Reproduction of the original. The publishing house Megali specialises in reproducing historical works in large print to make reading easier for people with impaired vision.
Byron's letters provide a vivid self-portrait of the man who, of all his contemporaries, seems to express attitudes and feelings most in tune with the twentieth century. Readers and reviewers have responded with great enthusiasm to Leslie Marchand's new unexpurgated edition.
Byron was a superb letter-writer: almost all his letters, whatever the subject or whoever the recipient, are enlivened by his wit, his irony, his honesty, and the sharpness of his observation of people. They provide a vivid self-portrait of the man who, of all his contemporaries, seems to express attitudes and feelings most in tune with the twentieth century. In addition, they offer a mirror of his own time. This first collected edition of all Byron's known letters supersedes Prothero's incomplete edition at the turn of the century. It includes a considerable number of hitherto unpublished letters and the complete text of many that were bowdlerized by former editors for a variety of reasons. Prothero's edition included 1,198 letters. This edition will have more than 3,000, over 80 percent of them transcribed entirely from the original manuscripts. Byron's epistolary saga continues con brio in this volume. At the start of 1818 he sends off the last canto of Childe Harold and abandons himself to the debaucheries of the Carnival in Venice. At the close of 1819 he resolves to return to England but instead follows Teresa Guiccioli to Ravenna. In the meantime he writes three long poems and two cantos of Don Juan, whose bowdlerization he violently protests; he breaks off with Marianna Segati, copes with his amorous "tigress" Margarita Cogni, then falls passionately in love with the young Countess Guiccioli; he thinks seriously of emigrating to South America; he takes custody of his little daughter Allegra and becomes increasingly fond of the child. The Shelleys visit him, as does Thomas Moore, to whom he entrusts his memoirs (burned after his death). The letters to friends are a marvelous outpouring of funny anecdotes, practical talk, discussions of his poems, statements of his beliefs. The love letters are in a class by themselves.
A new hardcover selection of Lord Byron's letters, poems, and journals, tracing his dramatic, scandalous, heroic life and his wide-ranging travels—and timed to the two-hundredth anniversary of his tragic early death George Gordon, Lord Byron, was one of the leading figures of British Romanticism. The Byronic hero he gave his name to—the charming, dashing, rebellious outsider—remains a powerful literary archetype. Byron was known for his unconventional character and his extravagant and flamboyant lifestyle: he had numerous scandalous love affairs, including with his half-sister Augusta Leigh. Lady Caroline Lamb, one of his lovers, famously described him as "mad, bad and dangerous to know." His letters and journals were originally published in two volumes; this new one-volume selection includes poems and provides a vivid overview of his dramatic life arranged to reflect his travels through Scotland, Italy, Spain, Turkey, Albania, Switzerland, and of course Greece, where he died. It contains a new introduction by scholar Fiona Stafford highlighting Byron’s enduring significance and the ways in which he was ahead of his time. Everyman's Library pursues the highest production standards, printing on acid-free paper, with full-cloth cases with two-color foil stamping, decorative endpapers, silk ribbon markers, European-style half-round spines, and a full-color illustrated jacket. Each title includes an introduction, a select bibliography, and a chronology of the author's life and times.
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