The first edition of The Rhetoric of Fiction transformed the criticism of fiction and soon became a classic in the field. One of the most widely used texts in fiction courses, it is a standard reference point in advanced discussions of how fictional form works, how authors make novels accessible, and how readers recreate texts, and its concepts and terms—such as "the implied author," "the postulated reader," and "the unreliable narrator"—have become part of the standard critical lexicon. For this new edition, Wayne C. Booth has written an extensive Afterword in which he clarifies misunderstandings, corrects what he now views as errors, and sets forth his own recent thinking about the rhetoric of fiction. The other new feature is a Supplementary Bibliography, prepared by James Phelan in consultation with the author, which lists the important critical works of the past twenty years—two decades that Booth describes as "the richest in the history of the subject.
With more than three-quarters of a million copies sold since its first publication, The Craft of Research has helped generations of researchers at every level—from first-year undergraduates to advanced graduate students to research reporters in business and government—learn how to conduct effective and meaningful research. Conceived by seasoned researchers and educators Wayne C. Booth, Gregory G. Colomb, and Joseph M. Williams, this fundamental work explains how to find and evaluate sources, anticipate and respond to reader reservations, and integrate these pieces into an argument that stands up to reader critique. The fourth edition has been thoroughly but respectfully revised by Joseph Bizup and William T. FitzGerald. It retains the original five-part structure, as well as the sound advice of earlier editions, but reflects the way research and writing are taught and practiced today. Its chapters on finding and engaging sources now incorporate recent developments in library and Internet research, emphasizing new techniques made possible by online databases and search engines. Bizup and FitzGerald provide fresh examples and standardized terminology to clarify concepts like argument, warrant, and problem. Following the same guiding principle as earlier editions—that the skills of doing and reporting research are not just for elite students but for everyone—this new edition retains the accessible voice and direct approach that have made The Craft of Research a leader in the field of research reference. With updated examples and information on evaluation and using contemporary sources, this beloved classic is ready for the next generation of researchers.
Since 1995, more than 150,000 students and researchers have turned to The Craft of Research for clear and helpful guidance on how to conduct research and report it effectively . Now, master teachers Wayne C. Booth, Gregory G. Colomb, and Joseph M. Williams present a completely revised and updated version of their classic handbook. Like its predecessor, this new edition reflects the way researchers actually work: in a complex circuit of thinking, writing, revising, and rethinking. It shows how each part of this process influences the others and how a successful research report is an orchestrated conversation between a researcher and a reader. Along with many other topics, The Craft of Research explains how to build an argument that motivates readers to accept a claim; how to anticipate the reservations of thoughtful yet critical readers and to respond to them appropriately; and how to create introductions and conclusions that answer that most demanding question, "So what?" Celebrated by reviewers for its logic and clarity, this popular book retains its five-part structure. Part 1 provides an orientation to the research process and begins the discussion of what motivates researchers and their readers. Part 2 focuses on finding a topic, planning the project, and locating appropriate sources. This section is brought up to date with new information on the role of the Internet in research, including how to find and evaluate sources, avoid their misuse, and test their reliability. Part 3 explains the art of making an argument and supporting it. The authors have extensively revised this section to present the structure of an argument in clearer and more accessible terms than in the first edition. New distinctions are made among reasons, evidence, and reports of evidence. The concepts of qualifications and rebuttals are recast as acknowledgment and response. Part 4 covers drafting and revising, and offers new information on the visual representation of data. Part 5 concludes the book with an updated discussion of the ethics of research, as well as an expanded bibliography that includes many electronic sources. The new edition retains the accessibility, insights, and directness that have made The Craft of Research an indispensable guide for anyone doing research, from students in high school through advanced graduate study to businesspeople and government employees. The authors demonstrate convincingly that researching and reporting skills can be learned and used by all who undertake research projects. New to this edition: Extensive coverage of how to do research on the internet, including how to evaluate and test the reliability of sources New information on the visual representation of data Expanded bibliography with many electronic sources
Why pursue any skill or hobby? For the fun of it, for the love of it, and for the quality of the life lived while doing it, according to amateur cellist Wayne Booth.
With more than 400,000 copies now in print, The Craft of Research is the unrivaled resource for researchers at every level, from first-year undergraduates to research reporters at corporations and government offices. Seasoned researchers and educators Gregory G. Colomb and Joseph M. Williams present an updated third edition of their classic handbook, whose first and second editions were written in collaboration with the late Wayne C. Booth. The Craft of Research explains how to build an argument that motivates readers to accept a claim; how to anticipate the reservations of readers and to respond to them appropriately; and how to create introductions and conclusions that answer that most demanding question, “So what?” The third edition includes an expanded discussion of the essential early stages of a research task: planning and drafting a paper. The authors have revised and fully updated their section on electronic research, emphasizing the need to distinguish between trustworthy sources (such as those found in libraries) and less reliable sources found with a quick Web search. A chapter on warrants has also been thoroughly reviewed to make this difficult subject easier for researchers Throughout, the authors have preserved the amiable tone, the reliable voice, and the sense of directness that have made this book indispensable for anyone undertaking a research project.
Critics will always disagree, but, maintains Wayne Booth, their disagreement need not result in critical chaos. In Critical Understanding, Booth argues for a reasoned pluralism—a criticism more various and resourceful than can be caught in any one critic's net. He relates three noted pluralists—Ronald Crane, Kenneth Burke, and M. H. Abrams—to various currently popular critical approaches. Throughout, Booth tests the abstractions of metacriticism against particular literary works, devoting a substantial portion of his discussion to works by W. H. Auden, Henry James, Oliver Goldsmith, and Anatole France.
Bibliography of ethical criticism": p. 505-534. Presents arguments for the relocation of ethics to the center of literature, examining periods, genres, and particular works.
For the Love of It is a story not only of one intimate struggle between a man and his cello, but also of the larger struggle between a society obsessed with success and individuals who choose challenging hobbies that yield no payoff except the love of it. "If, in truth, Booth is an amateur player now in his fifth decade of amateuring, he is certainly not an amateur thinker about music and culture. . . . Would that all of us who think and teach and care about music could be so practical and profound at the same time."—Peter Kountz, New York Times Book Review "[T]his book serves as a running commentary on the nature and depth of this love, and all the connections it has formed in his life. . . . The music, he concludes, has become part of him, and that is worth the price."—Clea Simon, Boston Globe "The book will be read with delight by every well-meaning amateur who has ever struggled. . . . Even general readers will come away with a valuable lesson for living: Never mind the outcome of a possibly vain pursuit; in the passion that is expended lies the glory."—John von Rhein, Chicago Tribune "Hooray for amateurs! And huzzahs to Wayne Booth for honoring them as they deserve. For the Love of It celebrates amateurism with genial philosophizing and pointed cultural criticism, as well as with personal reminiscences and self-effacing wit."—James Sloan Allen, USA Today "Wayne Booth, the prominent American literary critic, has written the only sustained study of the interior experience of musical amateurism in recent years, For the Love of It. [It] succeeds as a meditation on the tension between the centrality of music in Booth's life, both inner and social, and its marginality. . . . It causes the reader to acknowledge the heterogeneity of the pleasures involved in making music; the satisfaction in playing well, the pride one takes in learning a difficult piece or passage or technique, the buzz in one's fingertips and the sense of completeness with the bow when the turn is done just right, the pleasure of playing with others, the comfort of a shared society, the joy of not just hearing, but making, the music, the wonder at the notes lingering in the air."—Times Literary Supplement
Culled chiefly from great literary works, this unusual compendium of prose and poetry excerpts highlights the physical and emotional aspects of aging. Although Booth ( The Rhetoric of Fiction ), age 71, includes such cheery banal verse as "I Haven't Lost My Marbles Yet" (Minnie Hodapp), he has tailored this collection to encompass the unpleasant truths about aging. William Butler Yeats's "Sailing to Byzantium" and excerpts from Simone de Beauvoir's The Coming of Age offer realistic assessments of the perils and possible consolations of aging. The thoughtful commentary with which Booth connects the selections reminds readers that physical decay and fear of death are conditions common to us all. This provocative collection braces rather than comforts.
In this entertaining collection of essays, Wayne Booth looks for the much-maligned “middle ground” for reason—a rhetoric that can unite truths of the heart with truths of the head and allow us all to discover shared convictions in mutual inquiry. First delivered as lectures in the 1960s, when Booth was a professor at Earlham College and the University of Chicago, Now Don’t Try to Reason with Me still resounds with anyone struggling for consensus in a world of us versus them. “Professor Booth’s earnestness is graced by wit, irony, and generous humor.”—Louis Coxe, New Republic
Teaching writing, critical thinking, and argument, this popular reader features more than 100 thought-provoking selections written by some of history's classic thinkers.
Stained glass workers searching for designs with contemporary flair will find what they need in this distinctive collection. Artist Michael Gowen has created a unique treasury of original motifs that reflect his long-time interest in quilt patterns, Art Deco, and many aspects of 20th-century art. Over 400 black-and-white designs can easily be adapted to a variety of projects. Larger patterns can be produced by scanning small originals. Masterly compositions of graceful lines and geometric shapes (squares, circles, half-circles, triangles, rectangles) are enclosed in a diversity of frames — oval, diamond, rectangular, elliptical, as well as a number of irregular forms. Both beginning and experienced stained glass workers will be especially pleased to find that no shape is impractical to cut. Often delicate and classical in feeling, these attractive royalty-free motifs can be used to enhance many elements of interior décor: sidelights, windows, lampshades, mirrors, and much more. Smaller designs lent themselves to miniature projects such as jewelry settings and dollhouse windows. Stained glass workers will find here an inexpensive treasury of design inspiration and practical patterns for a myriad of attractive projects.
Mr. Donald Howard Becton III, the successful globe-trotting businessman and millionaire, is deader than a pair of socks. And he is presently on display for the world to see at the Olson-Hines Funeral Home. His wife, the educated and well-pedigreed Eileen, visits, and puts on a good show to get that nervous, rat terrier of a junior funeral hall director in training, Mr. Hines, to leave her alone with the corpse. Unfortunately, Eileen has a problem. No, not the pyromaniac daughter nor the bedwetting son; no, no one can find Becton's will, not even his golf-obsessed lawyer knows where it is. Perhaps clues to the dilemma can be found on the corpse? But, before a proper search can be made, Veronica shows up, a gaudily painted, silicone enhanced "lady" who also claims to be Becton's wife. Let's just say that that is not what Eileen expected. The two immediately despise each other and eventually go at it to hilarious means, leaving behind a very perplexed Mr. Hines (and one very battered corpse) at play's end."--Publisher's website.
In the opening scene, Professor Librum, Dewie, Louie, and Hewie Decimal are in Bookworld next to a Space Rider, a shuttle-like space ship. Professor Librum, the Head Librarian of Booksworld looks like a cross between a librarian and a super-hero. The Decimals are androids that are experiencing malfunctioning computer chip problems as they prepare to board the Space Rider.
A little more than seventy-five years ago, Kate L. Turabian drafted a set of guidelines to help students understand how to write, cite, and formally submit research writing. Seven editions and more than nine million copies later, the name Turabian has become synonymous with best practices in research writing and style. Her Manual for Writers continues to be the gold standard for generations of college and graduate students in virtually all academic disciplines. Now in its eighth edition, A Manual for Writers of Research Papers, Theses, and Dissertations has been fully revised to meet the needs of today’s writers and researchers. The Manual retains its familiar three-part structure, beginning with an overview of the steps in the research and writing process, including formulating questions, reading critically, building arguments, and revising drafts. Part II provides an overview of citation practices with detailed information on the two main scholarly citation styles (notes-bibliography and author-date), an array of source types with contemporary examples, and detailed guidance on citing online resources. The final section treats all matters of editorial style, with advice on punctuation, capitalization, spelling, abbreviations, table formatting, and the use of quotations. Style and citation recommendations have been revised throughout to reflect the sixteenth edition of The Chicago Manual of Style. With an appendix on paper format and submission that has been vetted by dissertation officials from across the country and a bibliography with the most up-to-date listing of critical resources available, A Manual for Writers remains the essential resource for students and their teachers.
This highly anticipated third original bamboozling fantasy adventure to "Beanie and the Bamboozling Book Machine". Beanie's about to destroy the book machine, but a classmate fooling around with the machine has unleashed more troublemakers. Not only are the original fairytale characters (Robin Hood, Maid Marian, Snow White) released from their stories, but also villains like The Black Knight, Mordred and Morgan Le Fey. Who IS behind all of this? Can Beanie save the day?
The Wenchuan Earthquake of 2008: Anatomy of a Disaster" gives a detailed account of the damage, seismology and tectonics of the event and discusses earthquake prediction, seismic hazard and risk management, the creation and implementation of building codes, and new practices used in rescue, relief and reconstruction. It will be of significant interest to researchers and practitioners engaged in seismology, geophysics, engineering, the social sciences, and disaster management and recovery. It also offers a valuable new and unique Chinese perspective with many insights for future mitigation of earthquake risk. Professor Yong Chen works for the China Earthquake Administration; Dr David C. Booth works for the British Geological Survey.
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