When the Wabanaki were moved to reservations, they proved their resourcefulness by catering to the burgeoning tourist market during the 19th and early 20th centuries, when Bar Harbor was called Eden. This engaging, richly illustrated, and meticulously researched book chronicles the intersecting lives of the Wabanaki and wealthy summer rusticators on Mount Desert Island. While the rich built sumptuous summer homes, the Wabanaki sold them Native crafts, offered guide services, and produced Indian shows.
Women of the Dawn tells the stories of four remarkable Wabanaki Indian women who lived in northeast America during the four centuries that devastated their traditional world. Their courageous responses to tragedies brought on by European contact make up the heart of the book. The narrative begins with Molly Mathilde (1665-1717), a mother, a peacemaker, and the daughter of a famous chief. Born in the mid-1600s, when Wabanakis first experienced the full effects of colonial warfare, disease, and displacement, she provided a vital link for her people through her marriage to the French baron of St. Castin. The sage continues with the shrewd and legendary healer Molly Ockett (1740-1816) and the reputed witchwoman Molly Molasses (1775-1867). The final chapter belongs to Molly Dellis Nelson (1903-1977) (known as Spotted Elk), a celebrated performer on European stages who lived to see the dawn of Wabanaki cultural renewal in the modern era.
This biography chronicles the extraordinary life of twentieth-century performing artist Molly Spotted Elk. Born in 1903 on the Penobscot reservation in Maine, Molly ventured into show business at an early age, performing vaudeville in New York, starring in the classic docudrama The Silent Enemy, then dancing for royalty and mingling with the literary elite in Europe. In Paris she found an audience more appreciative of authentic Native dance than in the United States. There she married a French journalist, but she was forced to leave him and flee France with her daughter during the German occupation of 1940. Using extensive diaries in conjunction with letters, interviews, and other sources, Bunny McBride reconstructs Molly’s story and sheds light on the pressure she and her peers endured in having to act out white stereotypes of the "Indian.
This brief text has been completely revolutionized to present students with the latest contemporary thinking on human evolution, adaptation, and prehistory. It offers students a straightforward and integrated presentation of material, focusing on selected aspects of physical anthropology and prehistoric archaeology as they relate to the origin of humanity, the origin of culture, and the development of human biological and cultural diversity. A New feature entitled "Biocultural Connections" illustrates how cultural and biological processes work together to shape human evolution and behavior, and reflects where the field is today. New coverage on cutting edge topics such as medical anthropology, genetics, environmental toxins, and globalization, demonstrate the usefulness of anthropology today. A new, unique "Epilogue" looks at cultural disease and globalization.
A leading interior designer and a gardening journalist combine their expertise to provide readers with an authoritative volume on how to create and maintain gardens of all kinds, as well as how to appreciate their aesthetic appeal." --Publisher description.
This biography chronicles the extraordinary life of twentieth-century performing artist Molly Spotted Elk. Born in 1903 on the Penobscot reservation in Maine, Molly ventured into show business at an early age, performing vaudeville in New York, starring in the classic docudrama The Silent Enemy, then dancing for royalty and mingling with the literary elite in Europe. In Paris she found an audience more appreciative of authentic Native dance than in the United States. There she married a French journalist, but she was forced to leave him and flee France with her daughter during the German occupation of 1940. Using extensive diaries in conjunction with letters, interviews, and other sources, Bunny McBride reconstructs Molly’s story and sheds light on the pressure she and her peers endured in having to act out white stereotypes of the "Indian.
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