The Parthenon: in the brilliance of its siting, astonishing constructional precision and refinements, remains one of the greatest enigmas in architecture. It exemplifies an ‘elusive quality’ which transcends history and can also be identified in certain key works of the modern era. ‘YRIA - the guiding shadow’ is the account of a search - in time and place - for the origins of this luminous artistic and architectural mode. The thread is followed through the work of visionary artists and architects of recent times and illuminated by a comprehensive text, numerous sketches and high quality photographs. Written primarily for the adventurous reader with an interest in Art and Architecture, History and Mythology, Poetry and Philosophy - as an account of architectural beginnings revealed by recent archaeological discoveries, this book will also interest the specialist.
What is Time? Assuming no prior specialized knowledge by the reader, the book raises specific, hitherto overlooked questions about how time works, such as how and why anyone can be made to be, at the very same instant, simultaneous with events that are actually days apart. It examines abiding issues in the physics of time or at its periphery which still elude a full explanation ― such as delayed choice experiments, the brain's perception of time during saccadic masking, and more ― and suggests that these phenomena can only exist because they ultimately obey applicable mathematics, thereby agreeing with a modern view that the universe and everything within it, including the mind, are ultimately mathematical structures. It delves into how a number of conundrums, such as the weak Anthropic Principle, could be resolved, and how such resolutions could be tested experimentally. All its various threads converge towards a same new vision of the ultimate essence of time, seen as a side effect from a deeper reality.
In 1825, an enterprising Canterbury newsagent by the name of Henry Ward raised a subscription to commission a lasting tribute to his beloved musical society. The result was a fine lithograph showing 100 gentlemen in assured poses, carefully placed in surroundings eloquently freighted with classical allusion, cultural literacy, deep-rooted patriotism, and strictly masculine politics. That image is the subject of this book. With insights gleaned from a unique collection of music, papers, and artefacts in the archives of the city and the cathedral, this study considers not only the accomplished performance of bourgeois status which is clearly visible in the print, but other characteristics of the Club which are either less pictorially privileged or entirely omitted. Deploying iconographical, cultural, and musicological analysis, the book discusses this curiously contradictory slice of British social history in which the respectable apparently coexisted happily with the libertine. What emerges is an unusually clear view of the production, performance and consumption of music in a provincial city at a fascinating time: a period when cultural activity was a strategic assertion of socio-political identity.
New discoveries in genetics, molecular, and cell biology are not only enhancing our understanding of the etiology and progression of disease, but are finding applications in the development of new drugs or the implementation of new kinds of therapy. This book provides an in-depth review of emerging areas in biomedical research at the interface of s
Dora Hand was in a deep sleep. Her bare legs were exposed despite her thick blankets, and a mass of long, auburn hair stretched over her pillow and flowed off the side of her flimsy mattress. A framed, charcoal portrait of an elderly couple hung above her bed on the faded wallpaper and kept company with her slumber. The air outside the window next to the picture was still and cold. The distant sound of voices, back-slapping laughter, profanity, and a piano's tinny, repetitious melody wafted down the main thoroughfare in Dodge City, Kansas, and into the small room. Dodge was an all-night town, "the wickedest little city in America." The streets and saloons were always busy. Residents learned to sleep through the giggling, growling, and gunplay of the cowboys and their paramours for hire. Dora’s dreams were seldom disturbed by the commotion, but the smack of a pair of bullets cutting through the walls of the tiny room cut through the routine nightly noises. The first bullet stuck in the dense plaster partition. The second struck Dora on the right side, just under her arm. There was no time for her to object to the injury; no moment for her to cry out or recoil in pain. In the near distance, a horse squealed and its galloping hooves echoed off the street and faded away. Future legends of the Old West, Charlie Bassett, Bat Masterson, Wyatt Earp, and Bill Tilghman were the lawmen who patrolled the unruly streets. When a cattle baron’s son fled town after the shooting of the popular saloon singer named Dora Hand, the four men--all experts with a gun who knew the harsh, desertlike surrounding terrain--hunted him down like "Thunder Over the Prairie." The posse's ride across the desolate landscape to seek justice influenced the men's friendship, their careers, and their feelings about the justice system. This account of that event is a fast-paced, cinematic glimpse into the Old West that was.
A unique series that provides a framework for teaching coding skills. Take your Python coding to the next level! Book 2 continues seamlessly on from Python Basics, offering full support and progressive tasks for students who have some basic programming experience and are ready to move on to slightly more challenging material. You will learn how to program and customise a simple calculator and, most importantly, learn essential new programming ideas that will make you a much more accomplished coder. The code is suitable for Mac, Windows and Linux users and therefore compatible with the Raspberry Pi.
The 4th International Congress of Modern Architecture (CIAM), 1933 was held onboard the boat, Patris II, for four days at sea and in Athens. The artist and attendee László Moholy-Nagy prepared a visual documentary of the Congress. This book is built around Mohol-Nagy's documentary.
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