For years theater director Bryan Doerries has been producing ancient Greek tragedies for a wide range of at-risk people in society. His is the personal and deeply passionate story of a life devoted to reclaiming the timeless power of an ancient artistic tradition to comfort the afflicted. Doerries leads an innovative public health project—Theater of War—that produces ancient dramas for current and returned soldiers, people in recovery from alcohol and substance abuse, tornado and hurricane survivors, and more. Tracing a path that links the personal to the artistic to the social and back again, Doerries shows us how suffering and healing are part of a timeless process in which dialogue and empathy are inextricably linked. The originality and generosity of Doerries’s work is startling, and The Theater of War—wholly unsentimental, but intensely felt and emotionally engaging—is a humane, knowledgeable, and accessible book that will both inspire and enlighten.
Classical tragedy is timelessly powerful – not only does it still move us, but it heals, too. Bryan Doerries produces performances of Greek tragedies for soldiers returned from conflict, addicts, prison communities, victims of natural disasters, and other vulnerable people. His dramatisations have explored how the story of Sophocles’ Ajax can help today’s soldiers and their loved ones grapple with trauma; why people in the penal system are liberated by Prometheus Bound; and how Heracles has changed the way that some doctors manage end-of-life care. In drawing on such extraordinarily intimate experiences, and in telling his own story of loss and learning, Doerries illustrates the redemptive potential of one of the oldest human art-forms, and the power of re-enacting. The Theatre of War is a passionate, humane, and purposeful book that shows how suffering and healing are part of an eternally replicable process, and argues that the great tragedies of the Greeks can still light a clear path forward through contemporary society’s most tangled issues. PRAISE FOR BRYAN DOERRIES ‘Heart-gripping … Mr Doerries staged excerpts from the Greek plays for war veterans and their commanders, prison guards and prisoners, and others, followed by forums. The results, as he recounts in fluent, agile prose, upheld his belief that communal exposure to the power of the Greek tragedies can be a profoundly useful healing tool.’ The New York Times ‘The themes are timeless … Doerries examines both suffering and healing in this new, albeit ancient light.’ The New Statesman
Tragic, poignant, and at times funny and hopeful, this graphic novel brilliantly conveys the profound challenges that many of today’s veterans face upon returning to civilian life, even as it tells “the oldest war story of all time.” Jack Brennan is a Marine Corps sergeant whose infantry squad has been cleared to return home from a grueling deployment to Afghanistan. A few years prior, Sergeant Brennan lost one of his closest friends—a young combat veteran—to suicide and has vowed to do everything in his power to keep his Marines from a similar fate. On their last night in-country, Brennan, who has long kept a tattered copy of the Odyssey with him on deployment, shares his version of Homer’s classic with his fellow soldiers to help prepare them for the transition back home. Brennan plunges into a rich retelling of Odysseus’s long journey home from the battlefield at Troy, during which Odysseus and his men confront numerous obstacles—from the lure of a psychedelic lotus plant to ghoulish shades in the Land of the Dead to the seductive songs of the deadly Sirens—as they try to make it back to Greece. Along the way, Brennan and his fellow Marines map the struggles faced by Odysseus and his men onto their own—isolation, addiction, guilt, depression, and loss. Through his retelling, Brennan reminds his squad that the gulf separating the battlefield from the home front is deep, wide, and sometimes hard to cross—that it is possible to travel all the way home and, like the characters in the Odyssey, still feel lost at sea.
For years theater director Bryan Doerries has been producing ancient Greek tragedies for a wide range of at-risk people in society. His is the personal and deeply passionate story of a life devoted to reclaiming the timeless power of an ancient artistic tradition to comfort the afflicted. Doerries leads an innovative public health project—Theater of War—that produces ancient dramas for current and returned soldiers, people in recovery from alcohol and substance abuse, tornado and hurricane survivors, and more. Tracing a path that links the personal to the artistic to the social and back again, Doerries shows us how suffering and healing are part of a timeless process in which dialogue and empathy are inextricably linked. The originality and generosity of Doerries’s work is startling, and The Theater of War—wholly unsentimental, but intensely felt and emotionally engaging—is a humane, knowledgeable, and accessible book that will both inspire and enlighten.
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