Burt Kimmelman's Books

Visible at Dusk

By: Burt Kimmelman

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Burt Kimmelmanís essays range across cultures and their artifacts, weighing the reach of the arts, especially in the avant-garde as the modern becomes postmodern. Over a long century our poetry, art, architecture and film have determined a history that determined them, taking shape as they shaped us.

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Page Count

434

Publisher

DOS Madres Press

Published Date

ISBN 10

1953252125

ISBN 13

9781953252128

The Way We Live

Poems

By: Burt Kimmelman

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The Way We Live

Poems

By: Burt Kimmelman

Poetry. "Burt Kimmelman is a poet who trusts what is: the continuous autonomy of two people in a close marriage, the unalterable passage of time, the lies the mirror tells us, the comfort of 'simply living / among the objects of the day.' Yet, like the inimitable domestic scenes painted by Pierre Bonnard, Kimmelman's quiet poems contain the luminescence of perception, its lure, its beauty, its Zen of breath, tracing beauty in the pulse of the extant."—Star Black

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DOS Madres Press

Published Date

ISBN 10

1933675640

ISBN 13

9781933675640

The "winter Mind"

William Bronk and American Letters

By: Burt Kimmelman

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The "winter Mind"

William Bronk and American Letters

By: Burt Kimmelman

Through special attention to his uniquely elegant style, this study demonstrates how Bronk has brought together earlier American poetics and philosophy with modern and postmodern notions of being, emptiness, and nothingness.

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Page Count

226

Publisher

Fairleigh Dickinson Univ Press

Published Date

ISBN 10

0838637906

ISBN 13

9780838637906

Licensed by Authority

Ben Jonson and the Discourses of Censorship

By: Richard Burt

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Licensed by Authority

Ben Jonson and the Discourses of Censorship

By: Richard Burt

A dramatist whose own works were repeatedly censored early in his career and who later stood in succession to become the court censor himself, Ben Jonson embodies the contradictions and complexities of theater censorship in the early Stuart period. Focusing on Jonson's writings and the political vicissitudes of his career, Richard Burt offers a provocative reinterpretation of Jacobean and Caroline theater censorship and theatrical culture. Informed by the writings of Foucault and Bourdieu, Licensed by Authority historicizes censorship, arguing that it was less a matter of denying dramatists liberty of speech than a network of productive strategies for legitimating and delegitimating specific discursive practices. Burt draws on a rich body of archival and literary evidence, including plays by Shakespeare and by Jonson's Caroline contemporaries, in order to demonstrate that censorship was nurtured and sustained not only by a culturally diverse Stuart court but also by the playwrights themselves, along with theatrical entrepreneurs, printers, poets, and critics.

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Page Count

248

Publisher

Cornell University Press

Published Date

ISBN 10

1501722425

ISBN 13

9781501722424

The "winter Mind"

William Bronk and American Letters

By: Burt Kimmelman

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The "winter Mind"

William Bronk and American Letters

By: Burt Kimmelman

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Page Count

226

Publisher

Fairleigh Dickinson Univ Press

Published Date

ISBN 10

0838637906

ISBN 13

9780838637906

The New American Poetry

Fifty Years Later

By: John R. Woznicki

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The New American Poetry

Fifty Years Later

By: John R. Woznicki

The New American Poetry: Fifty Years Later is a collection of critical essays on Donald Allen’s 1960 seminal anthology, The New American Poetry, an anthology that Marjorie Perloff once called “the fountainhead of radical American poetics.” The New American Poetry is referred to in every literary history of post-World War II American poetry. Allen’s anthology has reached its fiftieth anniversary, providing a unique time for reflection and reevaluation of this preeminent collection. As we know, Allen’s anthology was groundbreaking—it was the first to distribute widely the poetry and theoretical positions of poets such as Charles Olson, Allen Ginsberg and the Beats, and it was the first to categorize these poets by the schools (Black Mountain, New York School, San Francisco Renaissance, and the Beats) by which they are known today. Over the course of fifty years, this categorization of poets into schools has become one of the major, if not only way, that The New American Poetry is remembered or valued; one certain goal of this volume, as one reviewer invites, is to “pry The New American Poetry out from the hoary platitudes that have encrusted it.” To this point critics mostly have examined The New American Poetry as an anthology; former treatments of The New American Poetry look at it intently as a whole. Though the almost singularly-focused study of its construction and, less often, reception has lent a great deal of documented, highly visible and debated material in which to consider, we have been left with certain notions about its relevance that have become imbued ultimately in the collective critical consciousness of postmodernity. This volume, however, goes beyond the analysis of construction and reception and achieves something distinctive, extendingthose former treatments by treading on the paths they create. This volume aims to discover another sense of “radical” that Perloff articulated—rather than a radical that departs markedly from the usual, we invite consideration of The New American Poetry that isradical in the sense of root, of harboring something fundamental, something inherent, as we uncover and trace further elements correlated with its widespread influence over the last fifty years.

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Page Count

305

Publisher

Rowman & Littlefield

Published Date

ISBN 10

1611461251

ISBN 13

9781611461251

Book's by Burt Kimmelman

Visible at Dusk

Visible at Dusk

The Way We Live

The Way We Live

The "winter Mind"

The "winter Mind"

Licensed by Authority

Licensed by Authority

The "winter Mind"

The "winter Mind"

The New American Poetry

The New American Poetry

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