AT THE BOTTOM OF THE BIG TOP was published in 2006 as a limited edition staple-bound chap-book. This special edition paperback is perfect-bound and includes additional artwork by the author as well as the original poem ""one dead marmoset."" which was expanded into this short story made up of poems. Each poem in this dark collection stands as a chapter within the book's story - the tale of a disaster at a strange circus. The Big Top hides a Doctor Frankenstein of sorts. Man-made side-show freaks rise up against this madman who created them & then launch a full-scale attack upon the entire circus. A book rich with detail that pulls no punches. black and white interior illustrations and full color watercolor pictures on the cover. The clown on the cover is obviously evil and has an axe. This is not a children's book. This book has received praise from several fine authors including Carter Monroe, Tim Peeler, Mike Maguire, Jim Chandler and Dean Koontz.
Transcolonial Maghreb offers the first thorough analysis of the ways in which Moroccan, Algerian, and Tunisian writers have engaged with the Palestinian question and the Palestinian-Israeli conflict for the past fifty years. Arguing that Palestine has become the figure par excellence of the colonial in the purportedly postcolonial present, the book reframes the field of Maghrebi studies to account for transversal political and aesthetic exchanges across North Africa and the Middle East. Olivia C. Harrison examines and contextualizes writings by the likes of Abdellatif Laâbi, Kateb Yacine, Ahlam Mosteghanemi, Albert Memmi, Abdelkebir Khatibi, Jacques Derrida, and Edmond El Maleh, covering a wide range of materials that are, for the most part, unavailable in English translation: popular theater, literary magazines, television series, feminist texts, novels, essays, unpublished manuscripts, letters, and pamphlets written in the three main languages of the Maghreb—Arabic, French, and Berber. The result has wide implications for the study of transcolonial relations across the Global South.
80 small pieces of art by Eric C. Harrison, circa 1987-2002. Eric C. Harrison is an internationally known artist and has art for a number of musicians and bands including Grief, Chicken Chest and The Bird Boys, Noosebomb, Abscess, Fistula, -(16)-, Godstomper, No Comply, Derailer, Esoteric, B9K9. His art has been used for storyboards and has appeared in some magazines, such as Metal Maniacs, Terrorizer, Load of Noise UK (England) and Boue (France) As a musician he is best known for his work with Grief, a Boston based doom metal band. He is currently a member of B9K9 and BAD Life-Choices. A lot of his artwork is done to curb anxiety and paranoia. This collection includes 80 small pieces that were mostly done on index cards and small pieces of paper. Some of the pieces included in this volume were used by Grief, Chicken Chest and The Bird Boys, Fistula, Radio Frequency Lesion. Printed in A5 size (just under 6x9) makes this a cool little book of art.
80 pages - 75 drawings and sketches All of the drawings and sketches in Quirkish Delight were done in 2012 by Eric C. Harrison. Nearly all were created with pigment liners on sketch paper. Most of these pictures were started to curb anxiety and paranoia while traveling to and from work on trains or buses and were completed later in the privacy of the artist's home. Eric C. Harrison's artwork has been used as album covers by numerous underground bands including Grief, Noosebomb, Fistula, Stasis, B9K9, -(16)-, Godstomper, No Comply, Chicken Chest and The Bird-boys, Abscess, Derailer, Esoteric and others.
Examining the intersection of Palestine solidarity movements and antiracist activism in France from the 1970s to the present For the pasty fifty years, the Palestinian question has served as a rallying cry in the struggle for migrant rights in postcolonial France, from the immigrant labor associations of the 1970s and Beur movements of the 1980s to the militant decolonial groups of the 2000s. In Natives against Nativism, Olivia C. Harrison explores the intersection of anticolonial solidarity and antiracist activism from the 1970s to the present. Natives against Nativism analyzes a wide range of texts—novels, memoirs, plays, films, and militant archives—that mobilize the twin figures of the Palestinian and the American Indian in a crossed critique of Eurocolonial modernity. Harrison argues that anticolonial solidarity with Palestinians and Indigenous Americans has been instrumental in developing a sophisticated critique of racism across imperial formations—in this case, France, the United States, and Israel. Serving as the first relational study of antiracism in France, Natives against Nativism observes how claims to indigeneity have been deployed in multiple directions, both in the ongoing struggle for migrant rights and racial justice, and in white nativist claims in France today.
EARTH has a disease! Its called HUMANITY! Enter the Lord of Lightning, a wayward Godling desperate to lose his virginity. But on this world of suffering he discovers that INFECTION can kill anyone. BLEAK line-work by Eric C. Harrison illustrate the DISMAL words of Trevor R. Fairbanks in BLACK MERCURY, an experiment in spontaneity of image/word association. To create Black Mercury, Eric C. Harrison sent one or two raw illustrations to Trevor R. Fairbanks by email. As Trevor received the illustrations, one or two at a time, he looked into each one for inspiration. He allowed each image point his mind and guide his words and created a page of text for each. Black Mercury became an entity of its own creation by putting both artist and writer in a position of not knowing what to expect. The story became its own thing and though their hands were involved - it was out of the control of artist and writer to anticipate the final outcome.
This comprehensive reference organizes extensive definitions and examples of key concepts in quantitative research into a single, convenient source. Alphabetically arranged and cross-referenced, The Handbook of Research and Quantitative Methods In Psychology presents: * experimental procedures, * research designs, * statistical methods, * information theory, * psychophysics, * behavioral terminology, * scaling and testing.
When John Clark Married Ann Rogers in 1749 in Virginia, they would eventually produce ten children six sons and four daughters. Like most early American rural couples, John and Ann thought that they were raising farm hands and kitchen help. Little did they dream that their children and two more generations of Clarks would have such a great impact on Americas development from coast to coast. Three of the Clark sons would become officers, and help to win the Revolutionary War in the east. George Rogers Clark would become a general and win the Revolution in the west thus giving America the eastern one third of the continent. George would also found Louisville, and the state of Kentucky. William Clark, as the youngest Clark son, was seventeen years younger than big brother George his hero. William would also pursue a military career, and partner with Meriwether Lewis to explore the Louisiana Purchase thus giving America the middle third of the continent. William would later become a great Indian diplomat, and help to establish the state of Missouri. Williams son Meriwether Lewis, Sr. (Lewis) would go to West Point, become a famous architect, and fight in three wars. They included the Mexican War, which gave America the western third of the continent. Lewis son Meriwether Lewis Clark, Jr. (Lutie) would basically save the thoroughbred industry in Kentucky and America after the Civil War. He created the pari-mutuel system of betting, set up racing rules, and started Churchill Downs and the Kentucky Derby all of which still exist. John and Ann Clark and all of the other living off-springs eventually moved to Louisville, and added to the Clarks of Kentucky.
Amata, a five year old Comanche child growing up with the determination of becoming a great warrior in her own right. She must learn the lessons chief Aberon, her father, teaches her as well as those taught by the spirit world. All of the lessons learned she must teach in her own way to the children known as the chosen four. These chosen children are able to travel through the spirit world and are a part of both worlds. They were born, raised and trained to do the bidding of the Great Spirit with the very life force of the Great Spirit wilding his mighty hand through them. These four children have destinies to complete as they become the salvation of the Comanche Nation only to be betrayed by one of their own. All that they endured and all they have accomplished seems lost as they embark on the trail of tears forced on them by their enemy. Their strong will and determination at the end of their journey makes one wonder if they will come back and fight again for what they so desperately believe.
Informational text uses a historical framework to discuss issues surrounding individual rights and equal rights. Sections include opinions from notable Americans on various sides of the issue followed by encouragement for readers to analyze each opinion.
Picture Of A Paranoid - poems, prose & short stories by artist, musician, writer Eric C. Harrison, includes selections from 10 years of small press publication, circa 2002-2012. Selections from Parallel Enigmas - a chapbook co-authored with Carter Monroe, At The Bottom Of The Big Top, The Underbeat Journal, Jim Chandler's Thunder Sandwich, Tim Peeler's Third Lung Review, The-Hold, Glen Feulner's 63channels Magazine, Spitjaw Review, Beatdog Broadside & Tyrannosaurus RX, Rockzillaworlds Americana Poetry Consortium and Load of Noise in England - and more. The cover drawing was done by British outsider artist, Nick Blinko who is known for his work with the band The Rudimentary Peni and for having written The Haunted Head and The Primal Screamer.
This publication of Sasse's RTR articles marks yet another milestone in the continued publication of the works of one of the great Lutheran theologians of the twentieth century. The RTR and Springfielder articles and the many book reviews presented in this volume have been all but inaccessible for decades. All of them bear witness to Sasse's deep knowledge of Church history, the New Testament, Luther, the Reformation, the Eastern Church, and Rome. Though writing as a very convinced confessional Lutheran, Sasse nevertheless affirms the breadth and scope of the Una Sancta. He dispels myths such as the "ancient undivided church" and untangles the riddles of Roman Catholicism with deepest respect and truth.
Whilst researching my family history i discovered many interesting things that were not obvious .I suppose like most familes we had people to be proud of and people to be less proud .Charactures have been poached from my memories of some of them and used in this story .Some of which is based around Leight Buzzard and surrounding country side that i am fortunate to live in.I worked for 8 years in Soho in the 60s and some of the story travels to that area where i have fond memories.
This is the story of Bud Green, a college graduate trying to work within the system in Washington, DC, following his senator's staff to the notion's summer capital - where he falls in love with Rose Gardner, a modern liberated woman, who is very old-fahioned about starting a family.
DC Rider follows the life of a man named Buck Buckley. After years and years of inflation and wasteful energy consumption, Buck wakes up to a world the likes of which he has never seen, an America whose major functions have completely shut down. There is no electricity, banks have shut down, the nation's food supplies are low, all of which in turn creates a ruthless and savage nation. Trying to find a way out of the great catastrophe, he heads north by bus, until the bus runs out of gas and signals a new life for Buck Buckley.Stranded on an Amish farm, Buck spends the next few years learning how to use and depend on nature before setting out west to start his own farm. Before reaching his destination, however, he is drawn back to his hometown of Washington, DC, which is now in shambles. The government is still intact and functioning, but its job is made almost impossible due to the loss of its ability to communicate with the nation's citizens. Police forces have ceased to patrol, and local thugs have taken over the communities. Feeling compassion for his former home, he begins his adventure of trying to bring the torn community together. He finds opposition in a variety of forms, but he alone rises to the fight in an effort to restore freedom to the heart of the nation.Richard Cortland Harrison does an wonderful job of painting a picture of this new world in the mind of the reader. His descriptive narration is superb, and he adds a little of something for everyone. DC Rider contains action, murder, romance, and humor, and all of it makes for a very compelling read.
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