Regardless of who you are or how you live your life, you disagree with millions of people on an enormous number of topics from politics, religion and morality to sport, culture and art. Unless you are delusional, you are aware that a great many of the people who disagree with you are just as smart and thoughtful as you are - in fact, you know that often they are smarter and more informed. But believing someone to be cleverer or more knowledgeable about a particular topic usually won’t change your mind. Should it? This book is devoted to exploring this quandary - what should we do when we encounter disagreement, particularly when we believe someone is more of an authority on a subject than we are? The question is of enormous importance, both in the public arena and in our personal lives. Disagreement over marriages, beliefs, friendships and more causes immense personal strife. People with political power disagree about how to spend enormous amounts of money, about what laws to pass, or about wars to fight. If only we were better able to resolve our disagreements, we would probably save millions of lives and prevent millions of others from living in poverty. The first full-length text-book on this philosophical topic, Disagreement provides students with the tools they need to understand the burgeoning academic literature and its (often conflicting) perspectives. Including case studies, sample questions and chapter summaries, this engaging and accessible book is the perfect starting point for students and anyone interested in thinking about the possibilities and problems of this fundamental philosophical debate.
In epistemology the nagging voice of the sceptic has always been present. Over the last thirty years or so philosophers have thought of several promising ways to counter the radical sceptic: for instance, facts about the reliability of our cognitive processes, principles determining which possibilities must be ruled out in order to have knowledge, and principles regarding the context-sensitivity of knowledge attributions. In this entertaining and provocative book, Bryan Frances presents a new argument template for generating new kinds of radical scepticism, ones that hold even if all the clever anti-sceptical fixes defeat the traditional sceptic. Not only is the argument schema novel, but the sceptical consequences are entirely unexpected. Although the new sceptic concludes that we don't know that fire engines are red, that we sometimes have pains in our knees, or even that we believe that fire engines are red or that knees sometimes throb, he admits that we know millions of exotic truths such as the fact that black holes exist. You can know about the existence of black holes, but not about the colour of your shirt or even about what you believe regarding the colour of your shirt. The new sceptical arguments proceed in the usual way (here's a sceptical hypothesis; you can't neutralize it, you have to be able to neutralize it to know P; so you don't know P), but the sceptical hypotheses plugged into it are 'real live' scientific-philosophical hypotheses often thought to be actually true, such as error theories about belief, colour, pain location, and character traits. Frances investigates the questions, 'Under what conditions do we need to rule out these error theories in order to know things inconsistent with them?' and 'Can we rule them out?' Particular attention is paid to recent methods used to counter the traditional sceptic. Sharp, witty, and fun to read, Scepticism Comes Alive will be highly provocative for anyone interested in knowledge and its limits.
Think of it as a Texas version of Hillbilly Elegy." — Bryan Burrough, New York Times bestselling author of THE BIG RICH and BARBARIANS AT THE GATE "Bryan Mealer has given us a brilliant, and brilliantly entertaining, portrayal of family, and a bursting-at-the-seams chunk of America in the bargain.” — Ben Fountain, bestselling author of Billy Lynn's Long Halftime Walk A saga of family, fortune, faith in Texas, where blood is bond and oil is king... In 1892, Bryan Mealer’s great-grandfather leaves the Georgia mountains and heads west into Texas, looking for wealth and adventure in the raw and open country. But his luck soon runs out. Beset by drought, the family loses their farm just as the dead pastures around them give way to one of the biggest oil booms in American history. They eventually settle in the small town of Big Spring, where fast fortunes are being made from its own reserves of oil. For the next two generations, the Mealers live on the margins of poverty, laboring in the cotton fields and on the drilling rigs that sprout along the flatland, weathering dust and wind, booms and busts, and tragedies that scatter them like tumbleweed. After embracing Pentecostalism during the Great Depression, they rely heavily on their faith to steel them against hardship and despair. But for young Bobby Mealer, the author’s father, religion is only an agent for rebellion. In the winter of 1981, when the author is seven years old, Bobby receives a call from an old friend with a simple question, “How'd you like to be a millionaire?” Twenty-six, and with a wife and three kids, Bobby had left his hometown to seek a life removed from the blowing dust and oil fields, and to find spiritual peace. But now Big Spring’s streets are flooded again with roughnecks, money, and sin. Boom chasers pour in from the busted factory towns in the north. Drilling rigs rise like timber along the pastures, and poor men become millionaires overnight. Grady Cunningham, Bobby's friend, is one of the newly-minted kings of Big Spring. Loud and flamboyant, with a penchant for floor-length fur coats, Grady pulls Bobby and his young wife into his glamorous orbit. While drilling wells for Grady's oil company, they fly around on private jets and embrace the honky-tonk high life of Texas oilmen. But beneath the Rolexes and Rolls Royce cars is a reality as dark as the crude itself. As Bobby soon discovers, his return to Big Spring is a backslider’s journey into a spiritual wilderness, and one that could cost him his life. A masterwork of memoir and narrative history, The Kings of Big Spring is an indelible portrait of fortune and ruin as big as Texas itself. And in telling the story of four generations of his family, Mealer also tells the story of America came to be.
It's Saturday night, July 15th, 1944; and the Avalon is jumping with Blues lovers of all colors. Maximillion (Max) Slaughter, a buckskinned African American in his early thirties, the owner of the Avalon, is in the center of his universe, Oakland, California, the Harlem of the West. With his good looks, caring personality, and pearl bright smile, women are drawn to him, but none can compete with his love for the Avalon. In a week's time, Max meets the beautiful Lily Carter, who dies in his bed, searches for her son, finds her murderer, and buries her. Max's journey pits him against two of the city's most powerful men and their plans for postwar riches. Their use of brutality and the fear it carries is not as motivating as the regret that fills Max's heart and haunts his dreams.
In her third book of off-the-beaten-track explorations of western Canada, Liz Bryan travels scenic roads of British Columbia's Lower Mainland and Vancouver Island. From country routes winding through the Fraser Valley to forest roads on Vancouver Island leading to coastal settlements such as Zeballos and Telegraph Cove, these journeys celebrate amazing landscapes and trace the early human history of these regions. Since some of coastal BC's interesting places are accessible only by boat, the book also takes readers on excursions along the fjord-riven coast to such places as Friendly Cove and Sechart Whaling Station. From sandy bays to rocky headlands, quiet farmland to rugged forest, high mountains to rushing rivers, Liz Bryan captures the beauty of western British Columbia. There are maps for every route, and each tour is full of spectacular images.
A contempary anecdote not only confirms that Martha commanded respect in her own right during her lifetime, but also suggests an awkward truth later historians have preferred to ignore-that without Martha and her fortune, George might never have risen to social, military, and political prominence.Toward the end of his life, George Washington, war hero, retired president, and object of universal fame and veneration, was negotiating to purchase a plot of land in the new capital city, to be named in his honor. The seller, an aged veteran of the Revolution, was reluctant to part with the plot, even to so distinguished a purchaser. Washington persisted until the veteran's patience snapped: 'You think people take every grist that comes from you as the pure grain. What would you have been if you hadn't married the Widow Custis!' " -from the Introduction to Martha Washington: First Lady of Liberty From the glittering social life of Virginia's wealthiest plantations to the rigors of winter camps during the American Revolution, Martha Washington was a central figure in some of the most important events in American history. Her story is a saga of social conflict, forbidden love affairs, ambiguous wills, mysterious death, heartbreaking loss, and personal and political triumph. Every detail is brought to vivid life in this engaging and astonishing biography of one of the best known, least understood figures in early American life.
Since the 1987 appearance of A Dictionary of Modern Legal Usage, Bryan A. Garner has proved to be a versatile and prolific writer on legal-linguistic subjects. This collection of his essays shows both profound scholarship and sharp wit. The essays cover subjects as wide-ranging as learning to write, style, persuasion, contractual and legislative drafting, grammar, lexicography, writing in law school, writing in law practice, judicial writing, and all the literature relating to these diverse subjects.
Relying on an astounding collection of more than three decades of firsthand research, Frank M. Bryan examines one of the purest forms of American democracy, the New England town meeting. At these meetings, usually held once a year, all eligible citizens of the town may become legislators; they meet in face-to-face assemblies, debate the issues on the agenda, and vote on them. And although these meetings are natural laboratories for democracy, very few scholars have systematically investigated them. A nationally recognized expert on this topic, Bryan has now done just that. Studying 1,500 town meetings in his home state of Vermont, he and his students recorded a staggering amount of data about them—238,603 acts of participation by 63,140 citizens in 210 different towns. Drawing on this evidence as well as on evocative "witness" accounts—from casual observers to no lesser a light than Aleksandr Solzhenitsyn—Bryan paints a vivid picture of how real democracy works. Among the many fascinating questions he explores: why attendance varies sharply with town size, how citizens resolve conflicts in open forums, and how men and women behave differently in town meetings. In the end, Bryan interprets this brand of local government to find evidence for its considerable staying power as the most authentic and meaningful form of direct democracy. Giving us a rare glimpse into how democracy works in the real world, Bryan presents here an unorthodox and definitive book on this most cherished of American institutions.
The Art of Love tells the stories of the most fascinating couples of the art world, exploring the passionate, challenging and loving relationships behind some of the world’s greatest works of art. From Frida Kahlo and Diego Rivera to Joseph Cornell and Yayoi Kusama, Josef and Anni Albers to Gilbert & George – Kate Bryan delves into the formation, and sometimes breakdown, of each romance, documenting their highs and lows and revealing just how powerful love can be in the creative process. Whether long-lasting, peaceful collaborations, or short-lived tumultuous affairs, The Art of Love opens the door on some of the greatest love stories of the twentieth century. The relationships: Francoise Gilot & Pablo Picasso; Frida Kahlo & Diego Rivera; Carl Andre & Ana Mendieta; Christo & Jeanne-Claude; Robert Delaunay & Sonia Delaunay; Lee Krasner & Jackson Pollock; Barbara Hepworth & Ben Nicholson; Georgia O’Keeffe & Alfred Stieglitz; Lee Miller & Man Ray; Max Ernst & Dorothea Tanning; Jasper Johns & Robert Rauschenberg; Elaine de Kooning & William de Kooning; Maria Martins & Marcel Duchamp; Hans Arp & Sophie Taeuber-Arp; Raoul Hausmann & Hannah Hoch; Josef Albers & Anni Albers; Gwendolyn Knight & Jacob Lawrence; Kay Sage & Yves Tanguy; Nancy Holt & Robert Smithson; Marina Abramovic & Ulay; Gilbert & George; Joseph Cornell & Yayoi Kusama; Carroll Dunham & Laurie Simmons; Camille Claudel & Auguste Rodin; Maud Hunt Squire & Ethel Mars; Frances Loring & Florence Wyle; Alexander Rodchenko & Varvara Stepanova; Niki de Saint Phalle & Jean Tinguely; Leon Golub & Nancy Spero; Lili Elbe & Gerda Wegener; Bernd Becher & Hilla Becher; Emilia Kabakov & Ilya Kabakov; Tim Noble & Sue Webster; Idris Khan & Annie Morris
Bryan D. Palmer's award-winning study of James P. Cannon's early years (1890-1928) details how the life of a Wobbly hobo agitator gave way to leadership in the emerging communist underground of the 1919 era. This historical drama unfolds alongside the life experiences of a native son of United States radicalism, the narrative moving from Rosedale, Kansas to Chicago, New York, and Moscow. Written with panache, Palmer's richly detailed book situates American communism's formative decade of the 1920s in the dynamics of a specific political and economic context. Our understanding of the indigenous currents of the American revolutionary left is widened, just as appreciation of the complex nature of its interaction with international forces is deepened.
Perhaps the best-known version of the tar baby story was published in 1880 by Joel Chandler Harris in Uncle Remus: His Songs and His Sayings, and popularized in Song of the South, the 1946 Disney movie. Other versions of the story, however, have surfaced in many other places throughout the world, including Nigeria, Brazil, Corsica, Jamaica, India, and the Philippines. The Tar Baby offers a fresh analysis of this deceptively simple story about a fox, a rabbit, and a doll made of tar and turpentine, tracing its history and its connections to slavery, colonialism, and global trade.
From the grindhouse oddities to major studio releases, this work details 46 horror films released during the genre's golden era. Each entry includes cast and credits, a plot synopsis, in-depth critical analysis, contemporary reviews, time of release, brief biographies of the principal cast and crew, and a production history. Apart from the 46 main entries, 71 additional "borderline horrors" are examined and critiqued in an appendix.
In 1999 Bryan Woolley of the Dallas Morning News set out to record the stories of ordinary people in North Texas, to tell about their lives, especially their past, and how they became who they became. These stories were published in a column entitled "Where I Come From," which ran in the Sunday newspaper from May 1999 to December 2000, to great reader acclaim. Now, for the first time in book form, the best of those stories is gathered herein with photos of each storyteller. Among the people featured-a refugee who traveled a long road to Texas after the fall of Saigon; a ballet teacher who as a teenager joined the French Resistance against the Nazis; a rabbi who was also a country-music disc jockey; and a man who survived Auschwitz. Each story is told in the teller's words, making this collection a valuable resource for oral historians as well as to all those who enjoy a good story. Where I Come From will also stimulate the endeavors of those seeking to record their family history.
For three years while serving as a senior adviser to Rep. Henry A. Waxman (D-CA), chairman of the House Committee on Energy and Commerce—one of the most powerful committees in Congress—Bruce C. Wolpe kept a diary, a senior staffer’s look at how committees develop and promote legislation. With its insider’s view of the rough-and-tumble politics of cap-and-trade, healthcare reform, tobacco, oversight, and the debt ceiling agreement, The Committee uniquely melds the art of politics and policymaking with the theory and literature of political science. The authors engage with the important questions that political science asks about committee power, partisanship, and the strategies used to build winning policy coalitions both in the Committee and on the floor of the House. In this new edition, the authors revisit the relationship between the executive and Congress in the wake of the sweeping changes wrought by the Trump administration, as well as thoughts about how that relationship will change again as President Biden faces a 117th Congress that is strikingly similar to Obama’s 111th. The insider politics and strategies about moving legislation in Congress, from internal and external coalition building to a chairman’s role in framing policy narratives, will captivate both novice and die-hard readers of politics.
Ford's hard work and passionate interests brought him great wealth , and this book provides a peek at the luxuries he and his wife, Clara, enjoyed, from a yacht and a private rail car, to gracious residences in Michigan, Florida, and Georgia.
The two volumes of Marxism and Historical Practice bring together a wide range of essays written by one of the major Marxist historians of the last fifty years. Collected in Volume II, Interventions and Appreciations, are articles and reviews capturing the breadth of Palmer’s interests as a radical historian. Cultural forms and representational productions are analysed; political readings of historiography and pioneering historical practice provided. Themes as diverse as the analytic and political contributions of Eric Hobsbawm and E.P. Thompson, the conflicted legacies of American Trotskyism, and the representation of class politics in Scorsese’s Gangs of New York are covered.
In Public Enemies, bestselling author Bryan Burrough strips away the thick layer of myths put out by J. Edgar Hoover’s FBI to tell the full story—for the first time—of the most spectacular crime wave in American history, the two-year battle between the young Hoover and the assortment of criminals who became national icons: John Dillinger, Machine Gun Kelly, Bonnie and Clyde, Baby Face Nelson, Pretty Boy Floyd, and the Barkers. In an epic feat of storytelling and drawing on a remarkable amount of newly available material on all the major figures involved, Burrough reveals a web of interconnections within the vast American underworld and demonstrates how Hoover’s G-men overcame their early fumbles to secure the FBI’s rise to power.
1864: As Sherman’s army marches toward Atlanta, a cotton mill commandeered by the Confederacy lies in its path. Inside the mill, Clara Douglas weaves cloth and watches over her sister Kitty, waiting for the day her fiancé returns from the West. When Sherman’s troops raid the town and destroy the mill, Clara’s plans to start a new life in Nebraska are threatened. Branded as traitors by the Federals, Clara, Kitty, and countless others are exiled to a desolate refugee prison hundreds of miles from home. Cut off from everything they've ever known, Clara clings to hope while grappling with doubts about her fiancé’s ambitions and the unsettling truths surrounding his absence. As the days pass, the sisters find themselves thrust onto the foreign streets of Cincinnati, a city teeming with uncertainty and hostility. She must summon reserves of courage, ingenuity, and strength she didn’t know she had if she and Kitty are to survive in an unfamiliar, unwelcoming land. Inspired by true events of the American Civil War’s final year, The Lost Women of Mill Street is a vividly drawn novel about the bonds of sisterhood, the strength of women, and the repercussions of war on individual lives.
The result is a Vermeer we have not seen before: a painter whose serene spaces and calm subjects incorporate within themselves, however obliquely, the world's troubles. Vermeer abandons what his predecessors had labored so carefully to achieve: legible spaces, a world of moral clarity defined by the pressure of a hand against a table or the scatter of light across a bare wall. Instead Vermeer complicated Dutch domestic art and invented what has puzzled and captivated his admirers ever since: the odd daubs of white pigment, dancing across the plane of the canvas; patches of blurred surface, contradicting the painting's illusionism without explanation; and the querulous silence that endows his women with secrets they dare not reveal.".
Will Rogers was quoted more often than any other source besides the Bible and Shakespeare. Now his insightful wit is brought together in a collection of sayings organized by topic.
Bryan examines a wide range of devotional and secular texts, from works by Walter Hilton, Julian of Norwich, and Thomas Hoccleve to explore the models of identification and imitation through which they sought to reach the inmost selves of their readers, and the scripts for spiritual desire that they offered for the cultivation of the heart.
Providing an accessible and comprehensive overview, The Story of the Salem Witch Trials explores the events between June 10 and September 22, 1692, when nineteen people were hanged, one was pressed to death and over 150 were jailed for practicing witchcraft in Salem, Massachusetts. This book explores the history of that event and provides a synthesis of the most recent scholarship on the subject. It places the trials into the context of the Great European Witch-Hunt and relates the events of 1692 to witch-hunting throughout seventeenth-century New England. Now in a third edition, this book has been updated to include an expanded section on the European origins of witch-hunts, an updated and expanded epilogue (which discusses the witch-hunts, real and imagined, historical and cultural, since 1692), and an extensive bibliography. This complex and difficult subject is covered in a uniquely accessible manner that captures all the drama that surrounded the Salem witch trials. From beginning to end, the reader is carried along by the author’s powerful narration and mastery of the subject. While covering the subject in impressive detail, Bryan Le Beau maintains a broad perspective on the events and, wherever possible, lets the historical characters speak for themselves. Le Beau highlights the decisions made by individuals responsible for the trials that helped turn what might have been a minor event into a crisis that has held the imagination of students of American history. This third edition of The Story of the Salem Witch Trials is essential for students and scholars alike who are interested in women’s and gender history, colonial American history, and early modern history.
Winner of the Nicholas Bessaraboff Prize Musical repertory of great importance and quality was performed on viols in sixteenth- and early seventeenth-century England. This is reported by Thomas Mace (1676) who says that ’Your Best Provision’ for playing such music is a chest of old English viols, and he names five early English viol makers than which ’there are no Better in the World’. Enlightened scholars and performers (both professional and amateur) who aim to understand and play this music require reliable historical information and need suitable viols, but so little is known about the instruments and their makers that we cannot specify appropriate instruments with much precision. Our ignorance cannot be remedied exclusively by the scrutiny or use of surviving antique viols because they are extremely rare, they are not accessible to performers and the information they embody is crucially compromised by degradation and alteration. Drawing on a wide variety of evidence including the surviving instruments, music composed for those instruments, and the documentary evidence surrounding the trade of instrument making, Fleming and Bryan draw significant conclusions about the changing nature and varieties of viol in early modern England.
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