The millions of fans of Dracula and Harry Potter consist of all ages and varied enthusiasm, ranging from a curious reader or leisure cinema observer to seriously devoted academic scholars. However, followers of each universe have been chiefly segregated &– rarely mingling apart from an occasional culture convention, dominated by Star Wars, Star Trek, and Marvel heroes' groupies. But Stoker and Rowling readers have a lot in common because Count Dracula and Lord Voldemort have much in common. These two internationally acclaimed bestselling novels possess a remarkable kinship.Prepare to be delightfully surprised to discover that the godfather of all vampires and the infamous dark wizard share a deep character bond that goes far beyond the title &‘monster.' Be intrigued to uncover what a coffin and a horcrux share or to dig further to unearth that the often-overlooked scars which Bram Stoker wrote of in Victorian England are just as significant as those described by J.K. Rowling in the modern era. Indeed, it cannot be mere coincidence that Dracula is born in 1897 and 100 years later, Harry is too.A Tale of Two Villains is a love letter to both sets of fans paying homage to two superb authors and their extraordinary respective works, setting both masterpieces on pedestals, side by side for the first time, exploring their similar themes, unique parallelism, and mystical symbolism. The author delves profoundly into the interesting characters, their traits, conflicts, and motivations, to show how literary art is born. This book is a must for any Stoker or Rowling fan. Calvin H. Cherry is the author of STOKER: Evolution of a Vampire and fantasy and horror scholar.
Dear reader,When the boon of sleep becomes a presage of horror, while one's long, shadowy days are laden with sordid events so terrifying they only bridge a thread to the same wicked nightmare, in what can a gentleman find refuge and catharsis? Writing.No one can deny that Abraham Stoker penned a Gothic tour de force in 1897. All readers and moviegoers are familiar with the name Dracula, as a parade of literary colleagues and Hollywood directors have probed the monster&rsq
It is an easy to read book that follows the main development of Calvin's theology, accentuating Calvin's positive convictions without lingering over matters of only dated importance. Also, persons who desire authentic texts of a religious tradition.
A handy tool for pastors, students, and laity seeking a better understanding of the teachings of Calvin, this book includes a new study guide and a comprehensive, easy-to-use introduction to the most influential book of the Protestant Reformation, Calvin's Institutes of the Christian Religion.
This abridgement of Ford Lewis Battles' Calvin: Institutes of the Christian Religion will better acquaint readers with the seminal work in Reformed theology. In an easy-to-read, concise format, Donald McKim follows the main development of Calvin's thought, accentuating his contributions without lingering over matters whose importance has become outdated.
Calvin’s Calvinism A Translation of 1. The Eternal Predestination of God 2. The Secret Providence of God By John Calvin and translated by Henry Cole, D.D. This unique book constitutes the only original writings of John Calvin devoted “expressly, exclusively, and purposely” to the capital “Calvinistic” doctrines of The Eternal Predestination of God, and The Secret Providence of God. They are Calvin’s own testimony and real mind concerning the doctrines of God’s electing, predestinating and sovereign grace, constitute his own exposition and expression of faith, and beautifully display the spirit in which he held and taught these great Biblical truths. These important treatises were published in 1552 and 1558 respectively and lay locked in the original language of Calvin’s day until translated by Henry Cole, D. D., 300 years later in 1856 under the present title of Calvin’s Calvinism. The first treatise on Eternal Predestination consists of 131 pages; the second on Secret Providence covers 127 pages, the later embracing arguments (Calumnies) against Calvin and his refutation of each particular point. Illuminating “Dedicatory Prefaces” and prefaces by the translator add significance to the main content of this important volume.
Research on Social Work and Disasters shows readers significant ways in which the social work profession can become involved in prevention, mitigation, and preparedness activities to reduce the impact of disasters worldwide. Chapters illustrate a variety of types of disasters, theoretical approaches, methodologies, and levels of analysis found in recent research. While this research is consistent with the tradition and mission of the social work profession, it also presents innovative work focusing on disasters and uses advanced qualitative and qauntitative research methodologies.
Calvin Malone has plenty to teach us all about ideas that we rarely associate with the penal system; Dignity. Compassion. Freedom behind bars. He speaks from experience; Malone is nearing the end of a 20-year prison sentence himself. Razor-Wire Dharma is his eloquent, enlightening, and utterly inspiring personal story how he found Buddhism-and real, transformative meaning for his life-despite being in one of the world's harshest environments. Some of his stories are hilarious, some are harrowing, but all express Buddhist wisdom as vividly as any practitioner could hope to do. Malone is living it, and in the unlikeliest of places. For him, the choice of staying true to his principles often requires that he quite literally jeopardize his life, safety, and the few small comforts available to him to try to do what's right. Razor-Wire Dharma makes it clear that if Calvin can do what's right in jail, he can do it anywhere. What's more, it proves that we can, too.
Calvin Fletcher, born in Vermont in 1798, came to Indiana from Ohio in 1821, and in the next forty-five years made a fortune, raised eleven children, and was a pillar of the community. This pioneer Indianapolis lawyer, banker, and philanthropist kept a diary for most of his long life, and in it he recorded both the growth of his family and his community. Whether complaining, criticizing, observing shrewdly, or agonizing, Fletcher emerges as both a complex and unforgettable human being. Each of the set's nine volumes has a preface, chronology, and index. Volume nine includes a cumulative index.
My book is my autobiography: it is told in a short story form; all about the highs and the many lows I experienced, and the decisions I made, that propelled me to both my successes, and my many failures that I reached out seeking to find! (I always hoped for the best; I expected I might find the very worst; and usually it would fall somewhere in between: that way, I was seldom if ever, disappointed!) I always tried to treat people I met, with the same respect, as I wanted them to show to me in return. I know I could have done better than I did most times, but I truly never took "LOVE" lightly, nor did I tell women I met, that I loved them, just because it was convenient to do so! I often tried to express my feelings, the best way I could with most of the poetry I wrote, with honestly, and a sincere amount - of humility, and inspiration! If I could change only one thing in my life: I would try to have been a better roll model to my kids, and to have been - a better father, and grand pa! My book covers a one of a kind story of my meeting, and beating "Evel Kneivel at his own game twice; and my struggle with alcohol; my Serious Gambling addiction, and my Deadly fight with Cancer!
Reprint of the original, first published in 1874. The publishing house Anatiposi publishes historical books as reprints. Due to their age, these books may have missing pages or inferior quality. Our aim is to preserve these books and make them available to the public so that they do not get lost.
It was 1935, the sixth year of the Great Depression. Most of the population was living on faith, hope, and denial. Still, it was not a bad year to be sixteeen--if you were white, middle-class, Protestant, and lucky enough to be living in Atlanta. Like a Tree is the story of the Krueger family and how they coped and conquered through the spirit-breaking years of the nineteen-thirties. In a larger context, Like a Tree is about the South's white liberal minority that worked quietly and largely underground, fighting prejudice, segregation, and ignorance to emancipate future generations. Early revewers have called this book "touching," "absorbing," "powerful, "important," "original," "richly textured." It is a testament to perseverance, love, good will, and the fortitude of ordinary human beings.
Razor-Wire Dharma is an eloquent, enlightening, and utterly inspiring personal story how one man found Buddhism—and real, transformative meaning for his life—despite being in one of the world's harshest environments.
From ancient China to a future Mars, from the British Empire to the Old West, 19 authors show you worlds with alcohol fuelled dragons, philosophical automatons, and Qi-powered machines both wondrous and strange in tales of vengeance, paper lantern revolutions and flying monks. Shanghai Steam is a unique mash up of Steampunk and the Chinese literary genre known as Wuxia (loosely translated as martial hero).
Calvin Riley was born in poverty to parents who were allegedly blood brother and sister, on the island of Jamaica, where the privileged had a constant smile on their faces, but the underprivileged shed endless tears. From childhood, he experienced limitless emotional and physical pain, and at length he began to retaliate. As he got older, he realised that he was moulding into a new person of a new world, but he seemed forever condemned and hemmed in by walls. Eventually he had to lie and cheat to survive, and perhaps only the fact that he had love in his heart why he hadnt committed murder; it was also the same love that kept him from being killed.
The Medicine Wheel built by Indigenous people acknowledges that ecosystems experience unpredictable recurring cycles and that people and the environment are interconnected. The Western science knowledge framework is incomplete unless localized intergenerational knowledge is respected and becomes part of the problem-definition and solution process. The goal of this book is to lay the context for how to connect Western science and Indigenous knowledge frameworks to form a holistic and ethical decision process for the environment. What is different about this book is that it not only describes the problems inherent to each knowledge framework but also offers new insights for how to connect culture and art to science knowledge frameworks. Read this book and learn how you can move beyond stereotypes to connect with nature.
NEW YORK TIMES BESTSELLER • A fascinating portrait of journalism and the people who make it, told through pieces collected from the incomparable six-decade career of bestselling author and longtime New Yorker writer Calvin Trillin “The Lede contains profiles . . . that are acknowledged classics of the form and will be studied until A.I. makes hash out of all of us.”—Dwight Garner, The New York Times I’ve been writing about the press almost as long as I’ve been in the game. At some point, it occurred to me that disparate pieces from various places in various styles amounted to a picture from multiple angles of what the press has been like over the years since I became a practitioner and an observer. Calvin Trillin has reported serious pieces across America for The New Yorker, covered the civil rights movement in the South for Time, and written comic verse for The Nation. But one of his favorite subjects over the years—a superb fit for his unique combination of reportage and humor—has been his own professional environment: the American press. In The Lede, Trillin gathers his incisive, often hilarious writing on reporting, reporters, and their world. There are pieces on a legendary crime reporter in Miami and on an erudite film critic in Dallas who once a week transformed himself from a connoisseur of the French nouvelle vague into a fan of movies like Mother Riley Meets the Vampire. Trillin writes about the paucity of gossip columns in Russia, the icebreaker he'd use if he met one of his subjects socially (e.g.: “You must be wondering why I referred to you in Time as a dork robot”), and the origins of a publication called Beautiful Spot: A Magazine of Parking. Uniting all of this is Trillin’s signature combination of empathy, humor, and graceful prose. The Lede is an invaluable portrait of one our fundamental American institutions from a master journalist.
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