This book brings Afrofuturism into conversation with digital humanities to pioneer the field of Digital Africana Studies, and shows how students and academics can engage with the vision of Afrofuturism, both theoretically and practically, in the classroom and through research. As Black people across the globe consider their place in the future following the past two decades of technological advancement, Afrofuturism and its relevance for the humanities has become ever pertinent. While Afrofuturism has thus far been discussed through a literary, artistic, or popular culture lens, growing use of new technologies, and its resultant intersections with the reality of our racial experiences, has created a need for approaching Afrofuturism from a digital studies perspective. Via detailed case studies, Bryan W. Carter introduces the field of Digital Africana Studies to demonstrate how this new area can be experienced pedagogically. Alongside the book, readers can also visit select Digital Africana Studies projects that exemplify the various technologies and projects described at the author’s website: ibryancarter.com/projects. Given its unique approach to the path-breaking tradition of Afrofuturism, the book will be indispensable for scholars and students across fields such as digital humanities, media studies, black studies, African American studies, and Africana studies.
Walter P. Lane emigrated from Ireland as a young boy, fought in three wars, sailed the Texas coast with a privateer, and traveled to California and Arizona in search of gold. What drove this man, who in many ways typifies the adventurers who contributed to the westward expansion in the United States during the early nineteenth century? Through his mining of personal papers, memoirs, contemporary sources, and archived collections, Jimmy L. Bryan Jr. has produced a comprehensive portrait of the man who charged across the field at San Jacinto, aided in the removal of Indians and Tejano settlers from the East Texas Redlands, stormed Monterrey with the Texas Rangers during the U.S.-Mexican War, commanded a brigade of Confederate soldiers during the Civil War, supported the return to white rule during the turbulent Reconstruction era, and served the State of Texas in various public capacities. Bryan shows how the adventurism of Lane and his comrades provided both ethos and impetus for the westward migration. More Zeal than Discretion will appeal to historians and readers interested in Texas and the West, the Civil War, and the culture of American manhood.
In the mid-1950s, to combat declining theater attendance, film distributors began releasing pre-packaged genre double-bills--including many horror and science fiction double features. Though many of these films were low-budget and low-end, others, such as Invasion of the Body Snatchers, Horror of Dracula and The Fly, became bona fide classics. Beginning with Universal-International's 1955 pairing of Revenge of the Creature and Cult of the Cobra, 147 officially sanctioned horror and sci-fi double-bills were released over a 20-year period. This book presents these double features year-by-year, and includes production details, historical notes, and critical commentary for each film.
About 2,500 genre films are entered under more than 100 subject headings, ranging from abominable snowmen through dreamkillers, rats, and time travel, to zombies, with a brief essay on each topic: development, highlights, and trends. Each film entry shows year of release, distribution company, country of origin, director, producer, screenwriter, cinematographer, cast credits, plot synopsis and critical commentary.
The extraordinary story of one couple’s determination to free themselves and their children from slavery and make a new life in Canada Prior to abolition in 1865, as many as 40,000 men, women, and children made the perilous trip north from enslavement in the United States to freedom in Canada. Many were aided by networks that came to be known as the Underground Railroad. And the stories that emerge from the past about these journeys are truly remarkable. In A Shadow on the Household, Bryan Prince, a descendant of slaves, brings to life the heart-wrenching story of the Weems family and their struggle to liberate themselves from slavery. John Weems, a man who purchased his own freedom, paid the owner of his enslaved wife and eight children an annual fee to keep them together at one plantation. But when that owner died, the Weemses were cruelly separated and scattered throughout the South. Heartbroken and desperate, John resolved to raise the money to buy his family’s freedom and reunite them. Mining newspapers, private letters, diaries, estate records, marriage registries, and abolitionist papers for details of a story cloaked in secrecy, Bryan Prince has rescued the Weems family and their plight from historical oblivion. An unforgettable story of love and persistence, played out in four countries (the United States, Canada, Jamaica, and the United Kingdom) against the backdrop of the publication of Uncle Tom’s Cabin, a growing abolitionist movement, and the heroic efforts of the Underground Railroad, the Weems family saga must be read to be believed.
Comprehending Drug Use, the first full-length critical overview of the use of ethnographic methods in drug research, synthesizes more than one hundred years of study on the human encounter with psychotropic drugs. J. Bryan Page and Merrill Singer create a comprehensive examination of the whole field of drug ethnography-methodology that involves access to the hidden world of drug users, the social spaces they frequent, and the larger structural forces that help construct their worlds. They explore the important intersections of drug ethnography with globalization, criminalization, public health (including the HIV/AIDS epidemic, hepatitis, and other diseases), and gender, and also provide a practical guide of the methods and career paths of ethnographers.
This book brings Afrofuturism into conversation with digital humanities to pioneer the field of Digital Africana Studies, and shows how students and academics can engage with the vision of Afrofuturism, both theoretically and practically, in the classroom and through research. As Black people across the globe consider their place in the future following the past two decades of technological advancement, Afrofuturism and its relevance for the humanities has become ever pertinent. While Afrofuturism has thus far been discussed through a literary, artistic, or popular culture lens, growing use of new technologies, and its resultant intersections with the reality of our racial experiences, has created a need for approaching Afrofuturism from a digital studies perspective. Via detailed case studies, Bryan W. Carter introduces the field of Digital Africana Studies to demonstrate how this new area can be experienced pedagogically. Alongside the book, readers can also visit select Digital Africana Studies projects that exemplify the various technologies and projects described at the author’s website: ibryancarter.com/projects. Given its unique approach to the path-breaking tradition of Afrofuturism, the book will be indispensable for scholars and students across fields such as digital humanities, media studies, black studies, African American studies, and Africana studies.
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