The Dialectics of Global Justice uses a novel application of negative dialectical interpretation to offer an immanent and ethical critique of prominent theories of global justice (i.e., cosmopolitanism), including how these theories manifest in political movements and policy agendas. Drawing on the work of Theodor Adorno and Erich Fromm especially, author Bryant William Sculos exposes the contradictory relationship between cosmopolitanism and core elements of capitalism, particularly the domineering "capitalistic mentality" (re)produced by and through capitalism, leading to the conclusion that cosmopolitanism, on its own terms, demands an alternative, postcapitalistic political basis in order to make robust progress toward global justice. While offering this critique, Sculos also implicitly challenges the increasingly common view that cosmopolitanism today is inherently imperialistic and out of touch with the global resurgence of nationalism and anti-cosmopolitan sentiment.
The Dialectics of Global Justice uses a novel application of negative dialectical interpretation to offer an immanent and ethical critique of prominent theories of global justice (i.e., cosmopolitanism), including how these theories manifest in political movements and policy agendas. Drawing on the work of Theodor Adorno and Erich Fromm especially, author Bryant William Sculos exposes the contradictory relationship between cosmopolitanism and core elements of capitalism, particularly the domineering "capitalistic mentality" (re)produced by and through capitalism, leading to the conclusion that cosmopolitanism, on its own terms, demands an alternative, postcapitalistic political basis in order to make robust progress toward global justice. While offering this critique, Sculos also implicitly challenges the increasingly common view that cosmopolitanism today is inherently imperialistic and out of touch with the global resurgence of nationalism and anti-cosmopolitan sentiment.
At his death in 1878 William Cullen Bryant had been, for fifty-one years, the chief editor and a principal owner of the New York Evening Post. The paper had been started in 1801 by lawyer William Coleman in association with the Federalist political Alexander Hamilton. In 1826, Coleman hired Bryant as a reporter. Although Coleman may have engaged his services because of his growing distinction as a poet, Bryant was also by then an experienced writer of prose, having published more than fifty critical and familiar essays. He had been both editor of and most frequent writer for the monthly New York Review and the United State Review, and was known widely for his lectures on poetry before the New York Athenaeum. By the time he assumed the direction of the Evening Post after Coleman's death in 1829 he had proved himself, in three annual volumes of the holiday gift book The Talisman, to be proficient in a wit and irony soon reflected in his editorials. Bryant brought the conservative journal to the support of the Democratic Party of President Andrew Jackson, and held it thereafter to liberal principles, advocating free trade, free labor, and Free Soil. Except for the years from 1829 to 1836, Bryant held the editorial pen largely alone until after the Civil War. Occasional contributors formed a representative roster of leaders in many fields: Charles Francis Adams, Thomas Hart Benton, Francis P. Blair, Salman P. Chase, Thomas Cole, James Fenimore Cooper, Hamilton Fish, Parke Godwin (Bryant's son-in-law), Bret Harte, James K. Paulding, John Randolph, Samule J. Tilden, Martin and John Van Buren, Artemus Ward, Gideon Wlles, Walt Whitman, and Silas Wright. And now and then there were articles by British Parliamentarian Richard Cobden and artist-economist George Harvey, and the French critic Charles Sainte-Beuve. Bryant's editorials after 1860 suggest separate treatment. The present volume traces the growth of his political and social maturity as he made of a conservative, parochial, small-city newspaper into a national organ which Charles Francis Adams in 1850 called "the best daily journal in the United States.
[...]her eyes to the face of Dr. Bryant, burst into tears—a tribute to the genius of his son in which he was not ashamed to join. Blackstone bade his Muse a long adieu before he turned to wrangling courts and stubborn law; and our young lawyer intended to do the same (for poetry was starvation in America seventy years ago), but habit and nature were too strong for him. There is no difficulty in tracing the succession of his poems, and in a few instances the places where they were written, or with which they concerned themselves. "Thanatopsis," for example, was[...]".
This will help us customize your experience to showcase the most relevant content to your age group
Please select from below
Login
Not registered?
Sign up
Already registered?
Success – Your message will goes here
We'd love to hear from you!
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.