In the small, midwestern town of Hopeton, drugs run rampant and the youth are set on paths of self-destruction. Enter Dylan Clark, a vagabond with an uncanny wisdom and a complete lack of fear. The estranged widow he befriends, along with a quartet of misguided teens, are intrigued but skeptical about this man's strange power. It seems that everywhere he goes, people are either inspired or terrified by him. Hopeton has its secrets, and Dylan is determined to root them out, no matter what the danger, in order to stop the cycle of corruption that pervades the hearts and minds of those in power and those who grow up in their shadow. But it will take more than just one man to set things right. Those under Dylan's tutelage must decide how much is too much. When is taking a chance for the better of the community worth the risk of ridicule or alienation?
The Dream Recorder is an exploration into the realm that our subconscious mind knows very well, where the secrets of the universe are locked away in the dream world that, until now, has been shrouded in mystery. A neuroscientist invents a device that allows the actual recording and viewing of dreamt images and sounds. In order to test his creation, he enlists the aid of two reputable psychologists. What they discover is that our dreams, which are usually forgotten almost immediately upon waking, are rife with clues about our past, present, and future. The results are a frightening series of revelations: that there are no coincidences, that all things are connected, and that the monsters we thought were confined to the imaginary world are very real and much more sinister than we could ever imagine.
The heroes of Dunland are called upon to eradicate an uprising from beyond the southern sea in Dimasar, the homeland of Morganas. Through a series of ghostly visitations, Durc, Jarin, and King Duelkin are made aware of their importance in a quest to right a terrible corruption that would unleash evils of the highest ranking upon their world.
Two trees exist on opposite sides of the world, planted by The Great One. One has been swallowed by darkness and must be destroyed. A prophecy surfaces, describing those fated to take up the quest. Among them is an otherworldly wizard, a legendary warrior, a woman with a strange power, and a half-demon youth named Arnoland. Arnoland leads the quest with a heavy heart, fearful he will be destroyed along with the Black Tree.
The Dream Recorder is an exploration into the realm that our subconscious mind knows very well, where the secrets of the universe are locked away in the dream world that, until now, has been shrouded in mystery. A neuroscientist invents a device that allows the actual recording and viewing of dreamt images and sounds. In order to test his creation, he enlists the aid of two reputable psychologists. What they discover is that our dreams, which are usually forgotten almost immediately upon waking, are rife with clues about our past, present, and future. The results are a frightening series of revelations: that there are no coincidences, that all things are connected, and that the monsters we thought were confined to the imaginary world are very real and much more sinister than we could ever imagine.
In the small, midwestern town of Hopeton, drugs run rampant and the youth are set on paths of self-destruction. Enter Dylan Clark, a vagabond with an uncanny wisdom and a complete lack of fear. The estranged widow he befriends, along with a quartet of misguided teens, are intrigued but skeptical about this man's strange power. It seems that everywhere he goes, people are either inspired or terrified by him. Hopeton has its secrets, and Dylan is determined to root them out, no matter what the danger, in order to stop the cycle of corruption that pervades the hearts and minds of those in power and those who grow up in their shadow. But it will take more than just one man to set things right. Those under Dylan's tutelage must decide how much is too much. When is taking a chance for the better of the community worth the risk of ridicule or alienation?
Two trees exist on opposite sides of the world, planted by The Great One. One has been swallowed by darkness and must be destroyed. A prophecy surfaces, describing those fated to take up the quest. Among them is an otherworldly wizard, a legendary warrior, a woman with a strange power, and a half-demon youth named Arnoland. Arnoland leads the quest with a heavy heart, fearful he will be destroyed along with the Black Tree.
The heroes of Dunland are called upon to eradicate an uprising from beyond the southern sea in Dimasar, the homeland of Morganas. Through a series of ghostly visitations, Durc, Jarin, and King Duelkin are made aware of their importance in a quest to right a terrible corruption that would unleash evils of the highest ranking upon their world.
This book adds empirical evidence to these debates and suggests that in practice they cannot be separated. Based on research in three sectors in three states in India, the authors' findings indicate that the design of and support for local organizations are often little more than rudimentary, resulting in less than adequate performance and raising serious sustainability concerns. The study further indicates that sector-specific configurations of a plural organizational landscape, in which government, non-government, and private organizations are an integral part, are required for effective and sustainable development."--BOOK JACKET.
Whether they prefer blockbusters, historical dramas, or documentaries, people learn much of what they know about history from the movies. In American History Goes to the Movies, W. Bryan Rommel-Ruiz shows how popular representations of historic events shape the way audiences understand the history of the United States, including American representations of race and gender, and stories of immigration, especially the familiar narrative of the American Dream. Using films from many different genres, American History Goes to the Movies draws together movies that depict the Civil War, the Wild West, the assassination of JFK, and the events of 9/11, from The Birth of a Nation and Gone with the Wind to The Exorcist and United 93, to show how viewers use movies to make sense of the past, addressing not only how we render history for popular enjoyment, but also how Hollywood’s renderings of America influence the way Americans see themselves and how they make sense of the world.
The Return of the Hidden Knowledge. In this World we have lost the art of Math, Astrology, and Reading. Computers now have databases which are the exact make of the human brain. We have failed for the divide and conquer. We are all one cell broken up into egos. We must show the creator that we can love again to save this planet and the human race. The New World is in the Final Steps. The Big Plan by the Elite the Top 1% has more money than the other 99% put together. First: Separate and divide the people by race. Second: Divide the men from the women. Third: Brainwash our kids with T.V. and school since mom has to work. Fourth: Control our money supply through Federal Reserve and IRS that should be illegal. Pay off the government so it doesn't matter whether you are Democrat or Republican. Fifth: Control our media to brainwash the masses: CFR, Bilderberg and 5 Corporations own all media. Sixth: Put crack cocaine in black communities only to imprison black men and ruin the black family and kill off the black leaders through Co-Intel Pro. Seventh: Depopulation: There goals are to kill billions through war, food, tap water with chemicals and fluoride. \Manmade diseases like Ebola, HIV, AID's and Vaccines, creating airborne chemical warfare MERS virus, Zika virus, prescription drugs, Planned Parenthood and control weather. Eighth: Steal money from every American through the banks: Libor Scandal, AIG and Goldman Sachs, JP Morgan, Deutsche, China Banks and other big banks. Ninth: Create fake and proxy wars to drive down the dollar and have a one world government. Ten: Give our jobs to robots and enslave the people but this time all races, that’s not Democracy that's Fascism.
Painstakingly researched with copious citations from books, newspapers, and news magazines, this new edition has become the classic reference work praised by professional copy editors.
Written by expert surgeons and educators, Current Therapy in Oral and Maxillofacial Surgery covers the latest treatment strategies, surgical techniques, and potential complications in OMS. Emphasizing an evidence-based approach, it covers all 12 subspecialties of OMS, addressing topics from surgical principles to oral surgery, anesthesia, cranio-maxillofacial trauma surgery, head and neck surgery, maxillofacial reconstructive surgery, orthognathic surgery, pediatric craniofacial surgery including cleft lip and palate, temporomandibular joint disorders, facial plastic surgery including rhinoplasty and facelifts, obstructive sleep apnea, and oral and maxillofacial infections. At the end of each chapter, Pearls and Pitfalls summarize the authors' insight, recommendations, and experience on that topic. Editor Dr. Shahrokh Bagheri is a noted professor, researcher, and speaker on OMS, and he leads an expert author team including Dr. R. Bryan Bell and Dr. Husain Ali Khan to help you master and apply the latest advances in OMS. More than 1,200 full-color photos and 200 color line drawings illustrate concepts and provide visual guidance in clinical areas. Comprehensive sections and chapters represent essential topics, the newest advances, and controversial topics. Clinical coverage brings together the latest knowledge in OMS in a concise, easy-to-apply way. Resident-specific coverage describes the wide array of subspecialties and treatments available in the armamentarium of the modern OMS. A focus on complications ensures that you are knowledgeable in this important part of any therapy or surgical discipline. Expert contributors include the "best of the best," featuring leading, well-established, and respected surgeons and educators writing on their areas of specialty and providing current treatment strategies.
With more than a thousand new entries and more than 2,300 word-frequency ratios, the magisterial fourth edition of this book-now renamed Garner's Modern English Usage (GMEU)-reflects usage lexicography at its finest. Garner explains the nuances of grammar and vocabulary with thoroughness, finesse, and wit. He discourages whatever is slovenly, pretentious, or pedantic. GMEU is the liveliest and most compulsively readable reference work for writers of our time. It delights while providing instruction on skillful, persuasive, and vivid writing. Garner liberates English from two extremes: both from the hidebound "purists" who mistakenly believe that split infinitives and sentence-ending prepositions are malfeasances and from the linguistic relativists who believe that whatever people say or write must necessarily be accepted. The judgments here are backed up not just by a lifetime of study but also by an empirical grounding in the largest linguistic corpus ever available. In this fourth edition, Garner has made extensive use of corpus linguistics to include ratios of standard terms as compared against variants in modern print sources. No other resource provides as comprehensive, reliable, and empirical a guide to current English usage. For all concerned with writing and editing, GMEU will prove invaluable as a desk reference. Garner illustrates with actual examples, cited with chapter and verse, all the linguistic blunders that modern writers and speakers are prone to, whether in word choice, syntax, phrasing, punctuation, or pronunciation. No matter how knowledgeable you may already be, you're sure to learn from every single page of this book.
Since first appearing in 1998, Garner's Modern American Usage has established itself as the preeminent guide to the effective use of the English language. Brimming with witty, erudite essays on troublesome words and phrases, GMAU authoritatively shows how to avoid the countless pitfalls that await unwary writers and speakers whether the issues relate to grammar, punctuation, word choice, or pronunciation. An exciting new feature of this third edition is Garner's Language-Change Index, which registers where each disputed usage in modern English falls on a five-stage continuum from nonacceptability (to the language community as a whole) to acceptability, giving the book a consistent standard throughout. GMAU is the first usage guide ever to incorporate such a language-change index. The judgments are based both on Garner's own original research in linguistic corpora and on his analysis of hundreds of earlier studies. Another first in this edition is the panel of critical readers: 120-plus commentators who have helped Garner reassess and update the text, so that every page has been improved. Bryan A. Garner is a writer, grammarian, lexicographer, teacher, and lawyer. He has written professionally about English usage for more than 28 years, and his work has achieved widespread renown. David Foster Wallace proclaimed that Bryan Garner is a genius and William Safire called the book excellent. In fact, due to the strength of his work on GMAU, Garner was the grammarian asked to write the grammar-and-usage chapter for the venerable Chicago Manual of Style. His advice on language matters is second to none.
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