In this compilation, Bryan Wilson, the acknowledged dean of the study of new religions, provides a clear and concise overview of the development of a tolerant society and of the nature of the religious diversity which has emerged hand-in-hand with it. In the West, the rise of diversity has been accompanied theologically by a reevaluation (and discarding) of some claims for uniqueness formerly espoused within the Christian community, a process largely dictated by the expanding awareness of the world’s religions. Within Christianity, generations of theological battles have produced several thousand denominations and a seemingly endless set of variations in theology, organizational forms, church life, worship and ethical commitments. Here you will find comparsions between Scientology and other religions, while unveiling the controversies that have come with it from its beginning. While new religions are targeted by ex-members, which Wilson mentions as “apostates”, it is a fact that every religion and social movement has them, and here you can find an analysis of how reliable can their testimonies be. Bryan R. Wilson was Reader Emeritus in Sociology at the University of Oxford and President of the International Society for the Sociology of Religion (1971–75). He became a Fellow of All Souls College, Oxford in 1963.Wilson was the author of several influential books on new religious movements.
In 1974, women in a feminist consciousness-raising group in Eugene, Oregon, formed a mock organization called the Ladies Sewing Circle and Terrorist Society. Emblazoning its logo onto t-shirts, the group wryly envisioned female collective textile making as a practice that could upend conventions, threaten state structures, and wreak political havoc. Elaborating on this example as a prehistory to the more recent phenomenon of “craftivism”—the politics and social practices associated with handmaking—Fray explores textiles and their role at the forefront of debates about process, materiality, gender, and race in times of economic upheaval. Closely examining how amateurs and fine artists in the United States and Chile turned to sewing, braiding, knotting, and quilting amid the rise of global manufacturing, Julia Bryan-Wilson argues that textiles unravel the high/low divide and urges us to think flexibly about what the politics of textiles might be. Her case studies from the 1970s through the 1990s—including the improvised costumes of the theater troupe the Cockettes, the braided rag rugs of US artist Harmony Hammond, the thread-based sculptures of Chilean artist Cecilia Vicuña, the small hand-sewn tapestries depicting Pinochet’s torture, and the NAMES Project AIDS Memorial Quilt—are often taken as evidence of the inherently progressive nature of handcrafted textiles. Fray, however, shows that such methods are recruited to often ambivalent ends, leaving textiles very much “in the fray” of debates about feminized labor, protest cultures, and queer identities; the malleability of cloth and fiber means that textiles can be activated, or stretched, in many ideological directions. The first contemporary art history book to discuss both fine art and amateur registers of handmaking at such an expansive scale, Fray unveils crucial insights into how textiles inhabit the broad space between artistic and political poles—high and low, untrained and highly skilled, conformist and disobedient, craft and art.
Eating candy nonstop and watching TV all day sounds great . . . until you actually do it, as the kids of Bayport High find out when all the adults vanish, and the world's greatest (high school) detectives--the Hardy Boys and Nancy Drew! --have to team up to solve the mystery! Whether it's going undercover, sneaking out at night, chasing weird buses, or following a strange smell, they know it'll take all their wits and smarts to get their parents and teachers back . . . that is, if Joe and Frank don't kill each other first. Oh, and there's also the matter of the skeleton that can walk. And a major feud with a rival high school. And a koala-in-a-diaper costume. And lawlessness in the hallways. And an unrequited crush . . . Written by Scott Bryan Wilson (Batman Annual, Star Trek: Waypoint) and drawn by Bob Solanovic (Mister Meow), NANCY DREW AND THE HARDY BOYS: THE MYSTERY OF THE MISSING ADULTS! is a high-octane, nonstop comedic romp full of action, excitement, mystery, and friendship. And mayhem. Lots of mayhem.
Cello Chords is the perfect reference for the modern cellist. With 11 different chord types in all 12 keys, this is the only book on the market to focus solely on the cello's massive chordal potential. If you need a fresh way to play an A Minor 7th, you'll find 28 unique variations on that one chord. With intuitive categorization and suggested fingerings for every chord, finding new harmonic possibilities on the cello is easy. This book is suitable for cellists interested in all genres of music from rock, pop, and classical, to jazz and improvisation. Composers looking to expand the cello repertoire will also find this a handy reference. If you're interested in harmony on the cello, look no further.
Essays, an interview, and a roundtable discussion on the work of one of the most influential American artists of the postwar period. This October Files volume gathers essays, an interview, and a roundtable discussion on the work of Robert Morris, one of the most influential American artists of the postwar period. It includes a little-known text on dance by Morris himself and a never-before-anthologized but influential catalog essay by Annette Michelson. Often associated with minimalism, Morris (b. 1931) also created important works that involved dance, process art, and conceptualism. The texts in this volume focus on Morris's early work and include an examination of a 1971 Tate retrospective by Jon Bird, an interview with the artist by Benjamin Buchloh, a conversation from a 1994 issue of October about resistance to 1960s art, and an essay by this volume's editor, Julia Bryan-Wilson, on the labor involved in installing the massive works in Morris's 1970 solo exhibition at the Whitney. Spanning 1965 to 2009, these writings map the evolution of critical thought on Morris over more than four decades.
Fifty years after its publication, Bryan Wilson's Religion in Secular Society (1966) remains a seminal work. It is one of the clearest articulations of the secularization thesis: the claim that modernizations brings with it fundamental changes in the nature and status of religion. For Wilson, secularization refers to the fact that religion has lost influence at the societal, the institutional, and the individual level. Individual secularization is about the loss of authority of the Churches to define what people should believe, practise and accept as moral principles guiding their lives. In other words, individual piety may still persist, however, if it develops independently of religious authorities, then it is an indication of individual secularization. Wilson stresses that the consequences of the process of societalization in modern societies and on this basis he formulated his thesis that secularization is linked to the decline of community and is a concomitant of societalization. Revised and updated, Steve Bruce builds on Wilson's work by noting the changes in religious culture of the UK and US, in an appendix on major changes since the 1960s. Bruce also provides a critical response to the core ideas of Religion in Secular Society.
The first book to address the significance of the materials and methods used to make contemporary artworks Today, artists are able to create using multiple methods of production—from painting to digital technologies to crowdsourcing—some of which would have been unheard of just a few decades ago. Yet, even as our means of making art become more extraordinary and diverse, they are almost never addressed in their specificity. While critics and viewers tend to focus on the finished products we see in museums and galleries, authors Glenn Adamson and Julia Bryan-Wilson argue that the materials and processes behind the scenes used to make artworks are also vital to current considerations of authorship and to understanding the economic and social contexts from which art emerges. This wide-ranging exploration of different methods and media in art since the 1950s includes nine chapters that focus on individual processes of making: Painting, Woodworking, Building, Performing, Tooling Up, Cashing In, Fabricating, Digitizing, and Crowdsourcing. Detailed examples are interwoven with the discussion, including visuals that reveal the intricacies of techniques and materials. Artists featured include Ai Weiwei, Alice Aycock, Isa Genzken, Los Carpinteros, Paul Pfeiffer, Doris Salcedo, Santiago Sierra, and Rachel Whiteread.
This collection of poetry contains observations, musings and reflections very much inspired by the characters and experiences of Chicago's famed L train.
For the first time anywhere, experience all three sold-out volumes of the visionary science-fiction saga that refined the Valiant Universe for the 21st century in one stunning, oversized deluxe hardcover! At the height of the Cold War, the Soviet Union ? determined to win the Space Race at any cost ? green lit a dangerously advanced mission. They sent a man farther into the cosmos than anyone has gone before or since. Lost in the stars, he encountered something unknown. Something that? changed him. Long thought lost and erased from the history books, he has suddenly returned, crash-landing in the Australian Outback. The few that have been able to reach him believe him to be a deity ? one who turned the scorched desert into a lush oasis. They say he can bend matter, space, and even time to his will. Earth is about to meet a new god. And he?s a communist. How long can it be before the first confrontation between mankind and DIVINITY begins? From the minds of New York Times best-selling writer Matt Kindt (X-O MANOWAR,?Mind MGMT) and superstar artist Trevor Hairsine (X-Men: Deadly Genesis) comes the first complete collection of the multiple Harvey Award-nominated series that Entertainment Weekly calls ?a mind bending battle for the ages?! Collecting?DIVINITY #1?4, DIVINITY II #1?4, DIVINITY III: STALINVERSE #1?4, DIVINITY III: KOMANDAR BLOODSHOT #1, DIVINITY III: ARIC, SON OF THE REVOLUTION #1, DIVINITY III: SHADOWMAN & THE BATTLE OF NEW STALINGRAD #1,?and?DIVINITY III: ESCAPE FROM GULAG 396 #1,?along with the never-before-collected?DIVINITY #0, and over 20+ pages of rarely seen art and extras!
For me, people come first," Alice Neel (1900–1984) declared in 1950. "I have tried to assert the dignity and eternal importance of the human being." This ambitious publication surveys Neel's nearly 70-year career through the lens of her radical humanism. Remarkable portraits of victims of the Great Depression, fellow residents of Spanish Harlem, leaders of political organizations, queer artists, visibly pregnant women, and members of New York's global diaspora reveal that Neel viewed humanism as both a political and philosophical ideal. In addition to these paintings of famous and unknown sitters, the more than 100 works highlighted include Neel's emotionally charged cityscapes and still lifes as well as the artist’s erotic pastels and watercolors. Essays tackle Neel's portrayal of LGBTQ subjects; her unique aesthetic language, which merged abstraction and figuration; and her commitment to progressive politics, civil rights, feminism, and racial diversity. The authors also explore Neel's highly personal preoccupations with death, illness, and motherhood while reasserting her place in the broader cultural history of the 20th century.
Loyal butler to the Wayne family. Surrogate father to Bruce Wayne. Batman’s most trusted ally. Alfred Pennyworth is all of those things, but a top secret, Cold War-era mission left uncompleted during his days as an MI6 counterintelligence agent will drag our present-day butler back into his globe-trotting, espionage-laden past. From the frozen wastes of Russia to the Giza Plateau, from his school plays to his encounter with genetically modified super-soldiers, Pennyworth collects the thrilling tale of adventure that spans Alfred’s most exciting mission of his secret-agent past. Collects Pennyworth #1-7.
Not a dream? Not an alternate reality? This is the Valiant Universe of today? The world has gone red and Valiant?s leading legends ? Bloodshot, X-O Manowar and Shadowman ? now stand at the forefront of the global Soviet war machine! Meanwhile, the conspiracy-smashing duo of Archer & Armstrong find themselves condemned as enemies of the state and sentenced to life in the deadliest prison known to man. Torn from the pages of DIVINITY III: STALINVERSE, come four essential tales chronicling the history that has reordered the Valiant Universe as we know it, from acclaimed writers Jeff Lemire (Bloodshot Reborn), Joe Harris (Snowfall), Scott Bryan Wilson (Batman Annual), Eliot Rahal (The Paybacks) and all-star artists Clayton Crain (4001 A.D.), CAFU (Rai), Robert Gill (Book of Death), and Francis Portela (Faith). Collecting DIVINITY III: KOMANDAR BLOODSHOT #1, DIVINITY III: ARIC, SON OF THE REVOLUTION #1, DIVINITY III: SHADOWMAN & THE BATTLE OF NEW STALINGRAD #1, and DIVINITY III: ESCAPE FROM GULAG 396 #1.
With the Earth fleet almost sestroyed, the Earth lies defeated and occupied by R'oorken invasion forces. The Gedna resistance, their leader stuck on a distant planet and an unwilling participant in a struggle against slavers, give life to the Gedrakna, an experimental hybrid, to aid them in the fight for the survival of mankind.Meanwhile, in deep space, the commander of an advanced Earth warship discovers the secret of the R'oorken seeming invincibility, and together, as part of a most unlikely alliance, they begin the long fight back for liberation and freedom...
Examines the proliferation of new ways of making "art" in the 1960s by focusing on the changed organization of work in society at the time. Co-published with The Baltimore Museum of Art in conjunction with an exhibition of the same name.
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