two teenagers who dug up half a million dollars in an ice chest, and of rare book dealer Johnny Jenkins, who was found floating in the Colorado River with a bullet wound in the back of his head. And he recounts how redneck movie reviewer “Joe Bob Briggs” fueled a war between Dallas’s daily newspapers and pays tribute to two courageous Texas women who spoke truth to power: Molly Ivins and Sissy Farenthold. Sure to entertain both Texans and non-Texans, Trillin on Texas proves again that Trillin is one of America’s shrewdest and wittiest observers.
Dear reader,When the boon of sleep becomes a presage of horror, while one's long, shadowy days are laden with sordid events so terrifying they only bridge a thread to the same wicked nightmare, in what can a gentleman find refuge and catharsis? Writing.No one can deny that Abraham Stoker penned a Gothic tour de force in 1897. All readers and moviegoers are familiar with the name Dracula, as a parade of literary colleagues and Hollywood directors have probed the monster&rsq
For generations, men have left their homes and families to defend their country while their wives, mothers and daughters remained safely at home, outwardly unaffected. A closer examination reveals that women have always been directly impacted by war. In the last few years, they have actively participated on the front lines. This book tells the story of the women who documented the impact of war on their lives through their art. It includes works by professional artists and photographers, combat artists, ordinary women who documented their military experiences, and women who worked in a variety of types of needlework. Taken together, these images explore the female consciousness in wartime.
Since embarking on economic reforms in 1978, the People’s Republic of China has also undergone a sweeping cultural reorganization, from proletarian culture under Mao to middle-class consumer culture today. Under these circumstances, how has a Chinese middle class come into being, and how has consumerism become the dominant ideology of an avowedly socialist country? The Art of Useless offers an innovative way to understand China’s unprecedented political-economic, social, and cultural transformations, showing how consumer culture helps anticipate, produce, and shape a new middle-class subjectivity. Examining changing representations of the production and consumption of fashion in documentaries and films, Calvin Hui traces how culture contributes to China’s changing social relations through the cultivation of new identities and sensibilities. He explores the commodity chain of fashion on a transnational scale, from production to consumption to disposal, as well as media portrayals of the intersections of clothing with class, gender, and ethnicity. Hui illuminates key cinematic narratives, such as a factory worker’s desire for a high-quality suit in the 1960s, an intellectual’s longing for fashionable clothes in the 1980s, and a white-collar woman’s craving for brand-name commodities in the 2000s. He considers how documentary films depict the undersides of consumption—exploited laborers who fantasize about the products they manufacture as well as the accumulation of waste and its disposal—revealing how global capitalism renders migrant factory workers, scavengers, and garbage invisible. A highly interdisciplinary work that combines theoretical nuance with masterful close analyses, The Art of Useless is an innovative rethinking of the emergence of China’s middle-class consumer culture.
African Americans and Jamaicans share a common past of forced dispersion from their original homelands and enslavement in the Americas. The legacies of white supremacy, racism and Euro-centrism are still influential in both societies today. The conditions of alienation and violence which are represented in African American and Jamaican cultural texts are tied to the sociological development of both societies. The processes of having to prove their humanity, as cultural communities and as individuals, have caused many African diasporic people to become alienated from - and violated by - the societies they live in.
This book describes how American society has evolved over the past half century by examining the cultural context for political change. It explores the profound alterations that have occurred in American political process and discusses the reforms that have altered the American politics.
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