In this book, former Warren Commission lawyer Burt Griffin examines anew the Kennedy assassination, its various investigations, its effects on the Cold War and the civil rights movement, and the motives of Lee Harvey Oswald and Jack Ruby. Griffin begins with his own skeptical reaction to the assassination, proceeds to the Dallas police investigation, and continues with the efforts of himself and his colleagues to sift truth from those who concealed, withheld, or exaggerated evidence. After nearly six decades of study, Judge Griffin is satisfied that Oswald acted alone. He concludes that violence in the Cold War and civil rights movement caused Oswald to believe that blame for Kennedy's death might be placed on followers of rightwing activist and former U.S. Army general Edwin Walker. Walker was an outspoken enemy of Oswald's idol, Cuban president Fidel Castro, and a firm opponent of racial integration--and Oswald had already attempted to murder Walker in April 1963. The author gives the Walker movement a more prominent place in the assassination story and traces the conflicting ambitions of Walker, Oswald, Kennedy and Ruby as they collided in October and November 1963. This book will help serious readers separate truth from fiction and to become examiners of how insignificant, unsuspected, powerless people driven by very personal needs and fears can, with the help of a firearm, alter the course of history.
This handbook provides a comprehensive, practical, and independent guide to all aspects of making weather observations. The second edition has been fully updated throughout with new material, new instruments and technologies, and the latest reference and research materials. Traditional and modern weather instruments are covered, including how best to choose and to site a weather station, how to get the best out of your equipment, how to store and analyse your records and how to share your observations. The book's emphasis is on modern electronic instruments and automatic weather stations. It provides advice on replacing 'traditional' mercury-based thermometers and barometers with modern digital sensors, following implementation of the UN Minamata Convention outlawing mercury in the environment. The Weather Observer's Handbook will again prove to be an invaluable resource for both amateur observers choosing their first weather instruments and professional observers looking for a comprehensive and up-to-date guide.
The Values, World Society and Modelling Yearbook 2014 analyses contemporary world events, drawing on foundational ideas in various academic disciplines. The year 2014 was the centenary of the start of the First World War and the seventieth anniversary of the Normandy landings in the Second World War. The year saw violent conflict in Ukraine and the rise of the Islamic State in parts of Syria and Iraq. A referendum was held in Scotland to decide whether to stay in the UK. Centrist parties lost ground in the European Parliament elections and a general election was held in India, the biggest ever election in the world. Thomas Piketty sparked debate with his analysis of growing inequality in capitalist economies. Politicians in the UK talked about ‘British values’ and debated ‘is Britain Christian?’ The British Museum lent one of the Elgin Marbles to the Hermitage in St. Petersburg and Putin made overtures to China. In California, Elliot Rodger went on the rampage, killing six people. Malala Yousafzay won the Nobel Peace Prize, Maryam Mirzakhani won the Fields Medal and Judit Polgar retired from international chess. Germany won the World Cup in Brazil. Echoes of the Big Bang confirmed the theory of how the universe began. The 2014 Yearbook discusses these events alongside a variety of other specific events and general issues. In addition, this book includes the speech given by Kevin Avruch when he was joint recipient of the Conflict Research Society Book of the Year Prize 2014 for his book Context and Pretext in Conflict Resolution.
Lawrence Tierney (1919–2002) was the kind of actor whose natural swagger and gruff disposition made him the perfect fit for the Hollywood "tough guy" archetype. Known for his erratic and oftentimes violent nature, Tierney drew upon his bellicose reputation throughout his career—a reputation that made him one of the most feared and mythologized characters in the industry. Born in Brooklyn to Irish American parents, Tierney worked in theater productions in New York before moving to Hollywood, where he signed with RKO Radio Pictures in 1943. His biggest roles would come in Dillinger (1945), in which he played 1930s gangster and bank robber John Dillinger, and Robert Wise's film noir classic Born to Kill (1947). Despite his natural talents, Tierney was trouble from the start, struggling with alcoholism and mental instability that emboldened him to start fights whenever and wherever he could. The continued bouts of alcohol-fueled rage, his subsequent stints in jail, and his continued attempts at rehabilitation curtailed his acting career. Unable to find work throughout much of the 1960s, he did a stint in Europe before eventually returning to New York, where he took odd jobs as a construction worker, bartender, and hansom cab driver. In the mid-1980s Tierney returned to acting. With a somewhat cooler head, he established himself again with recurring roles in shows such as Seinfeld and Star Trek: The Next Generation. He would take on his final projects as a septuagenarian in Reservoir Dogs (1992) and Armageddon (1998), where his on-set behavior would once again draw the ire of his colleagues and studio representatives. He would go down swinging just shy of his eighty-third birthday, his tough-guy image solidly intact until the end. In Lawrence Tierney: Hollywood's Real-Life Tough Guy, author Burt Kearns traces Tierney's storied life from his days as Dillinger, to his clash with Quentin Tarantino at the end of his film career, to his final public appearances. The first official biography of the late actor, the book draws on the writings of Hollywood reporters and gossip columnists who first reported on Tierney's antics, and exclusive interviews with surviving colleagues, friends, family members—and victims. Through their words and his research, Kearns paints a portrait of Tierney's brutish behavior and the industry's reaction to the pugnacious star, drawing parallels—and the line—between the man and the characters that made him a Hollywood legend.
NMR is a technique that can spoil you. It is true that it is not as sensitive as some of the spectroscopic methods, but the quality of the information and the incredible ease of sample preparation make it one of the tools that have opened new vistas in biological research. This volume is intended to show how those vistas can range from the molecule to the microbe to man himself. Further, it is what prompts the rather broad title.
Shakespeare in mass media - particularly film, video, and television - is arguably the hottest, fastest growing research agenda in Shakespeare studies. Shakespeare after Mass Media provides students and scholars with the most comprehensive resource available on the market for studying the pop cultural afterlife of The Bard. From marketing to electronic Shakespeare, comics to romance novels, Star Trek to Branagh, radio and popular music to Bartlett's Quotations , the volume explores the contemporary cultural significance of Shakespeare in an unprecedently broad array of mass media contexts. With theoretical sophistication and accessible writing, it will be the ideal text for courses on Shakespeare and mass media.
In New Orleans, music screams. It honks. It blats. It wails. It purrs. It messes with time. It messes with pitch. It messes with your feet. It messes with your head. One musician leads to another; traditions overlap, intertwine, nourish each other; and everyone seems to know everyone else. From traditional jazz through rhythm and blues and rock 'n' roll to sissy bounce, in second-line parades, from the streets to clubs and festivals, the music seems unending. In Talking New Orleans Music, author Burt Feintuch has pursued a decades-long fascination with the music of this singular city. Thinking about the devastation—not only material but also cultural—caused by the levees breaking in 2005, he began a series of conversations with master New Orleans musicians, talking about their lives, the cultural contexts of their music, their experiences during and after Katrina, and their city. Photographer Gary Samson joined him, adding a compelling visual dimension to the book. Here you will find intimate and revealing interviews with eleven of the city's most celebrated musicians and culture-bearers—Soul Queen Irma Thomas, Walter “Wolfman” Washington, Charmaine Neville, John Boutté, Dr. Michael White, Deacon John Moore, Cajun bandleader Bruce Daigrepont, Zion Harmonizer Brazella Briscoe, producer Scott Billington, as well as Christie Jourdain and Janine Waters of the Original Pinettes, New Orleans's only all-woman brass band. Feintuch's interviews and Samson's sixty-five color photographs create a powerful portrait of an American place like no other and its worlds of music.
Through two volumes, Professor Burt traces events leading to old Quebec's collapse: the influx of the Loyalists; the troubled and often brilliant administrations of a succession of British governors; and finally the extinction, by constitutional act, of the old province of Quebec.
An absorbing and eye-opening account of what the Plantagenets did for us.' - HELEN CASTOR 'Burt and Partington show precisely and engagingly why the Middle Ages matter.' - DAN JONES Between 1199 and 1399, English politics was high drama. These two centuries witnessed savage political blood-letting - including civil war, deposition, the murder of kings and the ruthless execution of rebel lords - as well as international warfare, devastating national pandemic, economic crisis and the first major peasant uprising in English history. Arise, England uses the six Plantagenet kings who ruled during these two centuries to explore England's emergent statehood. Drawing on original accounts and arresting new research, it draws resonances between government, international relations, and the abilities, egos and ambitions of political actors, then and now. Colourful and complicated, and by turns impressive and hateful, the six kings stride through the story; but arguably the greatest character is the emerging English state itself.
A rabbi’s lifelong journey to discover the source and inspiration of Hasidism. As a student of Abraham Joshua Heschel’s at Jewish Theological Seminary sixty years ago, Burt Jacobson was moved to devote his life to the study of Israel Baal Shem Tov—the founder of Hasidism. Heschel considered the Baal Shem the greatest Jewish teacher and communal leader of the last 1,000 years. Living in the Presence: A Personal Quest for the Baal Shem Tov is a wide-ranging portrait, revealing numerous facets of the Baal Shem Tov’s biography and revolutionary thought previously unknown. Through his knowledge of the world’s wisdom traditions, and personal journey, Rabbi Jacobson is able to place the Baal Shem in the company of the great world spiritual teachers. He reveals the Baal Shem’s vision as an ecstatic mystical encounter that opened to the transcendent unity of existence. It was this that inspired his love and compassion for all creation, especially for the people he met. His disciples testified that their experience of these truths transformed how they understood their own identities as manifestations of the Divine, altered how they lived as spiritual leaders of their communities, and laid the foundations for Hasidism as a movement. Throughout his book Jacobson presents and evaluates insights of historians and scholars, but it is also filled with personal stories about Jacobson’s own struggle with his Jewish identity and his encounter with the Baal Shem as his spiritual teacher. Both a tour de force and a labor of love, this book will quickly become the most essential work on the subject ever published in English.
Arranged to facilitate use and highlight key concepts, this clear and concise text also includes many practical exercises, case studies, and real-world applications. Utilizing the modern biostatistical approach to studying disease, Epidemiology Kept Simple, Second Edition will provide readers with the tools to interpret epidemiological data, understand disease concepts, and prepare for board exams. The author fully explains all new terminology and minimizes the use of technical language, while emphasizing real-life practice in modern public health and biomedical research settings.
Formed at Rochford on 1 October 1918, just weeks before the Armistice that ended the First World War, 152 (Hyderabad) Squadron was originally a night fighter unit equipped with the Sopwith Camel. Its existence was short-lived, for the squadron was disbanded on 30 June 1919.With war clouds looming over Europe once more, 152 Squadron reformed at Arklington on 1 October 1939, becoming operational just over four weeks later. In January 1940, conversion to Spitfires began and after a period of defensive patrols in the North East, the squadron moved to Warmwell in Dorset to help defend southern England against attacks from the Luftwaffe forces now based in northern France. Throughout the Battle of Britain, the men and machines of 152 Squadron, call sign Maida, defended the Warmwell sector, which included the vital Royal Navy base at Portland, as part of 10 Group. It is the period from 12 July to 28 November 1940 that the author examines in great depth and detail in this definitive account. This, then, is the story of one squadrons part in the struggle to defend Britain during those dark days in the summer of 1940.
In the 1930s swing music was everywhere--on radio, recordings, and in the great ballrooms, hotels, theatres, and clubs. Perhaps at no other time were drummers more central to the sound and spirit of jazz. Benny Goodman showcased Gene Krupa. Jimmy Dorsey featured Ray McKinley. Artie Shaw helped make Buddy Rich a star while Count Basie riffed with the innovative Jo Jones. Drummers were at the core of this music; as Jo Jones said, "The drummer is the key--the heartbeat of jazz." An oral history told by the drummers, other musicians, and industry figures, Drummin' Men is also Burt Korall's memoir of more than fifty years in jazz. Personal and moving, the book is a celebration of the music of the time and the men who made it. Meet Chick Webb, small, fragile-looking, a hunchback from childhood, whose explosive drumming style thrilled and amazed; Gene Krupa, the great showman and pacemaker; Ray McKinley, whose rhythmic charm, light touch, and musical approach provided a great example for countless others, and the many more that populate this story. Based on interviews with a collection of the most important jazzmen, Drummin' Men offers an inside view of the swing years that cannot be found anywhere else.
This collection of new essays explores connections between dance, modernism, and modernity by examining the ways in which leading dancers have responded to modernity. Burt and Huxley examine dance examples from a period beginning just before the First World War and extending to the mid-1950s, ranging across not only mainland Europe and the United States but also Africa, the Caribbean, the Pacific Asian region, and the UK. They consider a wide range of artists, including Akarova, Gertrude Colby, Isadora Duncan, Katherine Dunham, Margaret H’Doubler, Hanya Holm, Michio Ito, Kurt Jooss, Wassily Kandinsky, Margaret Morris, Berto Pasuka, Uday Shankar, Antony Tudor, and Mary Wigman. The authors explore dancers’ responses to modernity in various ways, including within the contexts of natural dancing and transnationalism. This collection asks questions about how, in these places and times, dancing developed and responded to the experience of living in modern times, or even came out of an ambivalence about or as a reaction against it. Ideal for students and practitioners of dance and those interested in new modernist studies, Dance, Modernism, and Modernity considers the development of modernism in dance as an interdisciplinary and global phenomenon.
[It's] enough to drive experienced chess players to insanity, but they will enjoy the ride....The author warns the reader from the start anything goes....Buy this book...and have fun!"--Games It's outrageous and amazing and irresistible: these brainbusting chess problems are the devilish inventions of the world's greatest puzzle creators. Chess mavens won't believe what they'll find, because in these games, the usual rules just don't apply. For example, there's Billiards Chess, where pieces can carom off the board at a right angle and return. In Checkless Chess, check is an illegal move...unless it's checkmate. Refusal Chess allows a player to refuse an opponent's move and demand an alternative. There's even a variation called Collaboration, in which both sides must cooperate to achieve checkmate. And, the coup de grace: the world's hardest chess problem ever posed.
This presentation of statistical methods features extensive use of graphical displays for exploring data and for displaying the analysis. The authors demonstrate how to analyze data—showing code, graphics, and accompanying computer listings. They emphasize how to construct and interpret graphs, discuss principles of graphical design, and show how tabular results are used to confirm the visual impressions derived from the graphs. Many of the graphical formats are novel and appear here for the first time in print.
Globally there is growing concern over charities abilities to raise funds. This is of concern to both charity organizations and policy makers. One of the key factors that determine the public’s willingness to provide funds (to donate) is trust in both specific charity organizations and the sector in general. A significant amount of research from a number of disciplines has pointed to ways in which the public’s trust can be generated and maintained. Bring this research into a single source will provide a valuable guide for both individual charity organizations and policy makers.
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