Experiments in She-ness: Women and Undependent Cinema contains a remarkably varied collection of essays that study, in historic and forward thinking ways, the role(s) "she-ness" has played in alternative, cinematic practices.
Experiments in Cinema international film festival (an annual Basement Films production) is proud to offer our 3rd annual yearbook that focuses on the current state of the art in Cuban alternative cinematic practices. The essays in this text are published in both English and Spanish.
Film festivals have had varied and complex histories starting with Benito Mussolini's invention of the form in Venice in 1932. Since then (and too often) festivals are thought of only in terms of the Hollywood film industry. This text is a celebration of all things un-dependently cinematic. The essays contained in this volume explore the cultural value of alternative film festivals from a wide range of perspectives and experiences. Contributors to this book include Gene Youngblood, Sasha Waters Freyer, Roger Beebe, Michael Betancourt, Charles Lum, Caryn Cline, Alexie Dmitriev, Clint Enns, Leslie Supnet, Chip Lord, Ben Popp, Kristen Lauth Shaeffer, Tina Wasserman, Gerry Fialka, Kamila Kuc, Steve Polta, Bryan Konefsky, Caroline Koebel, and Bart Weiss.
Experiments in Cinema international film festival (an annual Basement Films production) is proud to offer our 3rd annual yearbook that focuses on the current state of the art in Cuban alternative cinematic practices. The essays in this text are published in both English and Spanish.
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